Usually, yes — if you can do it without wrecking your workflow.
Uploading 4K to YouTube can improve perceived quality, help your videos qualify for higher-quality playback options, and in many cases lead to better looking 1080p playback after YouTube processes the file.
But 4K is not always worth it. It creates bigger files, longer exports, longer uploads, longer processing, and more storage demands. This guide breaks down when 4K helps, when it is overkill, and how to decide properly.
Why trust this guide?
I am not writing this as an outsider. I am a YouTube Certified Expert. I have coached 500+ clients, built and grown multiple channels, earned six YouTube Silver Play Buttons, built a personal audience of 100k+, and spent years working across YouTube strategy, SEO, retention, metadata, channel systems, and technical publishing workflows.
This matters because creators often hear two unhelpful extremes: “always upload 4K” or “4K is pointless”. The truth is more useful than either of those.
If you want help applying any of this to your own channel, you can book a discovery call.
Yes, if your footage is genuinely high quality and your workflow can handle it. 4K uploads can improve perceived playback quality and unlock higher-quality delivery, but they also create larger files, slower uploads, and longer processing times.
If your camera, editing setup, storage, and internet struggle with 4K, a clean 1080p workflow may still be the smarter choice.
YouTube’s own current upload guidance still includes specific bitrate recommendations for 4K, and it notes that to view new 4K uploads in 4K, the browser or device needs to support VP9. That alone tells you 4K is a real supported upload target, not a gimmick.
When uploading 4K is worth it
4K is usually worth it when one or more of these are true:
Situation
Why 4K helps
Your source footage is genuinely sharp
You give YouTube a stronger master file to work with
You film landscapes, travel, products, gaming, or detail-heavy content
Extra resolution can preserve texture and clarity
You crop or reframe in post
4K gives you more room to punch in while still delivering 1080p cleanly
You want the best possible playback experience on larger screens
4K gives viewers more quality headroom
Your workflow can handle the file sizes and processing time
The benefits are easier to justify when the friction is low
For high-detail channels in particular, 4K can make a real visual difference. Product reviews, cinematic travel footage, screen recordings with fine UI detail, drones, photography channels, and gameplay footage often benefit more than basic webcam commentary.
When 4K is not worth it
4K is not automatically the right move for every creator.
It can be overkill when:
your camera does not produce genuinely good 4K
your editing machine struggles badly with 4K files
your upload speed turns every video into a painful wait
your content is mostly static talking head and the source is already clean at 1080p
the extra workflow friction stops you publishing consistently
Hard truth: a beautifully shot 1080p video uploaded consistently is better for your channel than a 4K workflow that slows you down, burns you out, or kills publishing momentum.
Does 4K look better even at 1080p?
Often, yes.
This is one of the biggest reasons creators upload 4K even when much of their audience watches at 1080p or below. A stronger source file can lead to cleaner-looking playback after YouTube processes and compresses it.
In plain English: giving YouTube a better master can help the lower-quality versions look better too.
Upload choice
Potential result
Clean 1080p upload
Usually fine for standard creator content
Clean 4K upload
Can improve overall perceived playback quality, even for viewers not actively selecting 4K
This is not magic. It is simply a better source going through YouTube’s re-encoding pipeline.
VP9, processing, and playback quality
This is where the 4K conversation becomes more technical and more interesting.
YouTube’s current upload page notes that to view new 4K uploads in 4K, the browser or device must support VP9. Its playback help pages also say some high-quality formats such as 1080p and 4K may not be available on all devices if they do not support newer video compression technology like VP9.
What this means in practice: 4K quality is not just about what you upload. It is also about what YouTube finishes processing and what the viewer’s device can actually decode and display.
That is one reason some creators notice their uploads look rough straight after publish and better later. Higher-quality versions can take longer to process fully.
Bitrate, file size, and upload time
4K is more demanding because it needs much more bitrate than 1080p.
YouTube’s current SDR guidance recommends:
1080p at 24–30 fps: 8 Mbps
1080p at 48–60 fps: 12 Mbps
4K at 24–30 fps: 35–45 Mbps
4K at 48–60 fps: 53–68 Mbps
That jump is huge. It means more storage, larger exports, longer uploads, and longer processing.
Fast-turnaround daily publishing with a weaker machine or slow internet
Prioritise workflow speed over resolution ego
Brand-led or premium visual content
4K often makes sense if the footage supports it
The smartest setup is the one that helps you publish consistently while still giving viewers a strong experience.
Fresh official facts worth knowing
This topic gets stronger when it is anchored to current YouTube guidance instead of recycled creator myths.
Fact
Why it matters
What it means in practice
YouTube currently recommends 35–45 Mbps for 4K SDR at 24–30 fps
Confirms 4K is a properly supported upload target
4K needs much more bitrate than 1080p
YouTube currently recommends 53–68 Mbps for 4K SDR at 48–60 fps
High frame rate 4K is even more demanding
60fps 4K has major file-size and processing implications
YouTube says new 4K uploads require a VP9-supporting browser or device to be viewed in 4K
Shows that playback quality depends on viewer hardware/software too
Not every viewer will see the highest-quality version the same way
YouTube playback help says some high-quality formats may not be available on all devices if VP9 is not supported
Reinforces the device compatibility angle
4K availability is partly a viewer-side issue, not just an uploader-side issue
Video pick: RPM vs CPM on YouTube
4K can help playback quality, but technical polish only matters if the wider channel system works. This connects the technical side to the business side.
Tools that genuinely help with smarter upload decisions
The old tools section needed a full rebuild. Tools should support a strategy, not pretend to replace one. These are the ones I would actually recommend first because they are relevant, trustworthy, and already supported by useful content on this site.
Tool
Best for
Why it earns a place here
Best next step
YouTube Studio
Watching playback performance, retention, and viewer response
This is where you judge whether the extra technical effort is helping the actual channel
If you came here for the fast answer, here it is again: yes, uploading 4K to YouTube is often worth it if your footage is genuinely good and your workflow can handle it.
But 4K is not automatically better for every creator. Bigger files, slower uploads, longer processing, and heavier editing can all cancel out the quality upside if the process becomes a burden.
The smartest move is not to chase 4K for ego. It is to choose the upload quality that gives your viewers the best experience without damaging your ability to publish consistently.
Usually yes, if your source footage is genuinely good and your workflow can handle the bigger files and longer processing time.
Does 4K help videos look better even for 1080p viewers?
Often, yes. A stronger source file can lead to better-looking playback after YouTube re-encodes the upload.
Why does YouTube 4K playback mention VP9?
YouTube says new 4K uploads need a browser or device that supports VP9 to be viewed in 4K, so playback quality depends partly on device support.
Is 4K always worth the bigger file size?
No. If the extra editing, storage, upload, and processing pain slows your workflow too much, clean 1080p can be the better choice.
What bitrate should I use for 4K YouTube uploads?
For SDR uploads, YouTube currently recommends 35–45 Mbps at 24–30 fps and 53–68 Mbps at 48–60 fps.
Should I upscale 1080p footage to 4K for YouTube?
Sometimes creators do this for workflow or codec reasons, but it is not a magic quality upgrade. Real source quality still matters most.
What kind of creators benefit most from 4K uploads?
Creators making travel videos, product reviews, gaming content, detail-heavy tutorials, drones, and cinematic footage usually get the clearest benefit.
What matters more than 4K alone?
Source quality, lighting, composition, motion handling, audio, editing, retention, and consistency all matter more than simply uploading a bigger file.
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Yes, you can make money doing covers on YouTube — but it is more complicated than most creators think.
Cover songs sit in one of the messiest corners of YouTube monetisation because music copyright, publisher claims, Content ID, sync rights, and revenue sharing can all come into play at once.
This guide breaks it down properly: when cover songs can earn, when they get claimed, why the money is often shared or restricted, what legal risks creators ignore, and the smarter ways to use covers as part of a wider music strategy on YouTube.
Why trust this guide?
I am not writing this as an outsider. I am a YouTube Certified Expert. I have coached 500+ clients, built and grown multiple channels, earned six YouTube Silver Play Buttons, built a personal audience of 100k+, and spent years working across YouTube strategy, SEO, retention, metadata, channel systems, and monetisation.
This matters because music channels, cover channels, and artist brands often get trapped between what “seems to work” and what YouTube’s rights and monetisation systems actually allow.
If you want help applying any of this to your own channel, you can book a discovery call.
Quick answer: can you make money doing covers on YouTube?
Yes, sometimes — but cover song monetisation on YouTube usually depends on copyright owners, music publishers, and Content ID policies.
That means a cover video can earn money, but the uploader often does not control all of that revenue and may have to share it or lose it entirely depending on the rights situation.
YouTube has official guidance explaining that creators in the YouTube Partner Programme can sometimes share revenue from eligible cover song videos once music publisher owners claim those videos, and that payout is handled on a pro rata basis.
That is the key word: eligible. Not every cover qualifies, not every rights holder allows monetisation, and not every claimed cover turns into revenue for the uploader.
Why cover songs are complicated on YouTube
A cover song seems simple from the creator side. You perform someone else’s song, upload it, and hope the audience loves it.
From a rights and monetisation point of view, though, there are at least two different copyright layers involved:
the composition itself, owned or controlled by the songwriter or publisher
the sound recording, which in a cover is your own new recording, not the original master
That is why covers are not the same as uploading the original recording, but they also are not free of copyright issues. YouTube’s broader copyright guidance makes clear that rights holders can use Content ID to block, monetise, or track videos that use copyrighted material, and those actions can differ by territory.
Issue
Why it matters for cover songs
Composition rights
The underlying song still belongs to the songwriter or publisher
Content ID claims
The cover can still be identified and claimed by rights owners
Revenue ownership
The uploader may not keep all monetisation
Territory rules
A cover may be monetised in one region and blocked in another
Can you monetize cover songs on YouTube?
Yes, but only in the situations YouTube and the rights holders allow.
YouTube explains that some cover videos can be monetised through revenue sharing when the music publisher owners claim the video and opt into that arrangement. It also makes clear that this only applies to eligible cover videos.
Plain English version: you can sometimes earn from a cover, but you should not assume you automatically own or keep all the ad revenue just because you recorded the performance yourself.
What usually happens to monetised covers?
the rights holder claims the cover
the video may stay live
the video may be monetised
the uploader may receive only part of the revenue, or in some cases none of it
That is why the old “you can make money from covers” advice needs context. It is directionally true, but operationally messy.
Content ID, copyright claims, and revenue sharing
This is where the real platform mechanics show up.
YouTube says Content ID can let rights holders take one of several actions on matching videos, including:
blocking the video
monetising the video
tracking the video’s viewership stats
Those actions can also be territory-specific, which means a video may be monetised in one country and blocked in another.
Content ID outcome
What it means for your cover
Monetise
The video stays live and revenue may go to the rights holder or be shared
Track
The video stays up, but the rights holder monitors it
Block
The video may be unavailable in some regions or removed from viewing
This is why some creators see a copyright claim and still keep the video live, while others get blocked or demonetised. It depends on the rights owner’s chosen policy.
The legal reality behind covers on YouTube
This is the bit many creators either never hear or quietly ignore: a cover song on YouTube is not just a YouTube problem. It is also a rights and licensing problem.
YouTube’s own cover-song monetisation guidance is narrow and conditional. The fact that some covers remain online does not mean every cover upload is fully cleared in a simple, universal way.
Important reality: “I uploaded a cover and it stayed live” is not the same as “I fully control the rights and monetisation”.
That distinction matters if you are trying to build a real business around cover content rather than just post for fun.
How creators actually make money from covers on YouTube
There are a few real-world ways creators still use covers to generate income, even when direct ad revenue is unreliable.
Method
Why it works
How reliable it is
Revenue sharing on eligible claimed covers
YouTube allows some cover videos to monetise on a shared basis
Moderate to inconsistent
Using covers to grow an audience
Popular songs can attract discovery faster than unknown originals
High as a growth tactic
Converting fans to original music
Covers can introduce viewers to your own songs
High if your funnel is strong
Memberships, Patreon, tips, and direct support
Fans support you, not just the specific song rights
High if audience loyalty is strong
Live bookings, coaching, or music services
Your performance ability becomes the product
Potentially very strong
That is why the smartest cover-song strategy is usually not “I will live on AdSense from covers alone”. It is “I will use covers as one audience-building layer inside a broader music business.”
Smart move for music creators: use cover songs to attract attention, then use DistroKid to release your original music and eligible cover songs properly across streaming platforms. That way you are not just chasing YouTube ad revenue — you are building a music catalogue and audience that can grow beyond one platform.
A smarter strategy for cover-song creators
If I were advising a musician who wants to use cover songs on YouTube, I would not build the whole plan around hoping the ad revenue works out.
A stronger strategy usually looks like this:
Use covers to attract discovery around familiar songs.
Use descriptions, pinned comments, and channel structure to lead viewers toward your original music.
Collect audience attention into email lists, memberships, socials, or streaming follows.
Treat any cover revenue share as a bonus, not the whole business model.
Build originals, services, merch, licensing, or fan-supported offers around that audience.
If you are serious about turning cover-song traffic into a real music career, you need somewhere to send people next. That is why I like DistroKid. It is not just for your original songs. DistroKid also supports eligible cover-song distribution and cover licensing, which means you can use covers for discovery and then push listeners toward your own releases, artist profiles, and streaming catalogue. In other words, covers can get you found, but your originals are what help you build something you control.
The harder truth is this: if all your momentum lives only on YouTube, then you are still renting your audience from one platform. If you turn that attention into released music on streaming platforms, you start building a catalogue that can keep working for you long after one cover video cools off.
Important: DistroKid can help with eligible cover-song distribution and licensing, but that does not mean every music idea is automatically safe to upload. Covers, samples, remixes, and derivative works all carry different rights issues, so treat cover licensing as a real process, not a loophole.
Fresh official facts worth knowing
This topic gets much stronger when you anchor it to current YouTube documentation instead of recycled myths.
Fact
Why it matters
What it means in practice
YouTube allows some eligible cover videos in the Partner Programme to share revenue after publisher claims
Confirms some cover monetisation is possible
Some covers can earn, but only under specific rights-holder conditions
Content ID can block, monetise, or track matching videos, including on a territory-specific basis
Explains why covers behave differently across songs and countries
The same cover may be fine in one place and restricted in another
YouTube’s copyright systems are built around rightsholder control
Reinforces why the uploader does not control everything
Uploading a cover does not automatically give you full monetisation rights
DistroKid offers cover-song licensing for eligible covers for an additional yearly fee
Shows there is a legitimate distribution route beyond YouTube alone
You can use covers for discovery and still build a wider streaming presence
DistroKid says artists keep 100% of royalties on its core distribution model
Strengthens the case for using covers as discovery while building an original catalogue you control more directly
Original music usually gives you more long-term leverage than relying on cover-video ad revenue alone
Video pick: Think like a creator business, not just a cover uploader
Covers can drive discovery, but the channels that last usually connect audience growth to a stronger business system.
Tools that genuinely help cover creators build something bigger
The old tools section needed a full rebuild. Tools should support a strategy, not pretend to replace one. These are the ones I would actually recommend first because they are relevant, trustworthy, and already supported by useful content on this site.
Tool
Best for
Why it earns a place here
Best next step
YouTube Studio
Monitoring claims, watch time, audience behaviour, and revenue mix
This is where you can see how your cover content is actually performing and whether claims affect monetisation
Publishing original music and eligible cover songs to streaming platforms
Covers can bring attention, but DistroKid helps you turn that attention into a real catalogue by releasing your original songs and eligible cover songs across major platforms. That makes it easier to build an artist profile, grow monthly listeners, and move beyond relying only on YouTube cover traffic.
What I would do if I wanted to build a cover-song channel today
Use covers for discovery, not as the whole business plan.
Expect claims and plan around them.
Build clear bridges to your original music and owned audience.
Diversify beyond ad revenue from covers.
Treat every cover upload as a funnel, not just a one-off performance.
Final thoughts
If you came here for the fast answer, here it is again: yes, you can sometimes make money doing covers on YouTube, but the rights holders, Content ID, and YouTube’s policies often control how that money is shared or restricted.
That means covers can be useful, profitable, and audience-building — but they are rarely the clean, simple monetisation lane many creators imagine.
The smartest move is to use covers strategically, not blindly. Let them bring attention, then turn that attention into something you control more directly.
Sometimes, yes. YouTube says creators in the Partner Programme can share revenue from eligible cover videos when music publisher owners claim them, but this is conditional and not universal.
Do you own the monetisation on your cover song video?
Not necessarily. Rights holders and publishers can claim the video and may share, track, or take monetisation depending on their policy.
Can cover songs get copyright claims on YouTube?
Yes. Content ID can identify and act on videos containing copyrighted music, including monetising, tracking, or blocking them.
Can a cover song be blocked in some countries but not others?
Yes. YouTube says Content ID actions can be territory-specific.
Are covers a good growth strategy on YouTube?
They can be. Covers can attract discovery around familiar songs, but the strongest long-term strategy usually uses them to lead viewers toward original music or direct support.
Should musicians rely on cover-song ad revenue alone?
Usually not. Covers are better treated as one discovery layer inside a wider artist business model.
What is the smarter business move for cover artists?
Use covers to attract attention, then convert viewers into fans of your originals, memberships, live shows, products, or direct support.
Do rights holders always block cover songs?
No. Some rights holders monetise, some track, and some block, depending on their policy.
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The best bitrate for YouTube depends on your resolution, frame rate, and whether you are uploading SDR or HDR video.
That is the short answer. The useful answer is knowing the exact bitrate ranges YouTube recommends, when you should go higher, when bigger files do not help, and how bitrate fits into overall upload quality.
This guide breaks that down properly with current YouTube-recommended upload settings, practical creator advice, and the real-world trade-offs between quality, file size, processing time, and playback results.
Why trust this guide?
I am not writing this as an outsider. I am a YouTube Certified Expert. I have coached 500+ clients, built and grown multiple channels, earned six YouTube Silver Play Buttons, built a personal audience of 100k+, and spent years working across YouTube strategy, SEO, retention, metadata, channel systems, and technical publishing workflows.
This matters because bitrate questions often get answered with either outdated YouTube tables or unhelpful advice like “just upload the highest quality possible” with no context.
If you want help applying any of this to your own channel, you can book a discovery call.
Quick answer: what is the best bitrate for YouTube?
For standard SDR uploads, YouTube currently recommends around 8 Mbps for 1080p at 24–30 fps, 12 Mbps for 1080p at 48–60 fps, 35–45 Mbps for 4K at 24–30 fps, and 53–68 Mbps for 4K at 48–60 fps.
The best bitrate is usually the one that matches YouTube’s current recommendations for your format without creating needlessly huge files.
