Rode Wireless Me - Alan Spicer - YouTube Certified Expert

The best wireless lavalier microphone systems for YouTube creators in 2026 are the Rode Wireless Go II at £269, the Rode Wireless Me at £145 for solo creators, and the Rode Wireless Pro at £399 for event/32-bit float work. The DJI Mic 2 (£280) is the strongest non-Rode alternative, while the Sennheiser Profile Wireless (£349) competes at the premium tier. For 85% of creators, the Rode Wireless Go II remains the default — it’s been the creator wireless standard since 2021 and still earns that standing.

This list is based on wireless audio specifications across managed channels doing interview, travel, and location content. For broader audio context, see my Ultimate Creator Equipment Guide 2026.

Quick Comparison: Best Wireless Lavalier Systems 2026

System	Best For	Price	Channels
Rode Wireless Me	Solo creators, budget	£145	1
Hollyland Lark M2	Budget dual-channel	£159	2
Rode Wireless Go II	Creator standard choice	£269	2
DJI Mic 2	Alternative with 32-bit float	£280	2
Hollyland Lark Max	32-bit float budget	£299	2
Sennheiser Profile Wireless	Premium audio quality	£349	2
Rode Wireless Pro	Event / one-take safety	£399	2
Sennheiser EW 112P G4	Professional broadcast	£649	1 (per system)

1. Rode Wireless Me — Best Budget Single-Channel

Price: £145
Type: Single-channel wireless lavalier
Best for: Solo creators on budget

The Rode Wireless Me is the budget-friendly entry to Rode’s wireless ecosystem. Single transmitter, 100m range, built-in intelligent GainAssist for auto-gain adjustment. Small, lightweight, and genuinely enough for solo creator work.

Limitations: no on-board recording (Wireless Go II has it), shorter range, single-channel only. For solo vloggers and creators who only mic themselves, these are acceptable tradeoffs for the £124 savings over Wireless Go II. See my Wireless Me vs Wireless Go comparison.

Pros: Cheapest Rode wireless, works immediately, creator-friendly

Cons: Single channel only, no on-board backup recording

2. Hollyland Lark M2 — Best Budget Dual-Channel

Price: £159
Type: Dual-channel wireless lavalier
Best for: Budget interview creators

The Hollyland Lark M2 is the budget dual-channel option. Two transmitters at £159 total is remarkable value. 200m range, 10-hour battery, and a charging case that doubles as storage. Quality is good if not quite Rode-tier.

For creators wanting two transmitters on tight budget, the Lark M2 is a strong choice. Rode’s ecosystem (app, accessories, community support) is larger but Hollyland’s value proposition is genuine.

Pros: Best dual-channel price, good battery, charging case included

Cons: Smaller ecosystem than Rode, less proven longevity

3. Rode Wireless Go II — The Creator Standard

Price: £269
Type: Dual-channel with on-board recording
Best for: Most YouTube creators

The Rode Wireless Go II has been the default creator wireless recommendation since its 2021 launch — and it still earns that standing in 2026. Two transmitters, 200m range, 7+ hours of on-board 24-bit backup recording per transmitter.

The on-board recording is the killer feature: even if wireless drops, each transmitter has recorded clean backup audio locally. This is insurance against RF interference and signal issues in crowded environments.

See my full Rode Wireless Go II review for detailed analysis.

Pros: On-board backup recording, proven reliability, strong ecosystem

Cons: No 32-bit float (newer competitors offer this)

4. DJI Mic 2 — Best Rode Alternative

Price: £280
Type: Dual-channel with 32-bit float
Best for: DJI ecosystem users, 32-bit float wanted

The DJI Mic 2 is the strongest non-Rode alternative. 32-bit float recording (impossible to clip), Bluetooth direct connection to iPhones/Android, charging case, and similar form factor to Wireless Go II. For creators already in the DJI ecosystem (Mini 4 Pro, Osmo Pocket 3), brand consistency matters.

Audio quality is competitive with Wireless Go II. Build quality feels more premium. The 32-bit float is a genuine advantage for event and unpredictable recording.

Pros: 32-bit float, Bluetooth iPhone connection, charging case

Cons: Smaller creator ecosystem than Rode, newer on market

5. Hollyland Lark Max — Best Budget 32-bit Float

Price: £299
Type: Dual-channel with 32-bit float
Best for: Budget-conscious event shooters

The Hollyland Lark Max brings 32-bit float to a lower price point than Rode Wireless Pro. Noise cancellation via app, charging case, and the same event-safety benefits as higher-tier systems. Competitive audio quality.

For creators who want 32-bit float insurance without the Wireless Pro premium, the Lark Max is a genuine option. Trade-off is smaller brand ecosystem and less proven reliability over time.

Pros: 32-bit float under £300, noise cancellation, good battery

Cons: Less proven than Rode/DJI, smaller accessory ecosystem

6. Sennheiser Profile Wireless — Best Premium Audio

Price: £349
Type: Dual-channel premium
Best for: Audio-critical creators

The Sennheiser Profile Wireless brings Sennheiser’s broadcast audio heritage to the creator wireless market. Premium audio quality noticeably better than Rode/DJI in direct comparison, especially in noise handling and vocal clarity. Included lavalier mic of broadcast quality.

For creators where audio quality is paramount (documentary, interview, professional podcast), the Profile Wireless justifies its premium. For standard creator content, the extra cost delivers marginal gains.

Pros: Best audio quality in creator tier, Sennheiser reliability

Cons: More expensive, less ecosystem integration than Rode

7. Rode Wireless Pro — Best for Events/Pro Work

Price: £399
Type: Dual-channel with 32-bit float + 32GB storage
Best for: Event videographers, wedding shooters, pro documentary

The Rode Wireless Pro is the creator-to-professional wireless system. 32-bit float recording, 32GB internal storage per transmitter (40+ hours of audio), timecode support, bandwidth-hopping interference rejection, included Rode Lavalier II microphones, and magnetic clips.

For creators doing events, weddings, or content where audio cannot be re-captured, the Wireless Pro is worth the premium. The 32-bit float alone saves recordings that would otherwise clip and be ruined. See my Wireless Go vs Wireless Pro comparison.

Pros: 32-bit float, massive storage, pro features, included lavaliers

Cons: Premium price, overkill for solo creator desk work

8. Sennheiser EW 112P G4 — Professional Broadcast Standard

Price: £649 (single-channel system)
Type: Professional UHF wireless
Best for: Broadcast professionals, serious filmmakers

The Sennheiser EW 112P G4 is a different product category — professional UHF wireless used by broadcast crews globally. Operates on licensed UHF frequencies (better interference rejection than 2.4GHz creator systems), professional-grade lavalier, and audio quality matching £2,000+ professional systems.

For YouTube creators, this is usually overkill. For creators scaling into professional broadcast or corporate video work, the EW 112P G4 is the entry to genuine pro audio. Each channel is £649 — multi-speaker setups scale expensively.

Pros: Professional audio quality, UHF reliability, broadcast-standard

Cons: Expensive, requires licensed frequency in some regions, overkill for most creators

Honourable Mentions

Rode Wireless Go II Single (£179) — single-transmitter variant of Wireless Go II. Middle option between Wireless Me and full Wireless Go II.
Shure MoveMic Pair (£399) — Shure’s entry to wireless creator audio. Good quality, less developed ecosystem than Rode.
Saramonic BlinkMe (£199) — mid-budget competitor with competitive specs.
Godox WES2 (£169) — budget alternative with professional-style form factor.
Comica Vimo S (£120) — ultra-budget option. Quality reflects price — use only if Rode/Hollyland are out of budget.

Should You Upgrade from Built-in to External Lavaliers?

Every wireless system includes a built-in omnidirectional mic in the transmitter. These are usable but noticeably inferior to dedicated lavalier mics clipped to speakers. Upgrade options:

Rode Lavalier GO (~£59) — budget-appropriate for Wireless Me / Wireless Go II
Rode Lavalier II (~£125) — broadcast-grade, included with Wireless Pro
Sennheiser ME-2 (~£89) — broadcast alternative
DPA 4060 (~£389) — professional-tier, for serious documentary work

Adding a Lavalier GO to a Wireless Me bumps total cost to ~£205 — still cheaper than Wireless Go II alone. For serious dual-interview setups, 2× Lavalier IIs + Wireless Pro is ~£650 total.

Wireless vs Shotgun vs Dynamic — Which Do You Need?