YouTube’s own recommended upload encoding settings say uploads should use the same frame rate they were recorded in, H.264 video, AAC-LC audio, and variable bitrate, with recommended bitrate ranges based on resolution and frame rate. It also says no bitrate limit is required, although it gives recommended values for reference.
YouTube recommended bitrate chart
Here is the current official YouTube bitrate guidance for SDR uploads.
Resolution
24, 25, 30 fps
48, 50, 60 fps
8K
80–160 Mbps
120–240 Mbps
2160p (4K)
35–45 Mbps
53–68 Mbps
1440p (2K)
16 Mbps
24 Mbps
1080p
8 Mbps
12 Mbps
720p
5 Mbps
7.5 Mbps
480p
2.5 Mbps
4 Mbps
360p
1 Mbps
1.5 Mbps
For HDR uploads, YouTube’s recommended bitrates are slightly higher.
Resolution
24, 25, 30 fps
48, 50, 60 fps
8K
100–200 Mbps
150–300 Mbps
2160p (4K)
44–56 Mbps
66–85 Mbps
1440p (2K)
20 Mbps
30 Mbps
1080p
10 Mbps
15 Mbps
720p
6.5 Mbps
9.5 Mbps
Simple rule: match your export bitrate to YouTube’s recommended range for your actual resolution and frame rate. Do not guess, and do not assume 4K numbers apply to 1080p.
Best bitrate for 1080p YouTube uploads
If you are uploading 1080p SDR video, the current official recommendation is:
8 Mbps for 24, 25, or 30 fps
12 Mbps for 48, 50, or 60 fps
That covers the majority of talking-head videos, tutorials, reaction videos, commentary, and general creator uploads.
If your 1080p video has lots of motion, fine detail, particles, gaming footage, or fast cuts, you may prefer to export toward the upper end of quality in your editor, but it still rarely makes sense to go wildly above YouTube’s guidance for standard uploads unless you have a specific production reason.
Best bitrate for 4K YouTube uploads
If you are uploading 4K SDR video, YouTube currently recommends:
35–45 Mbps for 24, 25, or 30 fps
53–68 Mbps for 48, 50, or 60 fps
This is one reason 4K uploads take longer to export, upload, and process. The files are much larger, and the recommended bitrate is far higher than for 1080p.
Higher frame rates need higher bitrate because there is simply more image data to preserve cleanly.
Format
Recommended SDR bitrate
720p60
7.5 Mbps
1080p60
12 Mbps
1440p60
24 Mbps
2160p60
53–68 Mbps
This matters a lot for gaming, sports, movement-heavy vlogs, cinematic B-roll with motion, and anything where frame clarity matters more than static talking-head footage.
HDR vs SDR bitrate differences
HDR uploads need more bitrate than SDR at the same resolution because there is more image information to preserve.
For example:
1080p SDR at 24–30 fps: 8 Mbps
1080p HDR at 24–30 fps: 10 Mbps
4K SDR at 24–30 fps: 35–45 Mbps
4K HDR at 24–30 fps: 44–56 Mbps
If you are not intentionally producing HDR content with the correct pipeline, do not force HDR settings just because the bitrate numbers are bigger. Bad HDR workflows can make uploads look worse, not better.
Does a higher bitrate always help?
No. This is one of the biggest bitrate myths.
YouTube re-encodes uploads. That means your upload is not the final version viewers receive. Sending YouTube a clean, strong source file matters, but there is a point where increasing bitrate further just bloats your file without creating a visible benefit.
Bigger file does not always mean better result. Once you are already giving YouTube a high-quality source in the correct range, pushing the bitrate massively higher often creates longer export times and larger uploads without a meaningful quality win.
YouTube’s own upload guidance even says no bitrate limit is required, while still providing recommended bitrate ranges for reference. That should tell you the right mindset: quality matters, but bitrate is not a magic knob you can turn forever.
Bitrate vs quality in real life
Bitrate affects quality, but it is only one part of the chain.
Factor
Why it matters
Source footage quality
You cannot recover detail that was never captured cleanly
Resolution
Higher resolutions need more bitrate
Frame rate
Higher fps usually needs more bitrate
Codec and export settings
H.264, progressive scan, and correct profile settings matter
Motion and detail
Fast action and complex textures need more data
YouTube re-encoding
Your upload is processed again after upload
That is why a beautifully shot 1080p file exported cleanly at the right bitrate can outperform a badly shot 4K file exported at a giant bitrate.
Smarter export settings beyond bitrate
If you want cleaner uploads, bitrate is not the only thing to check.
YouTube’s official recommendations also include:
Container: MP4
Video codec: H.264
Audio codec: AAC-LC
Frame rate: upload in the same frame rate you recorded
Scan: progressive, not interlaced
Chroma subsampling: 4:2:0
Sample rate: 48 kHz
Best practical export mindset: use the correct resolution, keep the original frame rate, export with a clean H.264 MP4 file, and match bitrate to YouTube’s current recommended range instead of guessing.
This topic gets much stronger when you anchor it to current YouTube documentation instead of old export presets people keep repeating for years.
Fact
Why it matters
What it means in practice
YouTube recommends 8 Mbps for 1080p SDR at 24–30 fps
This is the baseline many creators need
Most standard 1080p uploads do not need extreme bitrate settings
YouTube recommends 12 Mbps for 1080p SDR at 48–60 fps
Higher frame rates need more data
Do not use 30 fps bitrate assumptions for 60 fps uploads
YouTube recommends 35–45 Mbps for 4K SDR at 24–30 fps
4K needs much more bitrate
4K exports take more storage, upload time, and processing time
YouTube recommends higher bitrates again for HDR uploads
HDR carries more image information
Only use HDR workflows when the whole production pipeline supports it properly
YouTube says uploads should use the same frame rate they were recorded in
Avoids unnecessary conversion issues
Do not randomly change 30 fps footage to 60 fps just for upload
Video pick: RPM vs CPM on YouTube
Bitrate affects technical upload quality, but your business results still depend on the broader content system. This helps connect the technical side to the monetisation side.
Tools that genuinely help with cleaner YouTube uploads
The old tools section needed a full rebuild. Tools should support a strategy, not pretend to replace one. These are the ones I would actually recommend first because they are relevant, trustworthy, and already supported by useful content on this site.
Tool
Best for
Why it earns a place here
Best next step
YouTube Studio
Checking playback performance, processing, and audience response
This is where you connect technical decisions to actual viewer behaviour
What I would do if I wanted cleaner YouTube uploads today
Export in the same frame rate you recorded.
Use a clean H.264 MP4 workflow.
Match bitrate to your real resolution and frame rate.
Do not massively overshoot the recommended bitrate for no reason.
Focus on source quality, lighting, motion handling, and editing as well as bitrate.
Final thoughts
If you came here for the fast answer, here it is again: the best bitrate for YouTube depends on your resolution, frame rate, and whether you are uploading SDR or HDR video.
For most creators, that means 1080p SDR at 8 Mbps for 24–30 fps or 12 Mbps for 48–60 fps, with higher numbers for 1440p, 4K, and HDR.
The smart move is not to blindly crank bitrate forever. It is to export a clean source file that matches YouTube’s guidance and supports the footage you actually shot.
YouTube currently recommends 8 Mbps for 1080p SDR at 24–30 fps and 12 Mbps for 1080p SDR at 48–60 fps.
What is the best bitrate for YouTube 4K?
For SDR uploads, YouTube currently recommends 35–45 Mbps for 4K at 24–30 fps and 53–68 Mbps for 4K at 48–60 fps.
Does a higher bitrate always improve YouTube quality?
No. Once you are already supplying a clean source in the correct range, a much bigger bitrate often just creates larger files and longer upload times without a clear visible benefit.
Should I export in 60fps if I recorded in 30fps?
Usually no. YouTube recommends uploading using the same frame rate you recorded in.
What codec does YouTube recommend for uploads?
YouTube recommends H.264 video in an MP4 container for standard upload workflows.
What audio bitrate does YouTube recommend?
YouTube’s current recommendations include 128 kbps for mono, 384 kbps for stereo, and 512 kbps for 5.1 uploads.
Does bitrate matter more than video quality?
No. Source quality, lighting, motion, resolution, frame rate, and clean export settings all matter alongside bitrate.
What is the best export mindset for YouTube?
Match your actual resolution and frame rate, use a clean H.264 MP4 export, and stay close to YouTube’s current recommended bitrate ranges.
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Usually, no — if AdBlock prevents ads from being shown, the creator generally does not earn normal ad revenue from that blocked ad playback.
That is the short answer. The more useful answer is understanding what kind of revenue gets blocked, what still counts, when creators can still earn in other ways, and why AdBlock is only one part of the bigger YouTube monetisation picture.
This guide breaks that down properly, including ads, Premium, memberships, affiliate links, watch time, and what AdBlock really means for creators trying to build sustainable income.
Why trust this guide?
I am not writing this as an outsider. I am a YouTube Certified Expert. I have coached 500+ clients, built and grown multiple channels, earned six YouTube Silver Play Buttons, built a personal audience of 100k+, and spent years working across YouTube strategy, SEO, retention, metadata, channel systems, and monetisation.
This matters because questions like this are often answered too simply. Creators and viewers both benefit from knowing what AdBlock actually changes, what it does not change, and where the real money is made.
Quick answer: do YouTubers get paid if I use AdBlock?
Usually not for the blocked ad view itself. If AdBlock stops the ad from being shown, the creator generally does not earn standard ad revenue from that blocked playback.
But that does not always mean the creator gets nothing at all from you as a viewer, because other revenue sources can still exist.
That is the fast answer and it is still the right one for the main query.
The fuller answer is that YouTube ad revenue depends on monetized playbacks and ad impressions, not just total views. YouTube’s own ad revenue analytics documentation says not all views will have ads, and that views that include ads are referred to as monetized playbacks. If AdBlock prevents the ad from loading, that blocked ad impression is generally not creating normal ad revenue in the way a served ad might. Source: YouTube Help.
What AdBlock actually stops
AdBlock usually stops the normal watch-page ad experience or interferes with it. That means the advertiser may not get the ad impression it expected and the creator may not get the ad revenue that would have come from that playback.
If AdBlock blocks…
What usually happens
What it means for the creator
Pre-roll or in-stream ad
The ad may never fully load or serve
Usually no standard ad revenue for that blocked ad event
Display or overlay ad
The ad may not appear
That monetisation opportunity may be lost
Non-ad revenue streams
These are separate
The creator may still earn through other routes
This is why the cleanest answer is “usually no for the blocked ad itself”, not “the creator gets nothing from you at all under any circumstances”.
Do creators still get anything if I use AdBlock?
Sometimes, yes — but not from the blocked ad.
Even if AdBlock stops ad revenue on that playback, creators can still earn from other monetisation routes connected to that viewer, such as:
YouTube Premium revenue if the viewer is also a Premium member
channel memberships
Super Thanks, Super Chat, or Super Stickers
affiliate links
sponsorship-driven conversions
products, services, or coaching
Plain English version: AdBlock usually removes the ad revenue part of that view, but it does not magically erase every other way a creator can make money.
AdBlock vs YouTube Premium
This is an important distinction.
If you use AdBlock, you are usually blocking the ad experience without creating a replacement subscription revenue stream for the creator.
Even if the creator does not earn normal ad revenue from that blocked playback, the view can still matter in other ways.
watch time can still matter
retention signals can still matter
engagement can still matter
the view can still influence recommendations and channel growth
That matters because creator businesses are not built only on one ad impression. A viewer who uses AdBlock but watches regularly, engages, joins a membership, buys a product, or clicks an affiliate link may still be financially valuable to the creator in the bigger picture.
Why this is not the whole monetisation story
The phrase “YouTubers do not get paid if I use AdBlock” is directionally right for ad revenue, but too small as a complete business answer.
YouTube itself explains that not all views include ads, that monetized playbacks are different from total views, and that RPM includes more than just ad revenue. RPM can include YouTube Premium, memberships, Super Thanks and other revenue sources depending on the channel’s monetisation mix. YouTube Help.
Question
Best answer
Does AdBlock usually reduce ad revenue for creators?
Yes
Does AdBlock mean the creator gets nothing from you at all?
No
Is YouTube Premium different from AdBlock?
Yes
Should creators rely only on ads anyway?
No
Fresh official facts worth knowing
This topic becomes much stronger when it is anchored to official YouTube documentation rather than creator folklore.
Fact
Why it matters
Source
YouTube says not all views have ads, and views that include ads are called monetized playbacks
Explains why ad-blocked views do not behave like ad-served views
If you are a creator, the correct response to AdBlock is not panic. It is diversification.
What matters more than obsessing over AdBlock: stronger topics, better thumbnails, better retention, Premium revenue, memberships, affiliate links, sponsorships, and products or services that fit your audience.
That is the real creator mindset. Ads matter, but they are not the only income stream serious channels should build around.
This helps place AdBlock in context. Ad loss matters, but the bigger issue for most channels is still not having a strong enough monetisation system overall.
Tools that genuinely help you build a more resilient monetisation strategy
The old tools section needed a full rebuild. Tools should support a strategy, not pretend to replace one. These are the ones I would actually recommend first because they are relevant, trustworthy, and already supported by useful content on this site.
Tool
Best for
Why it earns a place here
Best next step
YouTube Studio
Watching RPM, monetized playbacks, and revenue mix
This is where you see the real revenue picture rather than assuming every view behaves the same
What I would do if I wanted to support creators without watching ads
Use YouTube Premium instead of AdBlock if you want an ad-free experience that still supports creators.
Join memberships for channels you watch often.
Use affiliate links if the creator recommends something genuinely useful.
Buy products, courses, or services from creators you trust.
Watch, engage, and share content that deserves more reach.
Final thoughts
If you came here for the fast answer, here it is again: usually, no — if AdBlock prevents the ad from being shown, the creator generally does not earn standard ad revenue from that blocked ad playback.
But that does not mean the creator gets nothing from you as a viewer. Premium, memberships, affiliates, products, and long-term viewer value can still matter.
The bigger lesson for creators is not to rely on ads alone. The bigger lesson for viewers is that AdBlock and YouTube Premium are not the same thing from a creator-support point of view.
Usually not for the blocked ad playback itself. If AdBlock prevents the ad from being served, the creator generally does not earn standard ad revenue from that ad event.
Does AdBlock stop all creator income?
No. It usually blocks ad revenue for that playback, but creators may still earn through Premium, memberships, affiliate links, products, services, or other support.
Is YouTube Premium better for creators than AdBlock?
Yes. YouTube says Premium shares part of the membership fee with creators based on how much Premium members watch their content.
Do blocked views still count as views?
Yes, the view and watch behaviour can still matter, but that does not mean a normal ad impression was monetized.
Does AdBlock hurt YouTubers?
It can reduce ad revenue, especially for creators who rely heavily on watch-page monetisation. The impact varies depending on how diversified the creator’s business is.
Do all YouTube views have ads anyway?
No. YouTube itself says not all views have ads, and it tracks monetized playbacks separately from total views.
What is the best way to support creators without watching ads?
Use YouTube Premium, join memberships, use affiliate links, buy creator products, or support creators directly in other ways.
What should creators do about AdBlock?
They should diversify income, build stronger audience relationships, and avoid relying only on watch-page ads.
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English is still the dominant language on YouTube, but that does not automatically make it the best language for every channel.
That is the part most creators miss. A bigger language can mean a larger ceiling, but it can also mean more competition, weaker local relevance, and a poorer fit for your content style or audience intent.
If you are trying to decide which language to use on YouTube, or whether translating, subtitling, dubbing, or launching a second language version of your content is worth the effort, this guide will help you think it through properly.
Why trust this guide?
I am not writing this as an outsider. I am a YouTube Certified Expert. I have coached 500+ clients, built and grown multiple channels, earned six YouTube Silver Play Buttons, built a personal audience of 100k+, and spent years working across YouTube strategy, SEO, retention, metadata, channel systems, and monetisation.
This matters because language strategy is not just a translation decision. It affects packaging, audience fit, watch time, discoverability, monetisation, and how far your content can travel.
Quick answer: what are the top languages on YouTube?
English remains the most dominant language on YouTube overall, with Spanish, Portuguese, Hindi, Arabic, French, German, Japanese, and other major world languages also representing large audiences.
The best language for your channel is not always the biggest one. It is the language that gives you the strongest mix of clarity, audience fit, discoverability, and retention.
If you only want the headline, that is it. English still gives most creators the broadest international reach. But broadest reach does not always mean smartest strategy.
For some channels, making content in a local language is a stronger move because the competition is lower, the audience connection is tighter, and the content lands more naturally. For others, especially educational, software, business, tech, and global-interest content, English can open up a much larger ceiling.
Top languages on YouTube
YouTube does not publish an official live leaderboard of platform-wide language shares in the way many creators wish it did. So the right way to handle this topic is to combine what we know from YouTube’s scale, user geography, and channel trends without pretending the rankings are mathematically perfect.
Language
Why it matters on YouTube
Strategic takeaway
English
Largest global crossover reach and strong presence across multiple high-value markets
Best for international reach, but usually more competitive
Spanish
Huge audience across Spain, Latin America, and bilingual viewers elsewhere
Strong scale with a broad cross-country footprint
Portuguese
Very strong because of Brazil’s YouTube culture and viewing volume
Excellent if your content fits Brazilian or Lusophone audiences
Hindi
Important due to India’s enormous digital audience and YouTube usage
High upside, especially for locally relevant content
Arabic
Large regional opportunity across multiple countries
Powerful for creators serving MENA audiences
French
Relevant across France, parts of Canada, Africa, Belgium, and beyond
Good global spread for certain niches
German
Strong audience quality and high purchasing power in key markets
May offer good monetisation even without English-level scale
Japanese
Large and highly engaged domestic audience
Excellent if your content is built for Japan specifically
Important: the most popular languages on YouTube are not automatically the best languages for your channel. Audience intent, topic fit, cultural fluency, and competition matter just as much as raw scale.
What is the best language for YouTube?
The best language for YouTube is the one that lets you make your clearest, most watchable, most natural content for the audience you actually want to serve.
That sounds obvious, but it matters. A lot of creators are tempted to force English because it looks like the biggest opportunity. Sometimes that works. Sometimes it damages the channel because the creator is less confident, less expressive, less funny, less precise, and less watchable in English than in their native language.
If your priority is…
The better language choice is often…
Why
Maximum international reach
English
It travels furthest and crosses borders most easily
Strong local relevance
Your native or regional language
Better cultural fit and usually clearer communication
Better performance in a country-specific niche
Your audience’s dominant local language
It may convert better than broader international content
Educational or software content with global search demand
Often English
Search demand and buyer intent are often broader
Higher confidence on camera
The language you speak most naturally
Retention usually beats theoretical reach
Should you make videos in English or your native language?
This is usually the real question behind the keyword.