Different mic types solve different creator problems. Here’s when wireless is the right choice:

Use wireless when:

Subject moves around (walking vlogs, hosts pacing stage)
Multiple speakers need independent mics
Camera-to-subject distance exceeds shotgun practical range
Hands-free recording needed
Outdoor or location-based recording with ambient noise

Use a shotgun mic instead when:

Subject stays within 1-2m of camera
Lavaliers are inappropriate (formal interviews, visible clothing)
Ambient sound is part of the content (documentary B-roll)
Boom operator available for narrative work

See my best shotgun microphone guide for shotgun alternatives.

Use a dynamic mic (SM7B, MV7+) instead when:

Desk-based recording (podcast, talking-head)
Studio setup with controlled acoustics
Broadcast voice authority matters

See my Shure SM7B vs MV7+ comparison.

2.4GHz vs UHF vs Bluetooth — Technical Differences

Wireless audio systems use different radio technologies with different tradeoffs:

2.4GHz (most creator systems)

License-free worldwide
Subject to interference from WiFi, Bluetooth, other consumer devices
Range typically 100-200m line of sight
Used by: Rode Wireless Go II, DJI Mic 2, Hollyland systems

UHF (professional systems)

Requires licensed frequency in some regions
Superior interference rejection in crowded RF environments
Range up to 300m line of sight
Used by: Sennheiser EW 112P G4, Shure SLX-D, professional broadcast

Bluetooth (niche)

Very short range (10m)
Direct phone connection without receiver
Convenience over professional quality
Used as secondary feature in DJI Mic 2, some others

For 95% of creator use cases, 2.4GHz is the right choice. It fails most visibly in crowded conferences, trade shows, or dense urban environments where many devices compete for the same frequencies.

Wireless Selection Guide by Use Case

Solo vlogger / single-speaker YouTube (under £200)

Buy: Rode Wireless Me (£145). Single-channel is enough. Add Rode Lavalier GO (£59) if ultra-clean audio needed.

Interview / two-person content (£200-300)

Buy: Rode Wireless Go II (£269). Dual channel is essential. On-board recording is insurance.

Travel vlogger mobile (£250-350)

Buy: Rode Wireless Go II OR DJI Mic 2 (£280). See my travel vlog equipment guide.

Event videographer / wedding shooter (£300-500)

Buy: Rode Wireless Pro (£399). 32-bit float insurance for one-take scenarios.

Premium audio-focused content (£300-400)

Buy: Sennheiser Profile Wireless (£349). Best audio quality in creator tier.

Professional broadcast / corporate video (£500+)

Buy: Sennheiser EW 112P G4 or equivalent UHF system. True professional broadcast tier.

Frequently Asked Questions

Is 32-bit float actually necessary?

For predictable studio-style recording, no. For event/one-take/unpredictable recording, genuinely yes. The feature prevents clipping regardless of input level — you can always recover levels in post. For weddings, children, live events, it’s worth the premium. For controlled desk or studio recording, it’s insurance you rarely claim.

How reliable is 2.4GHz in 2026’s crowded RF environments?

Very reliable in home/office environments. Less reliable in conference halls, trade shows, or dense urban spaces. If you shoot in crowded RF environments regularly, consider UHF (Sennheiser EW series) or the Rode Wireless Pro’s improved interference rejection.

What’s the maximum practical range?

Most 2.4GHz systems are rated 100-200m line-of-sight but perform reliably to around 40-60m through walls/obstructions. For typical creator scenarios (walking vlog, small-room interview), range is never the limiting factor.

Do wireless systems have latency I’ll notice?

All creator wireless systems have 2-4ms latency — imperceptible for video sync. Not an issue unless you’re doing music performance recording where musicians need to hear themselves without delay (use wired monitoring for that).

How long do wireless systems last?

3-5 years of typical creator use. Batteries are the primary wear component — after 200-300 charge cycles, capacity degrades. Most systems have replaceable batteries or easy service options.

Can I connect wireless to my phone for mobile recording?

Yes, most modern systems support USB-C direct to iPhone/Android. DJI Mic 2 and newer Rode systems include Bluetooth direct connection for even simpler phone integration.

What about wireless microphones for live streaming?

Rode Wireless Go II and similar systems work directly into streaming setups via USB-C. For desk-based streaming, XLR mics are usually better. See my gaming channel equipment guide.

Are cheap wireless systems (£80-100) worth trying?

Usually no. Audio quality, range, and reliability at that price point compromise the creator experience meaningfully. The £50-70 savings often cost you recording moments or retakes. Buy something in the £145-270 Rode/Hollyland tier for meaningful quality.

What to Do Next

Read the full Creator Equipment Guide 2026 for broader context
Check my Rode Wireless Go II review for the standard creator choice
Compare via Rode Wireless Me vs Wireless Go for budget decisions
Or Wireless Go vs Wireless Pro for premium decisions
Check best shotgun microphones for alternative mic types
Apply the 30/25/25/20 budget rule
See niche guidance for travel, course creators, or finance
For personalised audio advice, book a free discovery call

For most YouTube creators in 2026, the Rode Wireless Go II remains the right choice — proven, reliable, and feature-complete. Save money with the Wireless Me if you only record yourself. Step up to the Wireless Pro if you shoot events or unrepeatable moments. Consider DJI Mic 2 if you’re already in DJI ecosystem. The fundamental decision is single-channel (solo) vs dual-channel (interview) and whether 32-bit float insurance matters for your content. Match tool to actual workflow — don’t buy features you’ll never use.

The Rode Wireless Me (£145) is a single-channel wireless lavalier system; the Rode Wireless Go II (£269) is a dual-channel system with on-board recording backup. Both share Rode’s core wireless technology and 2.4GHz transmission. The Wireless Go II is the better buy for creators who need two mics (interviews, dialogues) or want backup recording. The Wireless Me is the right choice for solo creators on a budget — £124 saved for features most solo vloggers will never use.

This comparison addresses the common question: should you save money with the Wireless Me or spend up to the Wireless Go II? For broader audio context, see my Ultimate Creator Equipment Guide 2026.

Quick Verdict: Which Should You Buy?

Buy the Wireless Me if: You’re a solo creator only, budget is tight, you don’t need backup recording, or you shoot predictable content where re-takes are possible.
Buy the Wireless Go II if: You do interviews or two-person content, you value backup recording as audio insurance, you need longer range, or you want future-proofing for a growing channel.

Full Specs Comparison

Spec	Rode Wireless Me	Rode Wireless Go II
System type	Single-channel (1 transmitter)	Dual-channel (2 transmitters)
Range (line of sight)	100m	200m
Frequency band	2.4 GHz (license-free)	2.4 GHz (license-free)
On-board recording	No	Yes (~7 hours, 24-bit)
Built-in intelligent GainAssist	Yes (auto-levelling)	Yes (traditional GainAssist)
Built-in mic type	Omnidirectional	Omnidirectional
External lavalier support	Yes (TRS)	Yes (TRS)
Battery life	~7 hours	~7 hours
Charging	USB-C individual	USB-C individual
Weight (TX)	32g	30g
Monitor output (RX)	3.5mm headphone jack	3.5mm headphone jack
Launch year	2023	2021
Typical UK price	£145	£269

Sources: Rode Wireless Me specs and Rode Wireless Go II specs.

The Core Difference: One Transmitter vs Two

This is the fundamental distinction that shapes everything else. The Wireless Me system is 1 receiver + 1 transmitter. The Wireless Go II system is 1 receiver + 2 transmitters.

What you can and can’t do:

Wireless Me (single transmitter)

Solo recording (yourself only)
Interview one person at a time (you hold/wear transmitter)
Attach transmitter to one guest while you use camera’s direct audio

Wireless Go II (dual transmitters)

Two-person interviews with both speakers miked
Dialogue content where both people need clear audio
Multi-camera setups with different transmitters per camera
Backup configuration (redundant transmitter running while primary is primary)

For the 80%+ of YouTubers who primarily record themselves, the Wireless Me’s single transmitter is genuinely enough. For interview-heavy channels, podcast video, or any content requiring two independent voice captures, the Wireless Go II is functionally necessary.

Range: Practical Implications

200m vs 100m line-of-sight range is a 2× difference. Real-world implications:

Indoor use (both systems adequate)

For typical indoor recording (up to 15-20m subject distance), both systems perform identically. Dropouts at 10m indoors are rare with either system in most environments.

Outdoor / location work (Go II wins)

Outdoor line-of-sight distances matter more. A 50m walk-and-talk sequence: Go II maintains solid signal; Wireless Me starts showing occasional dropouts at 50m+ even in line-of-sight.