If you are fluent enough in English to sound natural, clear, and confident, English can give you a much wider audience ceiling. That is especially true if your niche is global by nature, such as software, business, tutorials, creator education, or product-led search content.
But if you are noticeably weaker in English than in your native language, the answer is often simple: make better videos in your native language instead of weaker videos in English.
Retention beats theory. A smaller audience that watches longer is often better than a larger potential audience that clicks away because the content feels awkward, slow, or unnatural.
This is one of those decisions where creator confidence matters more than spreadsheet logic. If your delivery, humour, storytelling, clarity, or authority drops in a second language, YouTube will feel that through watch time, viewer satisfaction, and recommendation signals.
This is where YouTube has become much more interesting than it used to be.
You no longer have to choose only one language forever. YouTube now supports multi-language features including translated metadata options, uploaded dubbed audio tracks, and automatic dubbing for eligible videos. That means creators can increasingly test language expansion without fully rebuilding their channel from scratch.
Option
What it does
Best use case
Subtitles
Makes spoken content easier to follow in more languages
Lowest-friction accessibility upgrade
Translated titles and descriptions
Helps viewers in other languages understand the video context
Useful for discoverability and click confidence
Uploaded multi-language audio
Lets you provide human-created dubbed audio tracks
Best for important evergreen videos and high-value content
Automatic dubbing
YouTube generates translated audio tracks in supported languages
Fastest way to test international accessibility at scale
YouTube’s own help documentation confirms that creators can add multi-language audio and that automatic dubbing can generate translated audio tracks for viewers around the world. See Add multi-language features to your videos and Use automatic dubbing.
That is a meaningful shift. Older advice on this topic often assumes you need to upload a completely separate translated version every time. In some cases that is still the best move, but the language toolkit is broader now.
Should you dub your videos?
Sometimes, yes. But only when the upside justifies the effort.
Dubbing is most attractive when:
your videos have long shelf life
the topic has global appeal
you already know the original content performs well
you have evidence of international viewers in analytics
the video supports a business goal, offer, or evergreen funnel
If the content is time-sensitive, highly local, or personality-driven in a way that does not travel well, subtitles may be the smarter move.
How language affects reach and revenue
Language affects more than views. It affects audience geography, buying power, advertiser demand, competition, and the type of offers that fit the audience.
Language can affect your channel in four key ways:
Discoverability: which search terms and recommendations you are eligible for
Retention: whether viewers feel at home in your content
Monetisation: what advertisers, sponsors, and affiliate opportunities fit your audience
Scalability: whether your content can travel into other regions
This is why bigger is not always better. A German, French, or Japanese channel may have a smaller potential audience than an English one, but it may still perform brilliantly if the audience is more targeted, more engaged, and better aligned with the content.
It is the same logic behind why a small high-intent channel can sometimes out-earn a much larger broad-interest channel. Audience fit matters.
For most creators, full translation is not the first thing to do. Better topic selection, stronger thumbnails, better intros, and tighter editing usually produce a faster return.
Translation becomes more worth it when one of these is true:
You already have proven videos with international appeal.
Your analytics show demand from countries outside your core language base.
Your niche is small enough that extra reach matters a lot.
Your channel already earns enough to justify reinvestment.
Your business model benefits from wider global visibility.
Scenario
Best next move
Why
Brand new channel
Focus on one language first
Clarity and consistency matter more than complexity
Evergreen educational content
Test subtitles or dubbed audio
The content has time to compound internationally
Strong international analytics
Translate top-performing videos
You already have evidence of demand
Local service or regional audience
Stay local-language first
Relevance often beats theoretical global scale
Fresh platform context that matters here
A lot of language advice becomes more useful when you remember the scale of YouTube itself.
Stat or fact
Why it matters
Source
YouTube says it has paid over $100 billion to creators, artists, and media companies in the past four years
Shows the upside of building globally relevant creator businesses
Video pick: How to grow on YouTube in a more strategic way
Language strategy is only one layer of channel growth. This wider growth guide helps connect language choice to audience fit, topic selection, and long-term compounding.
Tools that genuinely help with language expansion on YouTube
The old tools section needed a full rebuild. Tools should support a strategy, not pretend to replace one. These are the ones I would look at first.
Tool
Best for
Why it earns a place here
Best next step
YouTube Studio
Checking geography, subtitles, retention, and demand
This is where you spot international viewer patterns before wasting effort on translation
What I would do if I were choosing a YouTube language from scratch
Choose the language you can speak most naturally and confidently.
Check whether the niche is local, regional, or genuinely global.
Look at your analytics before spending money on translation.
Test subtitles first for proven evergreen content.
Only move into dubbing when the upside is visible.
Do not sacrifice watchability just to chase a bigger theoretical audience.
Final thoughts
If you are looking for the top language on YouTube, the fast answer is still English.
But the better answer is more useful: the best language for your YouTube channel is the one that helps you make the strongest content for the right audience, while giving you the right balance of scale, discoverability, and retention.
Sometimes that will be English. Sometimes it will be your native language. Sometimes the smartest move is one primary language supported by subtitles, dubbing, or selected translated assets.
Language is not just a technical choice. It is a strategic growth decision.
English is still the most dominant language on YouTube overall, especially for international reach.
What is the best language for YouTube videos?
The best language is the one that lets you communicate most clearly to the audience you actually want to reach. That is not always the biggest language.
Should I make YouTube videos in English?
Only if you can do it naturally and confidently enough to hold attention. A stronger local-language video is usually better than a weaker English one.
Does YouTube support multiple languages?
Yes. YouTube now supports a broader set of multilingual features including subtitles, translated metadata, uploaded dubbed audio, and automatic dubbing for eligible videos.
Should I dub my YouTube videos?
Dubbing is most useful for evergreen videos with proven international appeal. It is usually not the first move for a small or unvalidated channel.
Can subtitles help YouTube growth?
They can improve accessibility and help some international viewers follow your content more easily, especially on evergreen educational videos.
Does language affect YouTube revenue?
Yes. Language influences audience geography, advertiser demand, sponsor fit, discoverability, and how well your content converts into monetisation.
Can I use more than one language on one YouTube channel?
You can, but you need to be careful. Mixed-language publishing can confuse the audience unless the formats, audience expectations, and channel structure are handled well.
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Yes, YouTubers can control some parts of which ads appear on their content, but they cannot hand-pick every ad shown on their videos.
That is the short version. The useful version is knowing exactly what creators can control, what YouTube controls automatically, and where people get confused between ad formats, ad categories, sensitive-topic blocks, and advertiser selection.
This guide breaks that down properly, so you know what is possible in YouTube Studio, what is not, and what creators should focus on if they want better monetisation without chasing myths.
Why trust this guide?
I am not writing this as an outsider. I am a YouTube Certified Expert. I have coached 500+ clients, built and grown multiple channels, earned six YouTube Silver Play Buttons, built a personal audience of 100k+, and spent years working across YouTube strategy, SEO, retention, metadata, channel systems, and monetisation.
Questions like this matter because monetisation myths waste a lot of creator energy. If you think you can manually choose perfect ads for every video, you will focus on the wrong lever. If you think you have no control at all, you miss tools YouTube does actually give you.
Quick answer: can YouTubers control which ads are shown?
Partly. YouTubers can control some ad settings, such as ad formats, mid-roll placement, and blocking certain ad categories or advertiser URLs, but YouTube still chooses which ads are actually served through its ad systems.
So the honest answer is yes, but only up to a point.
YouTube’s own Help pages make this pretty clear. When you monetise a channel, ads on your video are automatically chosen based on context such as your video metadata and whether the content is advertiser-friendly. At the same time, creators can still manage certain controls inside YouTube Studio.
What creators can control
This is the part people often overlook. Creators do have some meaningful levers.
Control area
Can creators influence it?
How much control?
Ad formats
Yes
Creators can choose which ad formats to allow on monetised videos
Mid-roll placement
Yes
Creators can manage and edit mid-roll positions on longer videos
Sensitive ad categories
Yes
Creators can block or allow certain sensitive categories
General ad categories
Yes, to a degree
Creators can block some general categories
Specific advertiser URLs
Yes, to a degree
Creators can block certain advertiser URLs in available controls
Exact ad selection for each viewer
No
YouTube serves ads automatically
YouTube Help confirms creators can block certain ads from appearing on or next to their content using blocking controls in YouTube Studio. It also says creators can choose ad formats and manage mid-roll ad breaks on monetised videos.
What YouTube controls automatically
This is the line that matters most: YouTube still decides what specific ad gets served to a specific viewer.
Creators are not sitting there hand-picking Nike for one viewer, Adobe for another, and Grammarly for someone else. Ads are served through YouTube’s ad systems, auctions, Google Ad Manager, and other YouTube-sold sources. YouTube says ads on monetised videos are automatically chosen based on context like your video metadata and whether the content is advertiser-friendly.
Creators are not sitting there hand-picking Nike for one viewer, Adobe for another, and Grammarly for someone else. Ads are served through YouTube’s ad systems, auctions, Google Ad Manager, and other YouTube-sold sources. YouTube says ads on monetised videos are automatically chosen based on context like your video metadata and whether the content is advertiser-friendly. https://support.google.com/youtube/answer/7438625
Plain English version: you can shape the playing field, but you cannot personally hand-pick every ad that appears.
That is why the cleanest answer is “partial control, not total control”.
Ad categories and sensitive-topic blocks
One of the clearest forms of ad control creators do have is category-level blocking.
If there are certain types of ads you do not want appearing next to your content for personal, business, or brand reasons, YouTube allows creators to block some categories, including sensitive ones, inside YouTube Studio.
Type of control
What it does
Why it matters
Sensitive categories
Lets creators block ads from selected sensitive categories
Useful for brand alignment and channel comfort
General categories
Lets creators block some broader ad categories
Helps reduce mismatched advertiser themes
Updates in Studio
Changes may take time to reflect
Useful to know if you do not see an instant change
This is especially useful if you have a family-friendly brand, strong personal values, or a niche where certain categories would feel wildly off-brand.
Can you block specific advertisers?
To a degree, yes.
Historically, creators and publishers have had access to advertiser URL blocking controls in the broader Google ads ecosystem, and YouTube support material has referenced these controls for YouTube-hosted monetisation as well. The practical takeaway is that creators can have some limited advertiser-level blocking options, but this is still not the same thing as curating every ad partner one by one.
So again, the right mental model is not “I can choose exactly who advertises on my videos”. It is “I can exclude some things I do not want”.
Can YouTubers choose ad formats?
Yes. This is one of the most direct forms of control creators have.
YouTube’s upload and monetisation guidance says that creators in the YouTube Partner Programme can choose advertising formats for their monetised videos. YouTube also supports multiple formats such as skippable in-stream, non-skippable, bumper, and other watch-page ad inventory.
Question
Best answer
Can creators choose whether monetisation is on?
Yes
Can creators choose some ad formats?
Yes
Can creators choose the exact brand shown to each viewer?
No
Can creators block some ad categories?
Yes
Can YouTubers control where mid-roll ads appear?
Yes, and this is often more strategically important than people realise.
YouTube Help says creators can manage and edit mid-roll ad slots on longer videos in YouTube Studio. There are multiple ways to place mid-roll ad breaks, including automatic and manual approaches.
Why this matters: mid-roll control can affect viewer experience, retention, and revenue far more than obsessing over which exact advertiser appears.
If you place mid-rolls badly, you can damage watch time and annoy viewers. If you place them sensibly, you can improve monetisation without trashing the viewing experience.
Fresh official facts worth knowing
This topic gets much clearer when you anchor it to official documentation instead of creator myths.
Fact
Why it matters
Source
YouTube says ads on monetised videos are automatically chosen based on context like metadata and advertiser-friendliness
Confirms creators do not hand-pick every ad
YouTube Help
YouTube says creators can block certain ads using blocking controls in Studio
Confirms creators do have some real control
YouTube Help
YouTube says creators can choose advertising formats and manage mid-rolls
This is useful here because ad control questions make more sense when you understand the bigger revenue picture rather than one isolated ad event.
Tools that genuinely help you manage monetisation more intelligently
The old tools section needed a full rebuild. Tools should support a strategy, not pretend to replace one. These are the ones I would actually recommend first because they are relevant, trustworthy, and already supported by useful content on this site.
Tool
Best for
Why it earns a place here
Best next step
YouTube Studio
Monetisation settings, ad formats, mid-rolls, and analytics
This is where nearly all meaningful creator-side ad control actually happens
Use YouTube Studio to set sensible ad formats and category blocks.
Review mid-roll placement on longer videos.
Focus on advertiser-friendly, high-retention content.
Build a wider monetisation mix beyond ads.
Stop trying to micromanage the exact ad auction outcome.
Final thoughts
If you came here for the fast answer, here it is again: yes, YouTubers can control some parts of which ads are shown, but not every specific ad.
Creators can influence formats, category blocks, some exclusions, and mid-roll placement. But YouTube still serves ads automatically through its ad systems based on context, suitability, and demand.
The smart move is not to chase total control. The smart move is to use the controls you do have, protect viewer experience, and build a channel that monetises well across the bigger system.
Can YouTubers control which ads are shown on their videos?
Partly. Creators can control some settings like ad formats, mid-rolls, and some blocked categories, but YouTube still chooses the actual ads served to viewers.
Can YouTubers block certain ads?
Yes. YouTube provides blocking controls for certain ad categories and sensitive categories in Studio.
Can YouTubers choose the exact brand shown in ads?
No, not on a viewer-by-viewer basis. YouTube serves ads automatically through its own systems.
Can YouTubers choose ad formats?
Yes. Creators in the YouTube Partner Programme can manage monetisation and choose certain ad formats for eligible videos.
Can YouTubers control mid-roll ads?
Yes. Creators can manage and edit mid-roll ad breaks on longer videos in YouTube Studio.
Can creators block political or sensitive ads?
In many cases, yes. YouTube provides sensitive category blocking controls for creators in Studio.
Do blocked category changes happen instantly?
Not always. YouTube says changes can take time to reflect, sometimes up to around 24 hours.
What matters more than trying to control every ad?
Content quality, retention, advertiser-friendly topics, sensible mid-roll placement, and a wider monetisation mix matter more in practice.
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Yes, YouTubers do get paid when YouTube Premium members watch their videos.
The short version is simple: Premium viewers do not see ads, but creators can still earn because YouTube shares a portion of Premium subscription revenue with eligible creators.
The more useful question is how that money is worked out, whether it replaces ad revenue, whether Premium views are worth more, and what this means for creators trying to build reliable income on YouTube. That is what this guide covers properly.
Why trust this guide?
I am not writing this as an outsider. I am a YouTube Certified Expert. I have coached 500+ clients, built and grown multiple channels, earned six YouTube Silver Play Buttons, built a personal audience of 100k+, and spent years working across YouTube strategy, SEO, retention, metadata, channel systems, and monetisation.
This matters because YouTube monetisation questions are often answered with half-truths. Creators need the practical version, not just a one-line yes or no.
Quick answer: do YouTubers get paid if you have YouTube Premium?
Yes. If a YouTube Premium member watches a monetising creator’s content, that creator can earn a share of YouTube Premium subscription revenue based on how much Premium members watch their content.
Premium viewers do not see ads, but creators are not left with nothing. YouTube pays eligible creators from subscription revenue instead.
That is the short answer Google can quote and the reader can use immediately.
The longer and more useful answer is that YouTube Premium creates a different revenue path from normal watch-page ads. Premium members pay a subscription fee. YouTube then distributes a portion of that revenue to creators based on member watch behaviour.
YouTube’s own help documentation states that revenue from YouTube Premium membership fees is distributed to creators based on how much members watch their content, and that subscription revenue is paid on the same monthly cycle as ad revenue. Source: YouTube Help.
How YouTube Premium pays creators
The simplest way to think about it is this:
A viewer pays for YouTube Premium.
They watch videos without ads.
YouTube tracks how Premium members spend their watch time.
A portion of Premium subscription revenue is distributed to eligible creators.
The more Premium watch time your content gets, the more of that revenue pool you can receive.
YouTube Help puts it plainly: Premium membership fees are distributed to creators based on how much members watch your content. YouTube Help.
Viewer type
What they see
How the creator can earn
Free viewer
Ads may show
Ad revenue, plus other monetisation features if enabled
YouTube Premium viewer
No ads on eligible videos
Share of Premium subscription revenue, plus other monetisation features if enabled
That means Premium does not cancel creator earnings. It just changes the source.
Does YouTube Premium replace ad revenue?
Yes, for that specific Premium watch session.
If a Premium member watches your video, they are not seeing ads in the normal way, so that view is not generating standard ad revenue in the way a free viewer might. Instead, the creator can earn from the Premium revenue share model.
In plain English: ads are replaced by subscription revenue, not by nothing.
This is why the right answer to the main question is not just “yes”. It is “yes, but via a different revenue stream”.
Are Premium views worth more than ad-supported views?
Sometimes, but not in a simple one-size-fits-all way.
A Premium view is not automatically “worth more” every single time. The exact value depends on how Premium revenue is distributed, where the viewers are, how much Premium watch time your content gets, and how that compares with what the same audience might have generated through ads.
Question
Better answer
Do Premium viewers help creators earn?
Yes
Do Premium views count as ad views?
No, they use Premium revenue sharing instead
Is every Premium view worth more than every ad-supported view?
No, it varies
Can Premium still be valuable for creators?
Absolutely, especially for watch-time-heavy channels
What still counts when someone watches with Premium?
A lot more than many people realise.
Premium viewers can still contribute to:
watch time
audience retention signals
channel growth
recommendation momentum
Premium revenue sharing
other monetisation layers like memberships, Super Thanks, products, or external offers
Older YouTube Help guidance also confirms that background play and downloaded views from Premium users still count toward revenue sharing in relevant contexts because the watch activity still contributes to Premium watch behaviour. The core point for creators is simple: Premium viewers still matter.
Why this matters for strategy: you do not need to make “Premium-friendly” content. You need to make content people actually watch. Premium revenue follows watch behaviour.
Who can earn from YouTube Premium views?
Not every creator automatically qualifies.
To earn from YouTube Premium revenue sharing, you generally need to be in the YouTube Partner Programme and have the relevant monetisation modules enabled. YouTube’s expanded Partner Programme overview confirms that ad and Premium revenue sharing sit behind the full monetisation thresholds. YouTube Help.
Requirement area
What matters
YPP eligibility
You need to be accepted into the YouTube Partner Programme
Revenue sharing eligibility
You need the relevant monetisation modules and compliant content
Content suitability
Your content still needs to follow YouTube monetisation policies
How Premium fits into a wider YouTube income strategy
YouTube Premium is valuable, but it is not usually the thing you build your channel strategy around directly.
The better approach is to build content that performs well in general: stronger topics, stronger thumbnails, stronger intros, more watch time, and more audience trust. Premium revenue then becomes one part of a broader monetisation mix.