Through walls/obstructions (Go II wins decisively)

Walls, trees, and human bodies reduce effective range significantly. Wireless Me through one wall: ~30-40m reliable. Wireless Go II through one wall: ~60-80m reliable.

For most creator scenarios (within ~10m of receiver), both systems work. For outdoor, event, or walk-around vlogging, the Go II’s extra range matters.

On-Board Recording: The Go II’s Killer Feature

The Wireless Go II transmitters contain internal memory that records 24-bit backup audio directly on the transmitter — ~7 hours per transmitter.

Why this matters:

1. Insurance against wireless dropouts

Wi-Fi interference, Bluetooth collisions, or crowded RF environments can cause wireless signal dropouts. On-board recording means you always have a clean backup to fall back on.

2. Disconnection-free workflow

If the transmitter drops connection from the receiver, on-board recording continues. Your audio is captured regardless of wireless stability.

3. Post-production safety net

After recording, pull the transmitter’s audio file via USB-C. Compare to wireless track. Use whichever sounds better (usually on-board due to no wireless compression).

The Wireless Me has no on-board recording. What the wireless captures is what you get. If the wireless signal drops, that moment is lost.

For predictable indoor recording where re-takes are possible, this safety net isn’t critical. For events, one-take content, or any unrepeatable moments, it’s genuinely valuable.

GainAssist Technology

Both systems include Rode’s GainAssist intelligent auto-gain technology, which prevents clipping by reducing gain when audio approaches maximum level. This is one of Rode’s most practical features — it eliminates the most common beginner audio mistake (recording too hot and clipping).

Wireless Me’s implementation is slightly newer and more sophisticated than Wireless Go II’s original GainAssist, though both work effectively. Practical difference is minimal — both produce recording that won’t clip under normal conditions.

The Wireless Pro’s 32-bit float recording is meaningfully beyond both systems. If audio insurance is paramount, see my Wireless Go II vs Wireless Pro comparison.

Audio Quality: Essentially Identical

Both systems use similar transmitter design, 2.4GHz digital transmission, and the same built-in omnidirectional mic capsule. Audio quality in blind tests is indistinguishable.

Where you’d hear a difference:

Using external lavalier mics (both systems accept these via TRS)
Specific environmental interference (both handle typical creator environments fine)
Extreme distance operation (Go II’s longer range = less signal degradation at limits)

For the built-in transmitter mic audio both systems produce, don’t expect meaningful quality differences.

The Lavalier Upgrade Path

Both systems’ built-in omni mics work adequately for casual vlogging. For broadcast-quality voice capture, adding proper lavalier microphones is the real upgrade:

Rode Lavalier GO (~£59) — budget-appropriate lavalier, designed for this system
Rode Lavalier II (~£125) — broadcast-grade lavalier, included with Wireless Pro
DPA 4060 (~£389) — professional broadcast lavalier, vastly better quality

For solo Wireless Me users: add one Lavalier GO (~£59) for ~£205 total.

For Wireless Go II interview setups: add two Lavalier GOs (~£118) for ~£387 total, or two Lavalier IIs (~£250) for ~£519 total.

Use Case Breakdown

Solo vlogger (talking to camera)

Wireless Me wins. Single transmitter is all you need, budget saved for other kit. No sacrifice in audio quality for solo recording.

Interview-focused YouTube channel

Wireless Go II wins decisively. Single-channel won’t cover interviewer + guest. Dual transmitters are essential.

Podcast-style video content

Wireless Go II wins. Though static desk podcast is better served by XLR mics (see Shure SM7B vs MV7+), mobile podcast recording with two speakers needs Go II’s dual channels.

Wedding / event videographer

Wireless Go II, or step up to Wireless Pro for 32-bit float safety. Wireless Me’s lack of backup recording is a genuine risk in one-take scenarios.

Travel vlogger

Either works. Wireless Me’s simpler, lighter, and cheaper makes it the more practical choice for most travel creators. Go II if you plan collaborative content on location.

Gaming / desk streamer

Neither — use a proper USB mic. See gaming equipment guide.

Course creator

Wireless Me is usually enough. Course content is controlled, re-takes possible, predictable environment.

Upgrade Paths and Future-Proofing

Consider where your channel is heading:

If you’ll stay solo long-term

Wireless Me is the right buy. £124 saved for other equipment. The single-channel limitation won’t materialise as a problem.