A healthy YouTube income stack can include:
ad revenue
YouTube Premium revenue
memberships
Super Chat, Super Stickers, and Super Thanks
affiliate links
sponsorships
products, services, or coaching
This is why Premium is worth understanding, but not worth obsessing over in isolation. It supports good content. It does not replace good content.
This helps place Premium revenue in context. It matters, but it is only one part of a bigger creator economy picture.
Tools that genuinely help you build a monetisable channel
The old tools section needed a full rebuild. Tools should support a strategy, not pretend to replace one. These are the ones I would actually recommend first because they are relevant, trustworthy, and already supported by useful content on this site.
Tool
Best for
Why it earns a place here
Best next step
YouTube Studio
Watching revenue mix and audience behaviour
This is where you see the broader monetisation picture, including RPM and viewer behaviour
What I would do if I were trying to earn more from YouTube
Stop thinking only in terms of ads.
Build better content that holds attention for longer.
Use analytics to understand audience behaviour, not just vanity metrics.
Build a revenue mix that includes more than one stream.
Treat Premium as part of the system, not the whole strategy.
Final thoughts
If you came here for the fast answer, here it is again: yes, YouTubers do get paid if you have YouTube Premium.
The important detail is that they are not paid through normal ads on that Premium watch. They earn through YouTube’s Premium revenue-sharing model instead.
That makes Premium an important part of the creator economy, but it is still only one part. The bigger goal is to make content people want to watch, because watch behaviour drives almost everything else.
Yes. Premium viewers do not watch normal ads, but creators can earn a share of YouTube Premium subscription revenue based on how much Premium members watch their content.
Do Premium views count as ad views?
No. Premium views use a different revenue model. Creators can still get paid, but through Premium revenue sharing rather than normal ad serving on that watch.
Are YouTube Premium views worth more?
Sometimes, but not always. The value varies depending on watch behaviour, geography, and how Premium revenue compares with what ads might have generated.
Do YouTubers lose money if I watch with Premium?
Not automatically. Premium replaces standard ad revenue on that watch with subscription-based revenue sharing.
Can small YouTubers earn from Premium?
Yes, but only if they are eligible for the relevant monetisation features through the YouTube Partner Programme and their content meets monetisation policies.
Does YouTube Premium affect memberships or Super Thanks?
No. Premium mainly changes the ad experience. Other monetisation features such as memberships, Super Chat, Super Stickers, and Super Thanks are separate revenue streams.
Does background play or downloaded Premium viewing still matter for creators?
Yes. Watch behaviour from Premium users still matters because Premium revenue is tied to how members consume content.
Is YouTube Premium important for creator strategy?
It matters, but it is not usually the main lever to optimise directly. Better content, stronger retention, and a wider monetisation mix still matter more.
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What Percentage of YouTubers Make Money? The Honest Answer (2026)
Most YouTube channels never make meaningful money. The rule-of-thumb is around 0.25% — but that number needs real context. This guide covers the complete picture: how much YouTube pays per 1,000 views by niche, real 2026 income tiers, CPM and RPM data, country-by-country earnings, YouTube Shorts pay rates, the Q4 CPM spike, Connected TV earnings uplift, the March 2026 YouTube Shopping expansion, and a free three-mode earnings calculator.
Most YouTube channels never make meaningful money. That sounds blunt, but it is the truth. The upside is that this number is often misunderstood — YouTube contains millions of abandoned, inactive, experimental, and half-started channels that were never built as businesses.
If you are asking what percentage of YouTubers make money, the question underneath it is more useful: how realistic is it to build a channel that earns anything at all, and what separates the channels that do from the ones that never get there?
This guide answers that properly — and goes further. You will find the specific CPM and RPM numbers by niche, country-by-country earnings data, the Q4 seasonality effect on earnings, what YouTube’s Connected TV shift means for creator income, the March 2026 YouTube Shopping expansion, a free earnings calculator, and a clear timeline for how long it actually takes to make money.
Quick Answer: What Percentage of YouTubers Make Money?
A practical rule-of-thumb: around 0.25% of all YouTube channels earn meaningful money through YouTube’s built-in monetisation systems.
That figure needs context. Most articles quote it without explaining it — which is exactly why this page exists.
The more accurate version: most YouTube channels make nothing; a minority make some money; only a small fraction generate high income. About 4.3% of channels are enrolled in the YouTube Partner Program, but most of those earn under $200/month — technically monetised, practically not a business.
How Much Does YouTube Pay Per 1,000 Views in 2026?
⚡ QUICK ANSWER
How much does YouTube pay per 1,000 views?
In 2026, YouTube pays creators between $2 and $12 per 1,000 views for long-form content on average. Finance and tech channels can earn $10–$25+ RPM, while gaming and entertainment channels typically earn under $3 RPM. YouTube Shorts pay far less — approximately $0.03–$0.08 per 1,000 views. These are creator take-home figures after YouTube’s 45% revenue share.
This is the question that sits underneath the ‘what percentage make money’ question — because the answer changes everything. A channel with 100,000 monthly views in the finance niche earns $1,000–$2,500/month. The same channel in entertainment earns $150–$300. Same view count, completely different business.
Content Format
Typical RPM (Creator Take-Home)
After YouTube’s 45% Cut
Key Variable
Long-form 8+ min (finance niche)
$10–$25
Yes — advertisers pay $18–$45 CPM
Mid-roll ads + high-value audience
Long-form 8+ min (tech/software)
$7–$14
Yes
Buyer-intent viewers
Long-form 8+ min (average niche)
$2–$8
Yes
Niche and audience geography
Long-form under 8 min
$1.50–$6
Yes
No mid-roll ads — fewer ad slots
YouTube Shorts
$0.03–$0.08
Yes — pooled revenue model
Volume play; use for growth not income
Live streams (ads only)
$1–$5
Yes
Super Chat adds significantly on top
RPM = Revenue Per Mille. What you actually receive per 1,000 total views after YouTube’s 45% cut. Source: TubeAnalytics 2026 creator dataset (50,000+ channels).
🍵 Why RPM Matters More Than Views
When I audit a channel, RPM is the first number I check — not subscribers, not views. A channel with 200,000 monthly views and a $2 RPM earns $400/month. A channel with 50,000 views and a $12 RPM earns $600/month. The channel with fewer views earns more. That’s the niche effect in practice.
The Real 2026 Numbers — What the Data Actually Shows
115M+
Total YouTube channels worldwide
5M+
Channels in YPP (Partner Program)
~4%
Active channels earning any ad revenue
<1%
Channels earning full-time income
Metric
Number
Source / Notes
Total YouTube channels
115M+
ytshark.com 2026 — includes abandoned, inactive, experimental channels
Active channels (≥1 upload per 90 days)
~50–65M
~57% of all channels show any recent activity
Channels in YouTube Partner Program (YPP)
5M+
YouTube CEO Neal Mohan’s 2026 creator letter
YPP as % of all channels
~4.3%
5M ÷ 115M — but YPP ≠ meaningful income
YPP creators earning under $200/month
Majority
Pew Research Center analysis of top channel distribution
Channels earning full-time income ($4,000+/mo)
Well under 1% of active channels
TubeAnalytics 2026 creator earnings analysis
Channels earning $50,000+/month
Under 0.1%
Top-tier; typically 1M+ subs with diversified revenue
YouTube paid creators total (past 4 years)
$100B+
YouTube CEO blog 2026 — highly concentrated at the top
Average CPM all niches (2026)
$6.15
Up 27.6% from $4.82 in 2025 — TubeAnalytics 50K-channel dataset
Non-ad revenue share for $10K+/month creators
41%
Up from 31% in 2025 — IMH Creator Economy Report 2026
Sources: YouTube CEO Neal Mohan’s 2026 letter; ytshark.com; TubeAnalytics; Pew Research Center; Influencer Marketing Hub.
🔍 Why ‘0.25%’ and ‘4%’ Are Both Right
These numbers measure different things. 4% of active channels are in YPP — they can earn ad revenue. 0.25% earn meaningful money — enough to constitute actual income. Most YPP creators earn under $200/month from AdSense. Both figures are accurate. Neither tells the full story alone.
What Actually Counts as ‘Making Money’ on YouTube?
Most articles fail here — they count any income as proof of ‘making money’. A channel earning enough to buy a sandwich once a month is not a business. Here is a cleaner breakdown:
Level
What It Usually Means
Monthly Estimate
What It Feels Like
Incidental income
Low, irregular earnings from ads
$1–$50
A nice surprise — not something you can plan around
Meaningful side income
Regular monthly earnings with clear upside
$100–$500
Covers tools, gear, software — starts being real
Part-time creator income
Consistent revenue worth reinvesting
$500–$2,000
Starts behaving like a small business
Full-time creator income
Diversified revenue at salary-level reliability
$4,000+
Usually built on more than AdSense alone
Creator business
Multiple revenue streams, team, systems
$10,000+
YouTube is top of funnel, not the whole business
Key point: when creators say they “make money on YouTube” they usually mean all revenue connected to their YouTube audience — including affiliate links, brand deals, digital products, coaching, and email funnels — not just AdSense. That is why topic, niche, and audience geography matter so much. See the top languages on YouTube for how language choice affects your income ceiling.
How YouTube Monetisation Works in 2026 — The Two-Tier System
YPP Tier
Subscribers Needed
Activity Threshold
What It Unlocks
Early access (fan funding)
500 subscribers
3 public uploads in 90 days + 3,000 watch hours in 12 months OR 3M Shorts views in 90 days
Super Thanks, Super Chat, Super Stickers, channel memberships — no ad revenue yet
Full ad revenue access
1,000 subscribers
4,000 watch hours in 12 months OR 10 million Shorts views in 90 days
Ad revenue, YouTube Premium revenue share, full YPP monetisation suite
💡 Being ‘In YPP’ and ‘Earning Useful Money’ Are Not the Same Thing
A channel can be enrolled in YPP — technically monetised — and still earn $12/month. Meeting the threshold unlocks the system; it does not guarantee revenue. The threshold is the starting line, not the finish line.
How Many YouTubers Actually Make Money? The Honest Version
What we can say with confidence:
Most channels never reach monetisation thresholds or turn access into useful income
~4% of active channels are in YPP and can earn ad revenue
Most YPP creators earn under $200/month — barely covers the cost of making the content
Full-time creator income ($4,000+/month) represents well under 1% of active channels
The top 3% of channels attract over 90% of all YouTube views (Pew Research Center)
Creators earning $10K+/month now derive 41% of revenue from non-ad sources — up from 31% in 2025 (IMH 2026)
$85M/year (MrBeast) versus $12/month (first YPP video) — both are “monetised YouTubers”
Plain English: use 0.25% as the fast answer for meaningful direct YouTube monetisation. Most channels earn nothing. A smaller group earn a bit. A much smaller group builds a dependable side income. A tiny fraction builds a serious creator business. YouTube has paid over $100 billion to creators in the past four years — but that money is not distributed evenly. Not even close.
Realistic YouTube Income Tiers — With Actual Monthly Figures
Tier
Subscriber Range
Typical Monthly Ad Revenue
What That Actually Means
% of Active Channels
Pre-monetised
0–999 subs
$0
No direct YouTube income yet — focus on audience fit and content quality
~96%
Early YPP
1,000–10,000 subs
$20–$200/month
The first cheque. Real but rarely meaningful without other revenue streams
~3%
Supplemental income
10,000–100,000 subs
$200–$2,000/month
Enough to reinvest or cover part-time income in high-CPM niches
~0.8%
Full-time creator
100,000–500,000 subs
$2,000–$8,400/month
Sustainable if paired with affiliates, sponsorships, or products
Ad revenue estimates: TubeAnalytics 2026 creator earnings analysis. Actual earnings vary significantly by niche, audience location, and content format.
⚠️ Subscriber Count Does Not Determine Revenue
A finance channel with 50,000 subscribers can out-earn a gaming channel with 500,000. Niche, audience geography, video length, and monetisation strategy matter far more than raw subscriber count.
YouTube CPM and RPM by Niche 2026 — Full Breakdown
CPM (Cost Per Mille) is what advertisers pay YouTube per 1,000 ad impressions. RPM (Revenue Per Mille) is what you actually earn per 1,000 total views after YouTube takes their 45% cut. RPM is the number that matters to you.
Niche
Typical CPM (US, 2026)
Typical RPM (Creator)
Why Advertisers Pay This Rate
Finance & investing
$15–$50
$8–$27
High-value customers — a bank account is worth thousands to a financial advertiser
Insurance & legal
$12–$38
$7–$21
Extremely high customer lifetime value
B2B software / SaaS
$15–$40
$8–$22
B2B customers have large budgets; companies pay premium to reach decision-makers
Technology & software reviews
$8–$25
$4–$14
Buyer-intent audience researching specific purchases
Digital marketing
$10–$20
$5–$11
Marketing tools and agencies compete aggressively for this audience
Real estate & mortgage
$8–$20
$4–$11
Transaction values are enormous
Health & medical
$8–$18
$4–$10
Healthcare and wellness advertisers pay premium for qualified audience
Education & tutorials
$6–$15
$3–$8
Edtech platforms target motivated learners
Food & cooking
$4–$12
$2–$7
Strong general advertiser base but lower purchase intent
Fitness & lifestyle
$3–$10
$1.50–$5
Broad audience but lower advertiser competition
Gaming (general)
$2–$8
$1–$4
Younger, lower-income demographic — valuable at scale only
Entertainment & comedy
$2–$6
$1–$3
Massive reach potential but weak advertiser targeting signal
Music
$0.50–$3
$0.30–$1.50
Copyright complexity limits monetisation
Kids content (COPPA)
$0.50–$3
$0.30–$1.50
Behavioural targeting disabled by law — significantly limits ad value
Source: TubeAnalytics 2026; FluxNote CPM Guide 2026; OutlierKit RPM data March 2026. Q4 CPMs run 20–50% higher. US audience assumed.
Same Views, Different Niche
Channel A (Finance)
Channel B (Gaming)
Difference
Monthly views
200,000
200,000
Identical
CPM
$25
$4
6.25x
Creator RPM (after 45% cut)
~$12/1,000
~$2/1,000
6x
Monthly AdSense revenue
~$2,400
~$400
$2,000 more from same traffic
Connected TV — The Hidden CPM Multiplier Most Creators Miss
⚡ QUICK ANSWER
Does YouTube pay more for Connected TV views?
Yes — significantly. YouTube CTV (Connected TV / TV screen) placements average $20–$25 CPM, a 30–60% premium over mobile and desktop. Over 45% of YouTube watch time now happens on TV screens, and CTV now drives roughly 75% of YouTube’s total ad spend. Creators with longer, lean-back content who attract TV-screen viewers earn measurably more per view without changing a single thing about their content.
Connected TV is one of the most significant and least-discussed factors in YouTube earnings in 2026. When your video gets watched on a living room TV versus a phone, the advertiser typically pays more — because TV viewers have longer attention spans, higher purchasing power, and are harder to reach through other channels.
Device / Platform
Typical CPM Range
Share of YouTube Watch Time
Notes
Connected TV (TV screens)
$20–$25
45%+ and growing
30–60% premium over other devices; advertisers pay top rates for lean-back attention
Desktop / Laptop
$8–$15
~25%
Strong intent signals from search-driven traffic
Mobile
$4–$10
~30%
Largest volume but lower CPM; ad-skip rates higher
YouTube Premium viewers (any device)
Revenue share from subscription
~18% of total creator revenue
No ads shown but creators earn from Premium revenue pool
📺 What This Means for Your Channel
If you create long-form educational, financial, tutorial, or documentary-style content — the type people watch comfortably on a big screen — you likely get more CTV views than you realise. Channels earning $100K+ from TV screens grew 45% year-over-year in 2025. Uploading in 4K triggers a ‘premium’ signal in the ad auction and can increase CTV CPM further.
Q4 CPM Spike — When YouTube Earnings Are Highest (and Lowest)
⚡ QUICK ANSWER
When is YouTube CPM highest?
YouTube CPM is highest in Q4 — October through December — when advertiser budgets peak for holiday campaigns. CPMs spike 30–60% above annual average during Q4, with Black Friday week seeing increases of 80–120%. The highest single day is typically in late November. January brings the sharpest drop: CPMs fall 30–50% as advertisers reset annual budgets. Monday consistently delivers the highest CPM across the week.
Period
CPM vs Annual Average
What to Do
Why It Happens
Q4 (Oct–Dec)
+30–60% above average; Black Friday week +80–120%
Publish your highest-quality, highest-effort content. Maximise upload consistency.
Holiday ad budgets. Brands aggressively bid to reach shoppers. Q4 is when the ad market is most competitive.
Back-to-school advertising and pre-Q4 campaign testing.
Q2 (Apr–Jun)
Near annual average
Strong baseline. Good period for evergreen content builds.
Steady advertiser spending after Q1 reset.
Q1 (Jan–Mar)
-30–50% vs December
Don’t panic — this is structural. Focus on content volume and evergreen SEO.
Annual budget resets. Advertisers have spent most of their holiday budget.
Monday
Highest day of week (~$3.53 avg)
Schedule important uploads for Mon–Wed for best CPM.
Advertisers reset weekly budgets; Monday bids are highest.
Weekend
Lower than weekdays
Weekend uploads still valuable for search traffic.
Advertiser demand drops as campaign managers aren’t optimising.
The practical takeaway: your January RPM is not your actual RPM. Creators who panic-quit in Q1 because earnings dropped are misreading a structural annual cycle. The correct comparison is Q1 this year vs Q1 last year — not Q1 vs the previous December.
📅 Calendar Your Best Content for Q4
If you have a video idea that could go big — a comprehensive guide, a highly searched topic, or a competitive keyword — the best time to publish it is September or October. It builds momentum heading into the highest-CPM months of the year.
YouTube Earnings by Country — Why Your Audience Location Changes Everything
The same video, with the same number of views, can earn 5–10x more if the viewers are in the United States compared to India or Brazil. This is one of the most important and least-discussed variables in YouTube earnings.
Country / Region
Average YouTube CPM (2026)
RPM Range (Creators)
Notes
United States
$8–$25 (varies by niche)
$4–$14
Highest-value YouTube market. Finance US = $20–$50 CPM
United Kingdom
$6–$18
$3–$10
Second-highest English-language market
Canada
$5–$16
$2.50–$9
Very similar to UK; strong advertiser market
Australia
$5–$14
$2.50–$8
High-value English-speaking market
Germany
$4–$12
$2–$7
Highest non-English CPM; strong B2B and finance advertisers
Netherlands / Nordics
$4–$10 (avg ~$8.62)
$2–$5.50
Small but premium audience
France / Spain
$2–$8
$1–$4.50
Spanish global reach drives views but Latin American audience reduces average CPM
YouTube Shorts Earnings — What Shorts Actually Pay in 2026
⚡ QUICK ANSWER
How much do YouTube Shorts pay per 1,000 views?
YouTube Shorts pay approximately $0.03–$0.08 per 1,000 views from the Shorts ad revenue pool — compared to $2–$14+ RPM for long-form videos. Shorts revenue now accounts for 18% of total creator earnings on the platform (up from 11% in 2025), but per-view rates remain significantly lower than long-form. The strategic value of Shorts is audience growth and channel discovery — not direct monetisation.
Format
Typical RPM / Per 1,000 Views
Monetisation Model
Best Strategic Use
Long-form video (8+ min)
$2–$14+ depending on niche
Direct ad placement — pre-roll, mid-roll, post-roll + Premium revenue share
Primary revenue driver
Long-form video (3–7 min)
$1.50–$8+
Pre-roll and post-roll only — no mid-roll
Acceptable but leaves mid-roll money on the table
YouTube Shorts
$0.03–$0.08
Pooled ad revenue fund — rate is shared across all eligible Shorts
Top-of-funnel growth and new subscriber acquisition
Live streams
Variable — can be high
Ads during stream + Super Chat + Super Stickers + memberships
Live engagement and fan funding; gaming channels earn 34% of revenue here
Creators who post both Shorts and long-form see 23% higher overall revenue than those focusing on either format alone (TubeAnalytics 2026). Use Shorts to grow. Use long-form to earn.
VIDEO
Revenue goes well beyond AdSense — especially important for Shorts-focused creators
Why Is the Percentage So Low? The Five Real Reasons
1. The barrier to starting is effectively zero
Anyone can start a YouTube channel in 10 minutes for free. That accessibility is good — but it floods the platform with channels that never had a serious monetisation plan. If starting cost £100, far fewer would start without thinking it through.
2. Most creators quit before compounding starts
The first 10–30 videos are usually the hardest and least rewarding. The algorithm doesn’t know you yet. Numbers are small. Most creators stop here. The channels that break through pushed through this window and kept publishing.
3. People chase views before building a monetisation model
Views without intent do not pay. A million views on a music lyric video earns far less than 50,000 views on a personal finance video from an engaged US audience. The strongest channels ask early: “if this channel works, how does it make money?” Most never ask. See How to Make Money on YouTube Without AdSense for the full multi-stream answer.
4. Packaging is the most common first bottleneck
Weak titles and thumbnails kill channels faster than poor camera quality ever will. This is the single most consistent finding across 500+ channel audits. A channel with mediocre production but strong packaging — clear thumbnails, curiosity-driven titles, well-structured intros — will outperform a beautifully shot channel with generic presentation every time.
5. Wrong niche for the CPM available
A gaming channel needs 10x more views than a finance channel to earn the same income. Many creators pick niches based on passion without understanding the CPM ceiling. Both channels can be worth building — but the finance creator reaches financial sustainability at 1/10th the audience size.
Problem
Effect on Channel
Effect on Earnings
Weak thumbnails and titles
Low CTR — fewer people start watching
Lower reach, lower watch time, lower revenue
Poor intros
Retention drops in first 30 seconds
Algorithm cuts distribution; fewer ads served
No niche clarity
Audience confusion
Harder to build trust or a relevant offer
No monetisation plan
Traffic goes nowhere useful
Views produce weak results even when volume is OK
Wrong niche for CPM
Revenue ceiling too low
Viable channel that can never make serious money from ads alone
Inconsistency
Algorithm has nothing to work with
Channel never reaches the scale needed for compounding
WORK WITH ALAN SPICER
Have a YouTube channel that isn’t making money? Let’s work out why.
The Real Money Is Often Beyond AdSense — Including One Big 2026 Development
Many of the strongest creator businesses use YouTube as the top of their funnel, not the entire business. One video can earn through multiple layers simultaneously.
Revenue Stream
What It Is
When It Works Best
2026 Update
AdSense / YouTube ads
Platform ad revenue share — 55% to creator
Any channel in YPP; higher CPM niches earn more
Average CPM up 27.6% YoY to $6.15
Affiliate marketing
Commission for recommending products
Review, tutorial, comparison content
High-intent YouTube audience converts well
NEW YouTube Shopping affiliate
Tag products in videos/Shorts/live — earn commission on sales
All YPP creators with 500+ subs from March 27, 2026
Expanded from 10,000-sub requirement to 500-sub tier. Revenue up 52% YoY. One creator attributes 40–50% of income to it.
Brand sponsorships
Paid integration within videos
10K+ subs in a defined niche with engaged audience
+45% YoY — gaming channels earn 34% of revenue here
Consulting / coaching
Direct client work generated by YouTube
Expertise channels — finance, marketing, business
Highest margin — one client can exceed months of AdSense
Email list
Off-platform audience ownership
Any channel — requires deliberate capture strategy
Email subscribers worth more long-term than YouTube subscribers
MARCH 2026 YouTube Shopping Expanded to 500-Subscriber Channels
On March 27, 2026, YouTube expanded its Shopping affiliate program to all YPP creators — including those who joined under the expanded 500-subscriber tier — removing the previous 10,000-subscriber barrier. Creators can now tag products from participating brands in videos, Shorts, and live streams and earn commissions on resulting sales. YouTube Shopping affiliate revenue grew 52% year-over-year in 2026. Source: YouTube official blog.
Why smaller channels can still win: Creators earning $10K+/month now derive 41% of revenue from non-ad sources, up from 31% in 2025 (IMH 2026). A channel with 5,000 engaged subscribers in a high-intent niche with an affiliate strategy and a consulting offer can out-earn a 500,000-subscriber entertainment channel. Channel size and channel income are not the same thing.
Two channels with the same views can earn wildly different amounts
How Long Does It Take to Make Money on YouTube?
⚡ QUICK ANSWER
How long does it take to make money on YouTube?
Most dedicated creators take 6–12 months to reach the 1,000 subscribers and 4,000 watch hours needed for full YPP access. Some fast-track in 3 months using Shorts and SEO-led content. After approval, first payment arrives 2–3 months later once earnings reach the $100 minimum threshold. On average, creators earn their first dollar around 6–8 months after launch — but this varies enormously by upload consistency, niche, and content quality.
Milestone
Typical Timeline
Fast-Track Path
Main Variable
500 subscribers (fan funding tier)
2–4 months
1–2 months with Shorts strategy
Upload consistency and niche search volume
1,000 subscribers + 4,000 hours (full YPP)
6–12 months
3–6 months with SEO-led content
Niche demand, thumbnail CTR, retention
YPP application reviewed
1–30 days after applying
Faster for clearly policy-compliant channels
Content quality and policy compliance
First payment ($100 minimum threshold)
2–3 months after YPP approval
Sooner in high-CPM niches with higher views
Views + RPM determines how fast you hit $100
$500/month from AdSense
12–24 months
6–12 months in high-CPM niche
Niche, view volume, RPM
$4,000+/month (full-time income)
2–5 years (AdSense alone)
12–18 months with diversified revenue
Multi-stream monetisation essential
⏱️ The Honest Reality About Timeline
These timelines assume consistent uploading (1–2 videos/week), a searchable niche, and improving content quality over time. Creators who upload once a month or switch niche frequently take much longer or never get there. The biggest determinant is not talent — it’s consistency combined with an increasingly sharp understanding of what your specific audience wants to watch.
Estimate monthly ad revenue based on your actual channel variables — not a generic average.
100,000 views/month
Estimated Monthly AdSense Revenue
$350
RPM used: $3.50 · After YouTube’s 45% cut
AdSense estimate only — does not include sponsorships, affiliates, or memberships
100,000
Monthly
$350
Yearly
$4,200
Adjusted RPM
$3.50
AdSense estimate only. Seasonality and geography adjustments applied.
Enter your monthly income target and niche — see exactly what view volume you need to hit it from AdSense alone.
$
To earn $1,000/month from AdSense at $3.50 RPM:
Monthly Views Needed
286K
Daily Views Needed
9.5K
Est. Subscribers Needed
~57K
Videos/Week @ 10K avg
~7
At $3.50 RPM you need roughly 5–10x more views than a finance channel for the same income. Niche selection matters.
* AdSense estimates only. Most creators hit income targets faster by adding affiliate links, sponsorships, or consulting alongside AdSense. Subscriber estimates assume 5% of subs watch each video.
RPM data sourced from TubeAnalytics 2026 creator dataset (50K+ channels). Estimates are indicative — your actual earnings will vary. Want a personalised analysis?
2026 YouTube Statistics Worth Knowing
Stat
Figure
Why It Matters
Source
YouTube paid creators total (4 years)
$100 billion+
Real money — but extremely concentrated at the top
YouTube CEO blog, 2026
YouTube US ecosystem GDP contribution
$55 billion
YouTube has become infrastructure, not just entertainment
YouTube CEO blog, 2026
US full-time jobs from YouTube ecosystem
490,000+
Platform generates real employment beyond creators
YouTube CEO blog, 2026
Total YouTube channels
115M+
Context for how few channels earn anything meaningful
ytshark.com, 2026
Channels in YPP
5M+ (~4.3%)
Most channels never reach the first monetisation threshold
YouTube CEO 2026 letter
Average CPM all niches (2026)
$6.15
Up 27.6% from $4.82 in 2025 — ad rates improving
TubeAnalytics 2026
Shorts revenue as % of creator earnings
18%
Up from 11% in 2025 — Shorts monetisation growing fast
TubeAnalytics 2026
Super Chat / Super Stickers growth
+45% YoY
Live streaming income increasingly significant
TubeAnalytics 2026
YouTube Shopping affiliate revenue growth
+52% YoY
Expanded to 500-sub tier March 27, 2026
TubeAnalytics / YouTube
Non-ad revenue share for $10K+/month creators
41%
Up from 31% in 2025 — diversification is the pattern
IMH Creator Economy Report 2026
Creators under $15,000 annually
Over 50%
Even monetised creators mostly earn modest incomes
IMH Creator Economy Report 2025
Creator economy total market size
$250 billion+
YouTube is the highest-paying platform for long-form
Goldman Sachs 2025
YouTube monthly active users
2.58 billion
Massive platform — individual visibility harder every year
Exploding Topics, 2026
How to Beat the Odds and Actually Make Money on YouTube
Pick a niche with clear audience intent. Not just what you enjoy — what a specific person is actively trying to solve or learn. High intent = higher CPM = more monetisation leverage.
Build around searchable, clickable problems. Evergreen searchable content compounds over time. A well-ranked tutorial from 2024 still earns in 2026.
Design the title and thumbnail before you film. If you can't write a compelling title for the video idea, the idea isn't ready.
Make videos 8+ minutes long. Mid-roll ads can double or triple revenue per video. This is one of the highest-leverage technical decisions for earnings.
Study retention and CTR in YouTube Studio weekly. The data tells you what's working. Ignoring it is the most common mistake at every channel size.
Add a monetisation path before YPP. Affiliate links, a service offer, or email capture can generate income before you hit 1,000 subscribers.
Treat the channel like a system, not a pile of uploads. Consistent publishing, regular analytics review, iterating on what works. The channels that win are boring on the inside and compelling on screen.
Use Shorts for growth, long-form for revenue. Shorts average $0.03–$0.08 per 1,000 views. Long-form earns $2–$14+. The play is feeding long-form with Shorts, not replacing it.
If you need help identifying the specific bottleneck for your channel, that is exactly what a YouTube Consultant does. You can also book a free discovery call to work through your specific situation.
VIDEO
Tools That Genuinely Help
Tool
Best For
Why It Earns a Place Here
Start Here
YouTube Studio
Analytics and decision-making
Your first and most important tool. CTR, retention, RPM, traffic sources, and monetisation signals live here.
Free — in your YouTube account
vidIQ
Topic research and keyword-driven growth
Topic discovery, keyword support, and planning decisions when used with judgement.
No. Most YouTube channels either never reach monetisation thresholds or never turn that access into meaningful income. Of the ~4% of active channels enrolled in YPP, most earn under $200/month from AdSense.
How much does YouTube pay per 1,000 views?
Between $2 and $12 per 1,000 views for long-form content on average in 2026. Finance channels can earn $10–$25+ RPM; gaming and entertainment channels typically earn under $3 RPM. YouTube Shorts pay $0.03–$0.08 per 1,000 views. These are creator take-home figures after YouTube's 45% cut.
What is the difference between CPM and RPM on YouTube?
CPM (Cost Per Mille) is what advertisers pay YouTube per 1,000 ad impressions. RPM (Revenue Per Mille) is what you actually receive per 1,000 total views after YouTube takes its 45% cut. RPM is always lower than CPM and is the number that matters for income planning.
Can a small YouTube channel make money?
Yes — but often not primarily from AdSense. Small channels earn through affiliate links, consulting, lead generation, digital products, memberships, and YouTube Shopping. A 5,000-subscriber finance channel with a strong affiliate strategy can out-earn a 200,000-subscriber gaming channel.
How many subscribers do you need to make money on YouTube?
Fan funding features start at 500 subscribers. Full ad revenue requires 1,000 subscribers plus watch time or Shorts thresholds. YouTube Shopping affiliate is now available from 500 subscribers. Off-platform income — affiliates, services, digital products — has no subscriber minimum.
How long does it take to make money on YouTube?
Most dedicated creators reach full YPP access within 6–12 months of consistent uploading. Fast-track creators using SEO and Shorts can get there in 3–6 months. First payment arrives 2–3 months after approval once earnings hit the $100 minimum threshold.
Do YouTube Shorts pay well?
Not per view — Shorts pay approximately $0.03–$0.08 per 1,000 views versus $2–$14+ RPM for long-form. Shorts revenue has grown to 18% of total creator earnings in 2026, but the model is high volume, low per-view rate. The strategic play is using Shorts for audience growth that feeds long-form revenue.
What YouTube niche pays the most in 2026?
Finance and credit card content commands the highest CPM at $15–$50 per thousand impressions. After YouTube's 45% cut, finance creators typically see $8–$27 RPM. Insurance, legal services, and B2B software also rank in the top tier. Gaming and entertainment sit at $1–$4 CPM.
Does YouTube pay differently by country?
Yes — significantly. US viewers generate 5–10x more ad revenue per view than viewers from India or Brazil. A video with 100,000 views from a US audience can earn $1,500–$2,500 while the same video with a South Asian audience might earn $100–$300.
When is YouTube CPM highest?
Q4 — October through December — is when CPMs peak, running 30–60% above annual average with Black Friday week at 80–120% above average. Q1 (January–March) is the lowest period, dropping 30–50% from December as advertisers reset annual budgets. Monday consistently delivers the highest CPM day of the week.
What is Connected TV on YouTube?
Connected TV (CTV) refers to YouTube watched on television screens via smart TVs, streaming devices, and gaming consoles. CTV placements average $20–$25 CPM — a 30–60% premium over mobile. Over 45% of YouTube watch time now happens on TV screens, making CTV an increasingly important earnings factor for creators with lean-back content.
Is YouTube still worth starting in 2026?
Yes — if you treat it as a long-term system. The monetisation infrastructure has never been stronger. More revenue options, better analytics, YouTube Shopping now available at 500 subscribers. The channels that win in 2026 are better packaged, more useful, and more strategic about monetisation than their competitors.
WATCH ON YOUTUBE
99.75% of YouTubers Don't Make Money — Here's Why
Alan Spicer breaks down the real reasons the percentage is so low and what to do about it.
Pick a niche with obvious audience intent — a specific person with a specific problem I can help solve.
Map 20–30 videos around beginner questions, comparisons, pain points, mistakes, and myths — all searchable.
Design titles and thumbnails before filming. If I can't write a compelling title for the idea, I don't film it.
Make every video 8–10 minutes+ to unlock mid-roll ads from day one of YPP.
Publish consistently long enough to gather real signal — at least 30 videos before drawing conclusions.
Study YouTube Studio weekly: what did people click? Where did they leave? Build from the data.
Add one monetisation path early — affiliate links, a service offer, or an email capture. Don't wait for YPP.
Post 3–5 Shorts per week to grow audience, then funnel to long-form where the real revenue is.
Frequently Asked Questions
→ What percentage of YouTubers are monetised?
About 4.3% of all YouTube channels are enrolled in the YouTube Partner Program. If you mean 'earning meaningful money', the practical estimate is around 0.25% of all channels. YouTube does not publish a precise live count for this.
→ What percentage of YouTubers make a full-time income?
Well under 1% of active channels. Full-time creator income ($4,000+/month) is much rarer than basic monetisation because it requires higher view volumes, better monetisation strategy, and usually multiple revenue streams.
→ Can you make money on YouTube before 1,000 subscribers?
Yes. The early access YPP tier starts at 500 subscribers in eligible regions, unlocking fan funding and YouTube Shopping affiliate. Off-platform income — affiliate links, consulting, digital products — has no minimum subscriber requirement.
→ How much money does 1,000 subscribers make on YouTube?
There is no fixed amount. Subscriber count does not determine revenue. Niche CPM, audience location, video length, watch time, and monetisation strategy matter far more. A 1,000-subscriber finance channel may earn $200/month. A 1,000-subscriber entertainment channel may earn $8/month.
→ How much does YouTube take from creators?
YouTube takes 45% of ad revenue from long-form video ads, leaving creators with 55%. For channel memberships and Super Chat, YouTube takes 30%. For YouTube Shopping affiliate commissions, YouTube does not take a cut — creators receive the full commission from the brand.
→ Why does my YouTube CPM drop in January?
January CPM drops are structural and predictable — advertisers reset annual budgets after spending heavily in Q4. Drops of 30–50% from December are normal. This is not a permanent change. The correct benchmark is Q1 this year versus Q1 last year, not versus the previous December.
→ What type of YouTube channel makes the most money?
Finance, insurance, legal services, and B2B software command the highest CPM rates. A smaller channel in a high-CPM niche will typically out-earn a larger channel in a low-CPM entertainment niche. Execution still matters within any niche.
→ Is YouTube monetisation only AdSense?
No — and relying only on AdSense is one of the most common mistakes creators make. The strongest YouTube businesses combine ads with affiliate income, YouTube Shopping, sponsorships, digital products, memberships, live stream revenue, and owned audience assets like email lists.
→ How does Connected TV affect my YouTube earnings?
Significantly — if your content attracts TV-screen viewers. CTV placements average $20–$25 CPM, a 30–60% premium over mobile. Over 45% of YouTube watch time now happens on TV screens. Creators with longer lean-back content in finance, education, and documentary formats see the biggest CTV earnings uplift.
→ What is the YouTube Shopping affiliate program?
YouTube Shopping allows eligible YPP creators to tag products from participating brands in their videos, Shorts, and live streams. When a viewer clicks and purchases, the creator earns a commission. As of March 27, 2026, the program is available to all YPP creators including those at the 500-subscriber tier. Commission rates are set by individual brands.