If you might do interviews in 1-2 years

Wireless Go II now is cheaper than buying Wireless Me now and adding second system later. The incremental £124 is worth it for interview flexibility.

If you’re building toward professional production

Skip both and go Wireless Pro (£399). The 32-bit float recording is worth the further step up for professional work.

Other Wireless Systems to Consider

DJI Mic 2 (~£280) — direct Wireless Go II competitor with 32-bit float. Good alternative if you prefer DJI ecosystem.
Hollyland Lark Max (~£299) — newer entrant with on-board recording and 32-bit float. Competitive specs at similar price to Go II.
Sennheiser Profile Wireless (~£349) — Sennheiser’s creator-focused wireless system. Premium build, strong audio quality.

The Wireless Go II Single Channel Workaround

Important technical note: the Wireless Go II system can be purchased as “single channel” with just one transmitter (Wireless Go II Single) for about £179. This provides 50% of the Wireless Go II’s transmitters at 66% of the price — a middle-ground option.

However, this is usually not a better deal than Wireless Me:

Wireless Me: £145, latest generation, smaller receiver
Wireless Go II Single: £179, older generation, bigger receiver

The Wireless Me is newer and cheaper. Unless you specifically need on-board recording even in single-channel use, Wireless Me is the better single-channel option.

Battery Life and Charging

Both systems deliver approximately 7 hours of continuous use per charge. Both charge via USB-C. Both take around 1.5-2 hours for full charge.

Practical differences:

Wireless Me has one transmitter to charge — simpler workflow
Wireless Go II requires charging two transmitters + one receiver — more USB-C ports needed

For full-day shooting, both systems require mid-day charging or backup batteries. USB power banks work well for in-use charging.

Frequently Asked Questions

Can I use the Wireless Me for two-person interviews?

Only if you accept compromises. Options: (1) Clip the transmitter to the guest and use camera’s direct audio for yourself (quality mismatch), (2) Pass the transmitter between speakers (awkward), (3) Buy a second Wireless Me receiver+transmitter pair (approaching Wireless Go II cost). For proper interview recording, Wireless Go II is the right answer.

Is the Wireless Me’s range genuinely enough for vlogging?

Yes, for standard indoor vlogging. 100m line-of-sight is well beyond typical indoor recording distances. For outdoor walking vlogs or multi-room setups, the Go II’s 200m is safer.

Does the Wireless Me sound worse than the Wireless Go II?

No meaningful difference in audio quality. Same transmission technology, same microphone capsule. Blind tests don’t distinguish them.

Can I add a lavalier microphone to the Wireless Me?

Yes, via TRS connection. Any TRS-terminated lavalier (Rode Lavalier GO, Sennheiser ME-2, etc.) works on both systems.

How reliable is the 2.4GHz transmission in crowded environments?

Adequate for most creator scenarios. In crowded tech environments (conferences, trade shows) with many competing 2.4GHz devices, both systems can experience interference. The Wireless Go II’s newer firmware handles this slightly better than the Wireless Me.

Which is better for YouTube Shorts?

Either works. Short-form content is typically single-speaker and short-duration, well within both systems’ capabilities. Wireless Me is the more appropriate budget choice for Shorts-focused creators.

Can I monitor audio while recording?

Yes, both systems have 3.5mm headphone outputs on the receiver. Connect headphones and hear exactly what’s being captured in real-time.

How durable are these systems?

Both use plastic construction rated for normal creator use. Neither is weather-sealed or ruggedised. For rough outdoor work, consider protective cases. Typical lifespan under normal use: 3-5 years before wear shows.

What to Do Next

Read the full Creator Equipment Guide 2026 for broader context
Compare with Rode Wireless Go vs Wireless Pro if pro features matter
Check my Rode Wireless Go II review for detailed Go II analysis
For static desk audio, see Shure SM7B vs MV7+
Apply the 30/25/25/20 budget rule
Check niche-specific advice for travel vloggers or course creators
Avoid pitfalls in creator equipment mistakes
For personalised advice on wireless audio, book a free discovery call

For solo creators with budget constraints, the Wireless Me is genuinely enough — save the £124. For interview-focused creators, content with two speakers, or growing channels that will likely need dual-channel flexibility, the Wireless Go II is worth the premium. The “buy once, cry once” wisdom applies: if you’ll likely need dual-channel within a year, buy the Go II now rather than buying Wireless Me and upgrading later.