Final Thoughts
If you came here for one number: around 0.25% of YouTube channels earn meaningful money through direct YouTube monetisation. That is still directionally right.
But the better answer is bigger. Most YouTube channels make nothing. A minority make some money. A smaller group earns useful side income. A tiny fraction builds a serious creator business. The gap between those groups is not talent or luck — it is niche selection, packaging quality, consistency, video length strategy, and a monetisation model that goes beyond waiting for AdSense.
You do not need millions of subscribers to make YouTube worth it. You need a channel built on demand, trust, strong packaging, decent retention, 8-minute+ videos that unlock mid-roll ads, and a monetisation model that fits the audience. Add YouTube Shopping affiliate from 500 subscribers, build an email list from day one, and treat AdSense as one of several income streams rather than the entire business.
Sources: YouTube CEO Neal Mohan's 2026 creator letter; YouTube Official Blog (Shopping expansion March 2026); ytshark.com channel statistics 2026; TubeAnalytics State of YouTube Monetization 2026 (50K+ channel authenticated dataset); Pew Research Center YouTube channel distribution analysis; Influencer Marketing Hub Creator Economy Report 2025/2026; Goldman Sachs Creator Economy Research March 2025; FluxNote CPM/Seasonality Guide 2026; OutlierKit RPM data March 2026; MilX CPM/RPM rates 2026; Lenos CPM/RPM Rates 2026; Alphabet Inc. Q4 2024 SEC filing; CNBC YouTube creator pay report September 2025; YouTube Partner Programme official documentation. CPM/RPM figures are averages — individual channels vary significantly by content quality, audience geography, and seasonality. Last reviewed: April 2026. This post provides general information and does not constitute financial advice.
If you watch the whole ad on YouTube, a creator may earn more in some situations, especially with certain skippable ad formats. But it is not a simple universal rule that “full ad watched = more money every time”.
The more useful answer depends on the ad type, whether the ad impression qualifies for payment, whether the viewer interacts, where the viewer is located, and how that view fits into the creator’s wider RPM and monetisation mix. This guide breaks that down properly.
Why trust this guide?
I am not writing this as an outsider. I am a YouTube Certified Expert. I have coached 500+ clients, built and grown multiple channels, earned six YouTube Silver Play Buttons, built a personal audience of 100k+, and spent years working across YouTube strategy, SEO, retention, metadata, channel systems, and monetisation.
Ad revenue questions get messy because people mix up impressions, CPM, RPM, ad formats, and viewer behaviour. The point of this guide is to untangle that in plain English.
Quick answer: do YouTubers get paid more if I watch the whole ad?
Sometimes. Watching the whole ad can increase what a creator earns in some cases, especially with skippable video ads, but it does not automatically mean more money every single time.
The answer depends on the ad format, whether the ad impression qualifies for payment, and how YouTube is monetising that specific view.
That is the short answer Google can quote and the reader can use straight away.
The more precise version is this: creators can earn from ad impressions in different ways, and the value of a single ad view is shaped by more than just “did the viewer watch the whole thing?”. Some ads are skippable, some are not, some may pay after a certain watch threshold or interaction, and some revenue is better understood through overall RPM than through one ad event in isolation.
Why it depends on ad type
The first thing to understand is that not all YouTube ads work the same way.
Ad type
Does “watch the whole ad” matter?
Why
Skippable in-stream ad
Often yes
These can depend on how long the viewer watches or whether they interact
Non-skippable in-stream ad
Not in the same way
The ad was already served fully, so completion is built into the format
Bumper ad
Not really
These are very short and non-skippable by design
Premium watch
No ad to watch
Premium uses subscription revenue instead of normal ad serving
YouTube’s ad format documentation confirms that creators can have skippable, non-skippable, bumper, pre-roll, post-roll, and mid-roll formats depending on the video and monetisation settings. Source: YouTube Help.
Skippable ads explained
This is where most of the confusion comes from.
For skippable ads, the advertiser may not pay in the same way if the viewer skips very early. A longer watch or an interaction can matter more than a near-instant skip. This is why people often say that watching the whole ad helps the creator more.
Plain English version:
If you skip quickly, the creator may earn less or nothing from that ad impression.
If you watch longer, the creator is more likely to benefit.
If you watch the whole ad, that can sometimes be even better, but it still depends on the ad and bidding model.
This is the part that makes the original question directionally right, but still too simplistic. Watching the whole ad can help, but it is not a guaranteed flat-rate bonus that applies the same way to every ad.
Non-skippable ads explained
Non-skippable ads work differently because the viewer cannot skip them in the first place. That means the creator is not relying on the viewer choosing to stay past a skip threshold in the same way.
In that case, the question is less about “did you watch the whole ad?” and more about the fact that the ad was served at all.
Simple rule: completion matters more for skippable ads than for non-skippable ads.
Does clicking the ad help creators earn more?
Sometimes, yes.
Some ad models can be influenced by interaction as well as watch behaviour. So if a viewer clicks, that can signal more value to the advertiser and can contribute to the economics of that ad impression.
That said, creators should not be telling viewers to click ads just to help them. It is not a sensible growth strategy, and it is not how serious channels build reliable income anyway.
Why watching the whole ad is not the whole story
This is where creator earnings become more realistic and less myth-based.
Even if a viewer watches the whole ad, that is still only one tiny event inside a much bigger system. A creator’s earnings are shaped by:
how many views they get
how many of those views are monetised
how many ad impressions are served
which countries the viewers are in
which niche the content is in
whether the audience is advertiser-friendly
whether the channel also earns from Premium, memberships, affiliates, or sponsors
YouTube’s revenue analytics documentation explains that a view does not always include an ad, and that monetised playbacks and ad impressions are different from total views. It also explains that RPM includes more than just ads, such as YouTube Premium and fan funding. Source: YouTube Help.
Question
Best answer
Does watching the whole ad always mean more money?
No
Can watching more of a skippable ad help?
Yes
Do non-skippable ads work the same way?
No
Is ad completion the main thing creators should optimise for?
No, the bigger picture matters more
How this affects CPM and RPM
If you want to understand why two channels with similar views can earn very different amounts, you need to understand CPM and RPM.
Simple definitions:
CPM is what advertisers pay per 1,000 ad impressions before YouTube’s revenue share.
RPM is what the creator earns per 1,000 views after YouTube’s share and can include ads, Premium, memberships, and other revenue.
This matters because a single viewer watching a full ad might help at the margin, but the creator’s real business outcome is measured across the whole revenue system. YouTube’s own RPM help page confirms that RPM includes ad revenue, YouTube Premium, channel memberships, and more. YouTube Help.
If you are a creator, the right takeaway is not to obsess over whether one viewer watched one ad to the end. The better move is to build a channel that earns well across multiple layers.
What actually moves the needle more: stronger topics, better thumbnails, better retention, more monetised playbacks, better audience fit, cleaner ad-friendly content, and a broader revenue mix.
This is relevant because the whole-ad question makes more sense once you understand the difference between ad value and overall creator earnings.
Tools that genuinely help you build a better monetised channel
The old tools section needed a full rebuild. Tools should support a strategy, not pretend to replace one. These are the ones I would actually recommend first because they are relevant, trustworthy, and already supported by useful content on this site.
Tool
Best for
Why it earns a place here
Best next step
YouTube Studio
Watching RPM, monetized playbacks, and retention
This is where you see the bigger picture rather than obsessing over one ad event
Focus on stronger content that holds attention longer.
Increase monetised playbacks and total watch time.
Understand RPM instead of only thinking about ad clicks.
Build more than one revenue stream.
Final thoughts
If you came here for the fast answer, here it is again: sometimes, yes — watching the whole ad can help a creator earn more, but not always.
That is especially true for skippable ads, where watch length and interaction can matter more than they do with non-skippable formats.
The bigger truth is that creators make money from a wider system, not from one simple rule. Ad type, monetized playbacks, CPM, RPM, audience fit, retention, and other revenue streams all matter.
Do YouTubers get paid more if I watch the whole ad?
Sometimes. Watching the whole ad can increase what a creator earns in some cases, especially with skippable ads, but it is not a universal rule that applies the same way every time.
Do skippable ads pay more if I do not skip?
They can. A longer watch or an interaction can make that ad impression more valuable than an instant skip.
Do non-skippable ads work the same way?
Not exactly. With non-skippable ads, the ad has already been served fully, so viewer completion works differently from skippable formats.
Does clicking the ad help the YouTuber?
Sometimes, yes, but creators should not build their strategy around encouraging ad clicks. The bigger revenue picture matters more.
Does every YouTube view include an ad?
No. YouTube’s own analytics documentation says not all views have ads, which is one reason total views and earnings do not match neatly.
Is watching the whole ad the best way to support a creator?
It can help, but better support usually comes from watching more of the video, engaging, subscribing, using affiliate links, joining memberships, or buying creator products and services.
Does YouTube Premium change this?
Yes. Premium members do not watch normal ads, but creators can still earn through Premium revenue sharing instead.
What should creators focus on instead of obsessing over ad completion?
Creators should focus on stronger topics, better thumbnails, better retention, more monetized playbacks, and a wider monetisation mix.
1 million YouTube views can make anything from very little to a significant amount, depending on niche, audience location, monetized playbacks, video length, and the creator’s wider revenue system.
That is the short answer. The useful answer is understanding why there is no single fixed payout for 1 million views, what RPM actually tells you, and how ads, Premium, memberships, affiliates, and buyer intent can completely change the result.
This guide breaks that down properly, including realistic scenarios, why two channels with the same views can earn wildly different amounts, and what creators should optimise if they want those million views to be worth more.
Why trust this guide?
I am not writing this as an outsider. I am a YouTube Certified Expert. I have coached 500+ clients, built and grown multiple channels, earned six YouTube Silver Play Buttons, built a personal audience of 100k+, and spent years working across YouTube strategy, SEO, retention, metadata, channel systems, and monetisation.
This matters because the “1 million views” question is one of the most searched and one of the most badly answered. Most articles throw out a number with no context. Real creator earnings do not work like that.
If you want help applying any of this to your own channel, you can book a discovery call.
Quick answer: how much money does 1 million YouTube views make?
There is no fixed number. A practical answer is that 1 million YouTube views might make a few hundred pounds or dollars, a few thousand, or much more if the channel has strong RPM and additional monetisation beyond ads.
The better question is not “What is the one number?” It is “What RPM, audience, niche, and business model sit behind those views?”
YouTube’s own revenue analytics guidance explains why this varies so much. RPM is the creator-focused metric that includes total revenue reported in YouTube Analytics, including ads, YouTube Premium, channel memberships, Super Chat, and Super Stickers, divided by total views. It also says not all views monetise and not all views have ads. That alone tells you why 1 million views does not equal one universal payout.
Why there is no fixed payout for 1 million views
YouTube does not pay a flat rate per view.
What a creator earns depends on things like:
how many of those views were actually monetised
what advertisers were willing to pay in that niche
which countries the viewers came from
whether viewers were watching long-form content or Shorts
whether the creator also earned from YouTube Premium, memberships, or other revenue
whether the video had strong buyer intent or weak entertainment intent
Factor
Why it changes the money
Niche
Finance, business, software, and high-intent topics often monetise better than broad entertainment
Audience location
Advertiser demand varies heavily by country
Video format
Long-form, Shorts, livestreams, and Premium watch behaviour do not monetise the same way
Ad suitability
Some topics attract more advertiser demand than others
Extra monetisation
Affiliates, memberships, and products can make the same 1 million views worth far more
Why RPM is the better metric than guessing
If you want to answer the million-views question properly, RPM is the best starting point.
Simple definitions:
RPM = what the creator actually earns per 1,000 views after revenue share, including more than just ads.
CPM = what advertisers pay per 1,000 monetized playbacks before YouTube’s share.
YouTube’s analytics help makes this clear: RPM is creator-focused and includes multiple revenue sources, while playback-based ad metrics are narrower. That means RPM gives a more realistic “what did I actually make?” answer.
These are not guarantees. They are examples based on how RPM works.
Example RPM
Approximate revenue for 1 million views
What this usually suggests
£0.50 / $0.50
About £500 / $500
Weak monetisation, low advertiser demand, low monetised playback rate, or poor fit
£2 / $2
About £2,000 / $2,000
Decent baseline long-form monetisation for some general channels
£5 / $5
About £5,000 / $5,000
Stronger niche, better monetisation quality, or additional revenue sources
£10 / $10
About £10,000 / $10,000
High-intent niche, strong audience value, or excellent monetisation setup
This is the cleanest way to answer the headline question without lying. The value of 1 million views depends on the RPM behind them.
Why two channels with 1 million views can earn completely different amounts
Two channels can hit the same view count and still see wildly different outcomes.
Channel type
Why the earnings may differ
Broad entertainment
May attract large view counts but weaker advertiser value per view
Finance or software education
Can attract higher advertiser demand and higher-value audiences
Music or covers
May face revenue-sharing, rights issues, or weaker RPM depending on setup
Product review channel
Can add affiliate income on top of YouTube revenue
This is also why a smaller channel in a stronger niche can sometimes out-earn a much bigger one.
Why 1 million views can be worth far more than ad revenue
The smartest creators do not think of 1 million views as just ad money.
They think of those views as audience attention that can be monetised in layers.
One million views can also generate: affiliate sales, memberships, sponsorship interest, lead generation, course sales, product sales, consultation bookings, and stronger brand authority.
This is why the same million views can be worth £2,000 to one creator and £20,000+ in total business value to another. The ad revenue is only one layer.
If your goal is to increase the value of your views, these are the levers that matter most:
Choose topics with stronger advertiser and buyer intent.
Attract audiences in countries and niches with stronger commercial value.
Build videos that qualify for more monetised playbacks and stronger watch time.
Add affiliate bridges, products, services, or memberships.
Treat YouTube as a business system, not just a view counter.
This is the difference between chasing vanity metrics and building a creator business.
Fresh official facts worth knowing
This topic gets much stronger when you anchor it to YouTube’s own definitions instead of random internet payout guesses.
Fact
Why it matters
What it means in practice
YouTube says RPM includes ads, YouTube Premium, memberships, Super Chat and Super Stickers
Shows million-view value is broader than ad revenue alone
1 million views can be worth more than a simple ad estimate
YouTube says not all views have ads and not all views monetise equally
Explains why view count alone does not predict income
1 million views does not equal one fixed payout
YouTube says Premium gives creators another way to get paid when members watch their content
Shows ad-free viewers can still contribute revenue
Million-view earnings can include Premium watch value too
YouTube’s earnings reports are subject to adjustments including invalid traffic and content claims
Shows estimated revenue is not always final
Creators should be careful about treating early estimates as guaranteed payouts
Video pick: RPM vs CPM on YouTube
This is the most useful companion here because the million-views question makes far more sense once you understand RPM and CPM properly.
Tools that genuinely help you make your views worth more
The old tools section needed a full rebuild. Tools should support a strategy, not pretend to replace one. These are the ones I would actually recommend first because they are relevant, trustworthy, and already supported by useful content on this site.
Tool
Best for
Why it earns a place here
Best next step
YouTube Studio
Tracking RPM, top earners, and monetisation quality
This is where you see what your views are actually worth rather than guessing from internet averages
What I would do if I wanted my next 1 million views to be worth more
Stop asking for one universal payout number.
Track RPM and top-earning topics instead.
Build content with stronger commercial intent.
Add monetisation layers beyond ads.
Treat views as business attention, not just vanity metrics.
Final thoughts
If you came here for the fast answer, here it is again: 1 million YouTube views can make very different amounts depending on RPM, monetized playbacks, audience location, niche, and whether the creator monetises beyond ads.
That is why you will see people quote wildly different numbers online and all sound confident. The real answer is not one magic payout. The real answer is the monetisation system behind the views.
There is no fixed number. A useful estimate depends on RPM, niche, monetized playbacks, audience location, and how much revenue comes from more than just ads.
Can 1 million YouTube views make £1,000?
Yes, depending on the RPM. At £1 RPM, 1 million views would equal about £1,000, but some channels earn much less or much more.
Can 1 million YouTube views make £10,000?
Yes, in higher-value niches or when the creator has a strong monetisation mix. At £10 RPM, 1 million views would equal about £10,000.
Why do some creators earn more per million views than others?
Audience location, niche, advertiser demand, monetized playbacks, and additional revenue streams can change the value of the same number of views dramatically.
Does RPM matter more than CPM for this question?
Usually yes. RPM is closer to what the creator actually earns across total views.
Do 1 million Shorts views pay the same as 1 million long-form views?
No. Shorts monetisation works differently, so you should not assume the same payout logic applies.
Can affiliates and products make 1 million views worth more?
Absolutely. In many cases, the biggest money from 1 million views comes from monetisation beyond watch-page ads.
What is the best way to increase the value of YouTube views?
Focus on stronger commercial topics, better audience fit, higher RPM, and multiple revenue streams beyond ads alone.
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You can bold, italicise, and strikethrough text in YouTube comments using simple special characters.
That is the short answer. The useful answer is knowing exactly which symbols to use, where people go wrong, whether it works on mobile and desktop, and how to make your comments stand out without looking spammy.
This guide covers all of that properly, including bold text, italics, strikethrough, emojis, links, formatting mistakes, and how YouTube comment styling fits into better audience engagement.
Why trust this guide?
I am not writing this as an outsider. I am a YouTube Certified Expert. I have coached 500+ clients, built and grown multiple channels, earned six YouTube Silver Play Buttons, built a personal audience of 100k+, and spent years working across YouTube strategy, SEO, retention, metadata, channel systems, and monetisation.
Little platform details like this matter more than people think. Better comments can improve interaction, clarity, community tone, and how people engage with your content or brand.
To bold text in a YouTube comment, place an asterisk on each side of the word or phrase, like this: *bold*.
You can also use _italics_ for italics and -strikethrough- for strikethrough.
That is not a hack or a trick. It is officially supported by YouTube. YouTube Help says you can use rich text in comments with common special tags such as *bold text*, _italicised text_, and -strikethrough text-. Source: YouTube Help.
Effect
What to type
What it looks like
Bold
*bold*
bold
Italics
_italics_
italics
Strikethrough
-strikethrough-
strikethrough
How to bold YouTube comments
To make text bold in a YouTube comment, put an asterisk directly before and directly after the word or phrase you want to highlight.
Example:
I really loved this *video*!
Once you post the comment, the asterisks disappear and the word shows in bold.
Best use cases for bold comments
highlighting one key word
making a question easier to spot
adding emphasis without writing in all caps
making a reply easier to skim
Best practice: bold one or two key words, not the entire comment. Too much bold text looks messy and can feel spammy.
How to italicise YouTube comments
To italicise text in a YouTube comment, place an underscore directly before and directly after the word or phrase you want to style.
Example:
This part was _very_ useful.
Italics are great for softer emphasis, sarcasm, quoted thoughts, or drawing light attention to a phrase without the stronger visual weight of bold.
How to strikethrough YouTube comments
To create strikethrough text in a YouTube comment, put a hyphen on each side of the word or phrase.
Example:
I was definitely not -crying- laughing at this.
Strikethrough is often used for humour, irony, or playful correction. It can also be used to show a change of mind or highlight contrast.
When strikethrough works best
jokes and playful edits
light sarcasm
correcting yourself without deleting the original point
making a comment feel more conversational
Can you combine bold, italics, and strikethrough?
Yes, you can use multiple formatting styles in the same comment, as long as each formatted section has the correct symbols around it.
Example:
I thought this part was *brilliant*, that section felt _underrated_, and this joke was -totally unnecessary- perfect.
That is usually better than formatting one giant block of text. Small touches feel cleaner and more intentional.
Does it work on mobile and desktop?
Yes. YouTube’s official Help pages for both desktop and Android show the same rich text comment formatting options using special tags for bold, italics, and strikethrough. Desktop Help and Android Help.
Platform
Bold
Italics
Strikethrough
Emoji support
Desktop
Yes
Yes
Yes
Yes
Mobile app
Yes
Yes
Yes
Yes
That means the same formatting logic works whether you are commenting from your phone, tablet, or computer.
How to add emojis to YouTube comments
Adding emojis to YouTube comments is easy on mobile because your keyboard already includes them. On desktop, you usually need to open your operating system’s emoji picker.
Device
How to add emojis
Windows
Press Windows key + . or Windows key + ;
Mac
Press Control + Command + Space
Mobile
Use your keyboard’s built-in emoji selector
YouTube Help also notes that if you add a URL to your comment, it will appear as a hyperlink, which can be useful in certain contexts. YouTube Help.
Common formatting mistakes
Most comment formatting fails for simple reasons.
Mistake
What happens
How to fix it
Leaving spaces inside the symbols
The text may not format correctly
Keep the symbol tight against the first and last letter
Using the wrong symbol
The text stays plain
Use * for bold, _ for italics, - for strikethrough
Formatting the whole comment
It looks spammy or messy
Use formatting sparingly for emphasis
Forgetting punctuation spacing
The symbols may show incorrectly in some cases
Keep your punctuation clean and test before posting if needed
Simple rule: if the word you want to style is inside the symbols and there are no stray spaces breaking it, it should work.
How to use formatted comments without looking spammy
Just because you can style your YouTube comments does not mean you should turn every comment into a circus.
The best formatted comments do one of three things:
highlight one useful point
make a question easier to notice
add a little personality without wrecking readability
If you overdo it, people stop seeing emphasis and start seeing noise.
Better use
Worse use
*What mic are you using?*
*WHAT MIC ARE YOU USING PLEASE REPLY NOW*
This part was _really_ useful.
_This whole paragraph is in italics for no reason at all._
I was definitely not -replaying this three times- impressed.
-Everything- in -this- sentence -looks- strange.
This matters for creators too. Better comments can help community tone, encourage replies, and make audience interactions feel more human. If you are thinking more broadly about community-building and monetisation, also read What Percentage of YouTubers Make Money? and Top Languages on YouTube.
Fresh official facts worth knowing
This topic becomes much stronger when it is anchored to current YouTube Help rather than old myths.
Fact
Why it matters
Source
YouTube Help explicitly says comments support rich text using *bold*, _italicised_, and -strikethrough-
Video pick: Grow on YouTube with better audience interaction
Comment formatting is a tiny feature, but it sits inside a much bigger topic: how creators communicate clearly, build community, and increase engagement.
Related reading on YouTube growth, monetisation, and platform basics
What I would do if I wanted better YouTube comments
Use formatting lightly, not constantly.
Highlight one word or phrase, not the whole comment.
Use emojis to support tone, not replace words.
Make the comment useful, funny, or genuinely interesting.
Think about readability first and flair second.
Final thoughts
If you came here for the fast answer, here it is again: to bold text in a YouTube comment, put an asterisk on each side of the word or phrase.
You can also use underscores for italics and hyphens for strikethrough, and YouTube officially supports all three formats in comments.
Used well, this is a small but useful feature. It helps your comments stand out, clarifies your meaning, and gives you a little more control over tone and emphasis.
Put an asterisk on each side of the word or phrase, like *bold*.
How do you italicise text in a YouTube comment?
Put an underscore on each side of the word or phrase, like _italics_.
How do you strikethrough text in a YouTube comment?
Put a hyphen on each side of the word or phrase, like -strikethrough-.
Does YouTube comment formatting still work?
Yes. YouTube Help still officially documents comment formatting using special tags for bold, italics, and strikethrough.
Can you bold YouTube comments on mobile?
Yes. The same formatting logic works on mobile and desktop.
Can you add emojis to YouTube comments?
Yes. On mobile, use your keyboard emoji picker. On desktop, use your operating system emoji shortcut.
Can you add links to YouTube comments?
Yes. YouTube says URLs in comments appear as hyperlinks.
Should you format every YouTube comment?
No. Use formatting sparingly, otherwise your comment can look noisy or spammy.
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Coin Bureau Finance was launched as a new vertical within the Coin Bureau media ecosystem, designed to cover traditional finance, macroeconomics, banks, institutions, and systemic risk — adjacent to crypto, but aimed at a broader, more mainstream audience.
The objective was clear: prove product–market fit quickly, build algorithmic trust from zero, and establish the channel as a credible finance authority — without relying purely on the primary Coin Bureau audience.
Outcome: The channel scaled from 0 → 25,000 subscribers in 2 months with strong daily view velocity and repeatable performance patterns.
Starting Point
Channel State
Brand-new YouTube channel (zero history, zero algorithmic trust)
No legacy audience data
No existing content backlog
Constraints & Risks
Finance niche is highly competitive and credibility-driven
Algorithm scepticism towards new finance channels
Risk of audience confusion with the core crypto brand
Opportunity
Strong existing brand authority via Coin Bureau
Large unmet demand for macro / institutional / crisis-led finance content
Ability to apply proven growth systems from prior channel launches
Strategy
The launch strategy focused on speed, clarity, and signal strength.
1. Clear Positioning From Day One
Coin Bureau Finance was deliberately positioned as:
Are you a YouTuber looking for more ways to boost your video views and reach a wider audience?
Facebook Ads can be a powerful tool to help you promote your YouTube videos effectively. In this blog post, we’ll walk you through the entire process of creating and optimizing Facebook Ads to drive more views and engagement for your YouTube videos.
We’ll provide step-by-step instructions, examples, and helpful stats to guide you through this journey.
Why Use Facebook Ads to Promote YouTube Videos?
Facebook has a massive user base with over 2.8 billion monthly active users, making it an ideal platform to promote your YouTube videos. Facebook Ads can help you reach a highly targeted audience based on their interests, location, age, gender, and more.
Here are some key benefits of using Facebook Ads to promote your YouTube videos:
Highly targeted audience
Cost-effective
Easy to track and measure performance
Improved visibility and reach
Setting Up Your Facebook Ad Account
Before you can start promoting your YouTube videos with Facebook Ads, you need to set up an ad account. To do this, follow these steps:
Go to the Facebook Business Manager (https://business.facebook.com) and create an account or log in with your existing Facebook account.
Click on “Business Settings” in the top right corner.
Under the “Accounts” tab, click on “Ad Accounts.”
Click on “Add” and choose “Create a New Ad Account.”
Fill in the required details and click “Create Ad Account.”
Creating a Facebook Ad Campaign
To create a Facebook Ad campaign, follow these steps:
Click “Create” and choose an objective for your campaign. For promoting YouTube videos, “Traffic” or “Video Views” objectives work best.
Set your budget and schedule for the campaign.
Define your target audience based on demographics, interests, and behaviours. For instance, if your YouTube video is about fitness, you can target users interested in health and wellness.
Choose the ad placements (Facebook, Instagram, Audience Network, or Messenger).
Set up your ad creatives (images, videos, and ad copy). Make sure to use high-quality visuals and catchy headlines to grab the attention of your target audience.
Preview your ad, review the details, and click “Submit” to launch your campaign.
Below are some general stats and rough costs associated with Facebook Ads. Keep in mind that these figures are approximate and may vary depending on factors such as your industry, target audience, ad quality, and competition.
Facebook Ad Benchmarks by Industry (2021)
Industry
Average CTR (%)
Average CPC (USD)
Average CPM (USD)
E-commerce
1.60
0.70
11.17
Education
0.73
1.47
10.73
Finance & Insurance
0.56
3.77
21.05
Health & Wellness
1.79
1.32
23.62
Real Estate
0.99
1.81
17.93
Technology
1.04
2.31
24.07
Travel & Hospitality
0.90
1.53
13.75
Source: WordStream (2021)
Example Facebook Ad Costs for YouTube Video Promotion
Budget (USD)
Estimated Daily Reach
Estimated Video Views (CPV)
5
500 – 1,500
20 – 60
10
1,000 – 3,000
40 – 120
20
2,000 – 6,000
80 – 240
50
5,000 – 15,000
200 – 600
Note: Figures are estimates and may vary based on factors such as targeting, ad quality, and competition.
These tables give you a rough idea of the costs and performance metrics associated with Facebook Ads. Use these stats as a starting point when planning your ad campaign, but remember that your results may vary. To achieve the best results, regularly monitor and optimize your campaigns based on your specific performance data.
Optimizing Ad Creative
Here are some tips to optimize your ad creative for better results:
Use an eye-catching thumbnail from your YouTube video or create a custom image that represents your content.
Write a clear and engaging headline that highlights the value of your video.
Include a strong call-to-action (CTA) to encourage users to watch your video.
Test different images, headlines, and ad copy variations to find the best-performing combination.
Monitoring and Analysing Ad Performance
To ensure the success of your Facebook Ads campaign, it’s crucial to monitor and analyse your ad performance. Facebook Ads Manager provides detailed insights into key metrics, such as:
Impressions
Clicks
Click-through rate (CTR)
Cost per click (CPC)
Video views
Video view rate
Track these metrics and make data-driven decisions to optimize your campaign. Adjust your targeting, ad creative, or budget based on the performance insights.
Finally…
Promoting your YouTube videos with Facebook Ads can be a highly effective way to reach a broader audience and boost your video views. By following the steps outlined in this blog post, you can set up, optimize, and monitor Facebook Ads campaigns to drive more engagement and growth for your YouTube channel.
Remember to be patient and allow time for testing and optimization. Regularly analyse your ad performance and make data-driven decisions to improve your results.
Facebook Ads provide a scalable and cost-effective way to promote your YouTube videos and expand your online presence.
Happy advertising!
Q: Can Facebook Ads help increase YouTube video views?
A: Yes, using Facebook Ads to promote your YouTube videos can effectively increase your video views, reach a wider audience, and improve overall engagement.
Q: What type of Facebook Ad objective should I choose for promoting YouTube videos?
A: For promoting YouTube videos, choose either the “Traffic” or “Video Views” objective, as these objectives are designed to drive users to click on a link or watch a video.
Q: How can I target my audience with Facebook Ads for YouTube video promotion?
A: Facebook Ads allows you to target your audience based on demographics, interests, and behaviors. This helps you reach users who are more likely to be interested in your content and drive higher engagement.
Q: What are some tips for optimizing ad creatives when promoting YouTube videos with Facebook Ads?
A: To optimize ad creatives, use eye-catching thumbnails or images, write clear and engaging headlines, include strong calls-to-action, and test different creative variations to find the best-performing combination.
Q: How can I track the performance of my Facebook Ads campaign for YouTube video promotion?
A: Use Facebook Ads Manager to monitor and analyze key metrics such as impressions, clicks, click-through rate, cost per click, video views, and video view rate. Regularly review these metrics and make data-driven decisions to optimize your campaign.
Q: What is the average cost per click (CPC) for Facebook Ads promoting YouTube videos?
A: The average CPC for Facebook Ads varies depending on factors such as industry, targeting, ad quality, and competition. However, typical CPC ranges from $0.50 to $2.00 for most industries.
Q: Are there any restrictions or guidelines for using Facebook Ads to promote YouTube videos?
A: When promoting YouTube videos with Facebook Ads, ensure that your ads comply with Facebook’s advertising policies. Avoid using misleading or clickbait headlines, and ensure your ad creative accurately represents your video content.
Q: Can I promote my YouTube videos on other platforms using Facebook Ads?
A: Yes, with Facebook Ads, you can choose ad placements on Facebook, Instagram, Audience Network, and Messenger, which allows you to reach a wider audience and drive more views for your YouTube videos.
Q: How can I improve the performance of my Facebook Ads campaign for YouTube video promotion?
A: To improve your campaign performance, regularly monitor and analyze your ad metrics, adjust your targeting, ad creative, or budget based on performance insights, and test different ad variations to find the best-performing combination.
Q: How long should I run my Facebook Ads campaign for YouTube video promotion?
A: The duration of your campaign depends on factors such as your budget, objectives, and ad performance. Regularly monitor your campaign and make adjustments as needed to optimize performance and achieve your desired results.
Faster, easier to worth with and smaller files in Adobe Premiere Pro with these 4K Export Settings!
Today we are going to deep dive into what 4K video is, why it’s slowly replacing 1080p and what settings to use to make it painless to use!
Just because you’re shooting in 4K, that doesn’t mean you have to work in 4K. For many projects, 1080p is good enough.
The benefit of shooting in 4K is a quadrupled resolution, allowing you to zoom in cleanly since you have a much better source video to work with.
This is perfect for cutting to close-ups, effectively eliminating jump-cuts from your finished product entirely.
This effect can commonly be seen in single-camera interviews, where the perspective shifts between a wide full-body shot and a close-up shot of the interviewee talking. Pull it off well and it can be used for dramatic effect to add emphasis and connect better with the subject.
Even if your end product will be 1080p, shooting 4K will deliver a higher quality down-sampled image.
Capturing four times the amount of information you need won’t produce an image that’s four times better looking, but the end result will be noticeably sharper.
You’ll also reduce the chance of color banding, since most cameras record 4K at a higher bitrate. That means more color detail is captured, which will vastly improve gradual changes, like deep blue skies or other solid colors.
Sometimes the camera makes all the difference. Many modern mirrorless, digital SLR, and cinema cameras shoot 4K using larger sensors, effectively down-sampling a 6K or 8K image to 4K (like the relatively cheap Sony a6300, above). The Panasonic GH5 even does 6K video and 4K video at a bit-rate of 400 megabits-per-second.
Yes, there are many 1080p cameras that will shoot better HD footage than a cheap 4K camera.
What Is 4K? Do I need 4K Video?
We hear the word 4K every day in several places such as on youtube picture quality, gaming, in the specification of electronic devices like cameras, television, laptop, etc.
But what did this term mean? 4K means a digital resolution of approximately 4000 pixels; there are several different resolutions in 4K. 4K aka UHD (Ultra-high Definition), has a standard resolution as a 4K digital television of 3840*2160 with narrow borders, or 4096*2160 without borders – as popular in movies.
The picture quality of 4K content is very sharp, colorful, and professional; 4k quality enhances the user experience. It highlights every detail of the videos, let us have a quick eye on some of the advantages and disadvantages of 4K picture quality.
4K YouTube Videos vs 1080p YouTube Videos
4K is known as Ultra High Definition (UHD), whilst 1080P is simply labelled High Definition. As their names imply, 4K UHD has a considerably higher resolution than 1080P HD video. 4K resolution is exactly 3840 x 2160 pixels, whilst 1080P consists of 1920 x 1080 pixels.
The 4K designation refers to the close to 4000 horizontal pixels. Traditionally, resolution had been labelled according to vertical pixels and in the case of 1080P, 1080 vertical lines make up that high definition resolution. By comparison, 4K features 2160 pixels vertically; a considerable increase.
At an aspect ratio of 16:9, 4K contains almost four times the number of pixels on a screen compared with 1080P technology – more than eight million pixels for 4K and just two million pixels for 1080P.
This massive difference brings about some important advantages for 4K when one compares it to the quality of a 1080P video.
Top 5 Tools To Get You Started on YouTube
Very quickly before you go here are 5 amazing tools I have used every day to grow my YouTube channel from 0 to 30K subscribers in the last 12 months that I could not live without.
1. VidIQ helps boost my views and get found in search
I almost exclusively switched to VidIQ from a rival in 2020.
Within 12 months I tripled the size of my channel and very quickly learnt the power of thumbnails, click through rate and proper search optimization. Best of all, they are FREE!
2. Adobe Creative Suite helps me craft amazing looking thumbnails and eye-catching videos
I have been making youtube videos on and off since 2013.
When I first started I threw things together in Window Movie Maker, cringed at how it looked but thought “that’s the best I can do so it’ll have to do”.
Big mistake!
I soon realized the move time you put into your editing and the more engaging your thumbnails are the more views you will get and the more people will trust you enough to subscribe.
That is why I took the plunge and invested in my editing and design process with Adobe Creative Suite. They offer a WIDE range of tools to help make amazing videos, simple to use tools for overlays, graphics, one click tools to fix your audio and the very powerful Photoshop graphics program to make eye-catching thumbnails.
Best of all you can get a free trial for 30 days on their website, a discount if you are a student and if you are a regular human being it starts from as little as £9 per month if you want to commit to a plan.
3. Rev.com helps people read my videos
You can’t always listen to a video.
Maybe you’re on a bus, a train or sat in a living room with a 5 year old singing baby shark on loop… for HOURS. Or, you are trying to make as little noise as possible while your new born is FINALLY sleeping.
This is where Rev can help you or your audience consume your content on the go, in silence or in a language not native to the video.
5. Shutterstock helps me add amazing video b-roll cutaways
I mainly make tutorials and talking head videos.
And in this modern world this can be a little boring if you don’t see something funky every once in a while.
I try with overlays, jump cuts and being funny but my secret weapon is b-roll overlay content.
I can talk about skydiving, food, money, kids, cats – ANYTHING I WANT – with a quick search on the Shutterstock website I can find a great looking clip to overlay on my videos, keeping them entertained and watching for longer.
How To Open A Facebook Fan Page is a question we are asked on a Regular basis. Creating a Facebook Page for your business or brand is a great step towards building a social media brand.
Facebook is the largest social media platform online and is easily the most recognisable brand that you can adopt to share your own business and brand with possible future clients.
Facebook Pages can be a very powerful tool to get your name out there and expand the reach of your companies brand.
You and advertise upcoming events, publish recent blogs, share achievements and sell products directly to a marketplace. The best thing about Facebook and its huge client reach potential? — IT’S FREE!!!
How To Download A YouTube Video for a backup, maybe you want to download YouTube videos for b-roll, or you are using the youtube video download tool to save them to play later – this can help you.
I like to download my own YouTube videos to add them as overlays in new content, it’s a good way to drive traffic to older content.
So how do you download YouTube videos?
To download a YouTube video you will need to login to your YouTube dashboard. Click on videos and look for the video you want to download. Hover over the video description snippet and it will change into a tool bar. Click on the 3 dots options and you will see a Download video link.
Download YouTube Videos on Mobile with YouTube Premium
Offline downloads are one of the various perks offered to people who pay $12 per month for YouTube’s Premium subscription.
It also offers access to YouTube Music Premium and removes ads from videos. While the 720p resolution download limit may have made sense a few years ago when phone screens generally didn’t go far beyond 720p, many phones have now gone past that; the iPhone X and XS have resolutions that exceed 1080p, for instance.
Why Download YouTube Videos?
When you download YouTube videos, you can watch them without an internet connection, which is ideal for keeping yourself entertained on planes, trains, and trips to places without reliable mobile internet access.
Downloading YouTube videos on to your mobile phone can be a great way to save money on limited data allowance plans.
But if you download them to your phone using your home Wi-Fi before you travel, you can watch them on the move without risking going over your data allocation.
It’s surprisingly easy to download videos from YouTube and other video hosting sites – and you can do it free. YouTube itself provides some tools for downloading videos (on both desktop and mobile), and there are third-party tools that can do the job as well. Read on to find out how.
Is downloading YouTube videos legal?
Using third-party apps to download YouTube videos is against Youtube’s terms of service – which state that you are only able to stream videos directly from its servers.
Downloading YouTube videos also opens you up to potential copyright infringement unless you have permission from the copyright holder, it’s in the public domain, or you own the video yourself.
YouTube does offer some ways to download videos through its web service and its own apps.
How To Download YouTube Videos with YouTube Premium
The YouTube Premium service (formally YouTube Red) is the only official way you can download other peoples videos and music.
Download videos and playlists to watch offline when you aren’t connected to the Internet.
You can download videos to watch offline using the YouTube or YouTube Music apps (and watch auto-downloaded videos in the YouTube Kids app) if these apps are available in your location and you’re signed in with your YouTube Premium account.
How To Download A YouTube Video on YouTube Premium
Start watching a video on the YouTube Mobile app.
Tap Download below the video player.
Select the video quality.
The ‘Downloaded’ icon will appear below the video player when the video has finished downloading.
You can view your downloaded videos in the Library or Accounttabs.
To remove a downloaded video, tap Downloaded and select Remove.
YouTube Premium Recommends Videos to Download
YouTube Premiums recommended downloads feature will help you get ideas for videos and playlists to download.
Note that when you download a recommended playlist, all the videos contained within that playlist will be downloaded. These recommended playlists will update weekly (while you’re connected to Wi-Fi), so you always have new videos to watch.
To find your Recommended Downloads:
Open the YouTube app and make sure that you’re signed in to your YouTube Premium membership.
Tap on the Library tab .
Tap Downloads and scroll down to Recommended downloads.
Download videos and/or playlists by tapping the download icon .
Change YouTube Premium Download Settings
On certain mobile devices, videos and playlists can be downloaded only when connected to a Wi-Fi network.
To download videos over a mobile network, go to Settings and turn off Download over Wi-Fi only under ‘Background & Downloads’.
Set Video Download Quality on YouTube Premium
To change the default quality for downloading videos, go to Settings and select Download quality under‘Background & Downloads’.
Higher-quality videos may take longer to download and may use more storage space on your device.
If less than 5% of storage space is available on your device, you won’t be able to download additional videos. To free up space, try removing a downloaded video or playlist.
Things to know about videos downloaded from YouTube:
You must be signed in to your YouTube Premium account to download videos to watch offline.
Some actions, like commenting and liking, are not available while viewing videos offline.
Downloaded videos renew automatically as long as you go online in your home country/region at least once every 30 days.
Some videos may not be available offline when you reconnect to the Internet due to content restrictions from video creators.
If your device loses connectivity while downloading a video or playlist, it will automatically resume when you reconnect to a mobile or Wi-Fi network.
Very quickly before you go here are 5 amazing tools I have used every day to grow my YouTube channel from 0 to 30K subscribers in the last 12 months that I could not live without.
1. VidIQ helps boost my views and get found in search
I almost exclusively switched to VidIQ from a rival in 2020.
Within 12 months I tripled the size of my channel and very quickly learnt the power of thumbnails, click through rate and proper search optimization. Best of all, they are FREE!
2. Adobe Creative Suite helps me craft amazing looking thumbnails and eye-catching videos
I have been making youtube videos on and off since 2013.
When I first started I threw things together in Window Movie Maker, cringed at how it looked but thought “that’s the best I can do so it’ll have to do”.
Big mistake!
I soon realized the move time you put into your editing and the more engaging your thumbnails are the more views you will get and the more people will trust you enough to subscribe.
That is why I took the plunge and invested in my editing and design process with Adobe Creative Suite. They offer a WIDE range of tools to help make amazing videos, simple to use tools for overlays, graphics, one click tools to fix your audio and the very powerful Photoshop graphics program to make eye-catching thumbnails.
Best of all you can get a free trial for 30 days on their website, a discount if you are a student and if you are a regular human being it starts from as little as £9 per month if you want to commit to a plan.
3. Rev.com helps people read my videos
You can’t always listen to a video.
Maybe you’re on a bus, a train or sat in a living room with a 5 year old singing baby shark on loop… for HOURS. Or, you are trying to make as little noise as possible while your new born is FINALLY sleeping.
This is where Rev can help you or your audience consume your content on the go, in silence or in a language not native to the video.
5. Shutterstock helps me add amazing video b-roll cutaways
I mainly make tutorials and talking head videos.
And in this modern world this can be a little boring if you don’t see something funky every once in a while.
I try with overlays, jump cuts and being funny but my secret weapon is b-roll overlay content.
I can talk about skydiving, food, money, kids, cats – ANYTHING I WANT – with a quick search on the Shutterstock website I can find a great looking clip to overlay on my videos, keeping them entertained and watching for longer.
Working for free. Should I work for free? Should you work for free?
Working for free can be a great way to build up a brand and your personal reputation within your niche. As you work for free you would build up contentions, reviews, a ever increasing portfolio, and most importantly, improving your skills from all the practice as you do so. Working for free might not earn you money in the short term but can be a very valuable investment in your long term future earning power.
It’s become a meme over the years, if you were creative, you’ve seen it. In fact, you’ve probably been approached, and people are like…
“Hi, can you do this, this and this for me?
Great. Sure. Here’s a quote.
“Oh, I wasn’t expected to pay you. I thought you could use the exposure, you know, get out there.”
And people are thinking, yeah, there’s exposure where you promote me and exposure where I die, a cold, lonely hungry death in the middle of a field because your exposure, can’t pay my rent. Your exposure, can’t pay my bills. Your exposure is me dying of exposure. I get that. I do. I do. That’s why you need to be sensible about this. Right?
I couldn’t do the whole free thing to start with either. And it’s become much more of a thing now that I can because I have a steady income.
Make Working For Free Your Side Hustle
Now, working for free can initially be your side hustle. I’m not saying that it has to cost you thousands of pounds to do a project that you hand away for nothing and you have no control over. I mean that you can build upon your future by adding value, leading with value first. Your side hustle has the potential to be the base for your future business success.
When I first started doing YouTube consultancing, I set up a profile on a few freelance websites like PeoplePerHour, on Fiverr. Yes, that does technically mean that I got paid for it, but it was pittance, deliberately pittance because I wanted to attract people to me. So I could pull a few strings and build a few Lego bricks on top of my board. They are good marketplaces that can offer you a chance to practice your skills or build a portfolio. So that aside, on the PeoplePerHour website, or Fiverr for example, I sell really, really cheap logos or really, really cheap Web designs, or really, really cheap channel reviews or video optimizations for say three, four or five dollars.
The money is negligible. But, what it does do, is it gives me a chance to build up 10, 20, 30, 40, 50 examples of me doing the thing that I want to get paid for, to do. If it’s on PeoplePerHour as well then it’s an hour’s worth of work, two hours worth of work depending on how much you’re willing to sacrifice in your time. But let’s say you do 20 logo designs at a $1 each, that’s 20 bucks, that’s not really much for you. It’s a cup of coffee, or that’s your electricity to cover that laptop that made those on, but you now have 20 designs that you can put in your portfolio, 20 designs that you can then show to a new client that is willing to pay you two 300 pounds for a logo and you’ve got 20 examples of stuff that you’ve done in the past.
Yes, it does mean that you sacrifice a bit of your time. Yes, that does mean that you couldn’t have charged 200 pounds for 20 of them each and made four grand. But if people don’t know you, the grand value price of one sale when they don’t want to buy from you is zero, zip, zilch nothing, nada. I would much rather have 20 sales, 20 logo designs at 20 bucks at one buck each, because then I’ve got those examples that I can then go and hunt the next big fish that’s willing to pay maybe a little bit more, 20 bucks each 50 bucks each 100 bucks each.
Working For Free is Improving Your Skills
Now, this is one of the things that that doesn’t dawn on people. I’ve been on YouTube for about eight, nine years. I’ve been creating these videos on this channel for about three. That means somewhere out there, there’s thousands of videos that I’ve edited, or I’ve been in, or I’ve uploaded, I’ve downloaded, I’ve deleted and that means that I can do this, I can communicate with a camera, I’ve improved my skill, I’ve improved my lighting, I’ve improved my ability to talk to you, to edit. Improving my skill, improving my speed, improving my skill set that I can sell to somebody else.
Improving my expertise that I can pitch to somebody else. Hi Mr. logo man. Yes, here’s 20 examples from point number one and I can do it much better than I used to because logo number 20 is better than logo number one because I learned how to do graphic and vector work a little bit better. And instead of it taking me four to five hours to render that wonderful piece of artwork, I can do it in half hour to an hour, and I can start tweaking and I can make it bigger.
Skill, improvement, more money.
You’re investing in yourself by doing free stuff – Building your reputation.
You’ve sold 20 logos to 20 people or 20 teddy bears, or 20 stockings or 20 handmade cards, it doesn’t matter what it is, you’ve sold 20 things to 20 people that can leave you 20 reviews. Those 20 reviews, you can then put on mailing list. Those 20 reviews you can put on your website. There’s 20 reviews, or people that hopefully you can refer to. Those are 20 advocates that know who you are and what you can do, that will refer hopefully another friend next time they need a logo, a teddy bear, a T shirt, a sock design, whatever you’re doing.
That reputations stacks on top of the skill that you’ve learned and the portfolio that you’ve gained. All of which has helped me in the past, hook that bigger fish. That’s got my foot in that door. Though I’ve got a couple of people that have come from these platforms, they are constant retainers, they are clients that I consult with. They are people that I directly work with, and they wouldn’t have found me if they hadn’t have used the freelance site to buy something small from me, for me to over deliver value, for them to trust me with my portfolio, the reputation, the reviews, and loving my work for me to then upsell.
I didn’t advertise for these people. I didn’t put ads on Facebook, I didn’t go out there on Google ads and hook people in. I’ve not pulled them in with some kind of skeezy sleazy kind of sales click funnel. I offered them value at a fair price and created quality, for them. And I’ve got my foot in the door, in which I can start talking to, and then I upsell, and I upsell and I upsell which then, supports the ability for me to give cheap, entries at the other end of that one dollar logo, those five dollar logos, those mini cheap reviews.
Leverage your new skill base, the things that you have learnt, your reputation, your portfolio, that foot in the door, you’re not actually doing it for free anymore.
Yes, initially, you do have to do the legwork, build the foundation and build upwards. And all it takes is for you to slowly stack over time. You put in some hard work.
And yes, let’s say you you have some really bad luck, and you sell 400 of these logos at one dollar each. You now have a huge portfolio, you’ve now had a skill based on these things. It may look like you are working for free, but you’re actually investing in yourself. And sometimes someone will help subsidize that by upgrading or by selling or buying or promoting you. And I did a lot of this at the start of my consulting career. I worked my ass off for 12 months, giving away freebies, or very cheap reviews and very cheap this and very cheap that. Why? Because it built those connections.
I’ve got 400, 500 videos on my youtube channel. They’re exactly that. I worked for free. Don’t get it twisted, yeah. YouTube can pay me a little bit of money in advertising but trust me it is pittance compared to what you can make by building that reputation. Building a back catalog. Making those links, putting your foot in the door and building a business from the ground up. All by just initially working for free. It’s one of the very important steps that you have to deal with when building a business and this nine of them here which I’m sure you know.
If you want more advice on how to start and grow your business using YouTube watch this video below.
– Anyone that’s serious on YouTube and making a business wants to know how to increase YouTube Video CPM income, improve their CPM, improve the adverts that get placed against your content. I’ve got a few tips for you…
If you’ve been creating content on YouTube for any length of time, you may now be monetized. The rollercaster that is YouTube CPM Rates can be a wild ride. The CPM rate is based on the things that are on your channel and it can seem frustrating that you have x amount of pounds per thousand views and somebody else gets many, many more. But, there are a few things that you can do to tweak this.
Evaluate The Existing Content On Your YouTube Channel
Have a look at your analytics. There will be some videos that have done much better than other videos. Pick through those. Have a look at your top five, top ten and see what themes may be occurring in those videos. Are those top ten videos mostly how-tos? Are those top ten videos mostly talking about a set product or service or game? Are they a certain length? Do they appeal to a certain demographic? Are they a specific niche? Are they put in a specific playlist?
Once you’ve figured out the clear front runners in your content, make more of that type of video to increase your chances of success.
In my case – I recently started to add business and money to my channel, as it gets a higher Cost Per Mille (CPM) compared to my normal YouTube Tutorials. It would behoove me more to go and make more business stuff, more business themed, more business titled, more business tagged because these are proven winners for my channel that get a proven track record of additional watchtime or a specific types of advert served against it. For example, Tai Lopez, who possibly spends a fortune trying to sell his e-course online (you know those bullshit ads where he’s stood in front of a mansion or in front of a fast car). He might be throwing 20, 30, 40 bucks at an advert that could hit your audience demographic – whilst he’s not gonna spend that kinda money if it’s against toys.
To increase your YouTube Channel CPM rate, make sure that you’re replicating the stuff that you know gets a higher CPM. I don’t mean neglect the ones that have a lower CPM, but understand the difference between the two.
Make Longer YouTube Videos – Double Your Video CPM Rate With Mid Rolls
CPM on YouTube is based on the advert served, how often and the video. Now If you’re lucky, and to increase YouTube Video CPM, adverts can play at the start, at the end and if you have a 10 minute video, they can also be placed in the middle of your YouTube video (YouTube Mid Rolls).
A case in point is Shane Dawson. Last year he dominated with his docu-series format. Each episode was over an hour long – like giant TV show. This gave him the advantage that he could add an advert every 15 minutes and it didn’t seem forced or tacky.
Now, if you imagine for every thousand views of that advert he got $5 – then the video that gets millions of views would do well for him. BUT, if he adds 3-4 mid roll adverts as well instead of $5 per 1000 advertisement displayed he can increase YouTube Video CPM 300-400% simply by adding midrolls into the longer video format. That’s the way to bump that video CPM because not only can you put one at the start, he could put multiple in the middle, he could put one at the end.
You’ll get more watchtime which might be an indicator to advertisers that people watch for longer, are more engaged and that video is very specific ’cause it’s 10 minutes of a very specific topic, so they could put specific adverts in. So, if you’re talking about how to rip apart a laptop and put it back together, advertisers could put adverts in and here, buy this part, here, buy a laptop from here, here’s Dixons, here’s PC World.
Pick Your Niche Carefully to Increase YouTube Video CPM
This is a lesson I learned, in the hardest possible sense, over the years. In the past I have managed channels that have had millions, millions of views. Those videos are in the entertainment sector. The problem with that is the entertainment sector can get thousands of views much more easily if you tweak it properly because you can pander to the topics, you can pander to the trends, the funny news, the weirdness, that kinda thing. But, that also means that you’ll get slightly lower or in some case, rock bottom CPMs.
Why? Because the topic might be inappropriate or the topic might be overexposed. So, therefore, there’s so many people talking about that, that the advertiser can bid less to get more traffic.
On the other side, let’s say you’re creating tutorials on how to create YouTube videos or educating people on business. This is a slightly harder, smaller niche. This kind of direct topic focus can attract a specific audience, an audience that other people may want to tap into, and can increase YouTube Video CPM. I have made video in the past where I talk about how to start a business.
In that video, I talk about how to start your own business. So, if you’re an accountant or if you’re some kind of business guru or some kind of e-book salesmen or anything that’s vaguely business related, insurance, etc etc – you might be tempted to advertise against that video. And, as you can imagine, the difference between someone trying to sell kids toys vs life insurance, real estate, e-learning masterclasses or anything like that – completely different market and potentially much higher CPMs.
Specific niches have better premiums. I’ve noticed with some of my clients that if you talk about money, you have a much higher CPM than over less business focused niches.
Cut Out The Swearing to Increase YouTube Video CPM
A bit of mild swearing, is not a huge problem. But, if you’re effing and jeffing all of the time, you can either be flagged as inappropriate or the algorithm kind of hears it, kind of sees it and certain advertisers will maybe stir away from you which means that they might be the higher paying ones or that means that you get one or two less adverts per hundred views, per thousand views which means you get less per thousand view CPM.
There is a rumor that if you avoid it in the first three minutes or so, or the first 30% of your video, then maybe, you’re kind of exempt from this, but I would advise that if truly your focus is in maximizing your CPM, either bleep it or avoid it entirely. I understand more than anybody how easy it is to just slip a swear out.
I’m born in Kent. I’m a council estate kid. That’s dragged his way up, effing and jeffing is like a second language to me. It’s ingrained and it’s very hard to stop. Try and curb it and it might help your pocket and you’ll feel a little better for it at the end of the month, at least on camera. Just be wary that swearing in youtube videos might hurt your bank balance.
Make Money Blogging YouTube Videos
This blog right here is proof that blogging YouTube videos can help raise awareness, bring in more eyeballs and even increase YouTube Video CPM in the long run.
Along side your very long article teaching people how to increase YouTube Video CPM you could place adverts from AdSense. This builds up a picture of behaviour within the mind of Google about your audience and helps them track or suggest your content to more and more relevant people.
I can also give you affiliate options or niche article oportunities you may not have considered before. If you’re talking about real estate, you could link to other articles, videos or affiliate links. People are still buying banner ads. People are still buying pop-ups. Yes, it may be part of the “old web world”, but it’s still equally as relevant. There’s still an audience that would prefer to read articles with visual aid whether it comes through pictures or video then specifically directly only watch your video.
You can always transcribe your videos. Turn them into blogs and then that way people could read three or fours pages of you talking that you fluffed up with nice content, infographics, and then you get double the income.
othing from you as a viewer. Premium, memberships, affiliates, products, and long-term viewer value can still matter.
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