Disclosure: Some links on this page may be affiliate links (including Amazon). If you choose to buy through them, I may earn a small commission at no extra cost to you. I only recommend gear and upgrade paths I genuinely believe are sensible for creators.
Written by Alan Spicer
- YouTube Certified Expert (Audience Growth, Channel Management, Content Strategy)
- YouTube & Digital Media Consultant (including work with Coin Bureau brands)
- Built repeatable growth systems across multiple channels (including 0→20k in 2 months and 15k→100k in 8 months)
- Recipient of 6× YouTube Silver Play Buttons
My bias: most creators don’t need to buy a second powered light. A reflector (or even white foam board) often fixes harsh shadows with less hassle and less “flat” lighting.
Fill Light vs Reflector for YouTube: Which Should You Use (and When)? (UK)
Once you’ve got a key light, the next problem is usually one of these:
- One side of your face is too dark
- You’ve got harsh shadows under the eyes
- The lighting looks dramatic in a bad way (not the “cinematic” kind)
That’s when people start searching for “fill light”… and immediately get sold a second light they may not need.
This post helps you decide when a reflector is the smarter choice and when a real fill light is worth the extra complexity.
Jump to:
Quick answer ·
Related searches ·
60-second decision tree ·
What fill light and reflectors actually do ·
When a reflector is better ·
When a fill light is better ·
Placement (where to put it) ·
Reflector types (white vs silver vs gold) ·
Small room tips ·
Common mistakes ·
What not to do ·
Who this is not for ·
Gear links ·
Related reading ·
FAQs
Quick answer
Use a reflector if you want the simplest way to soften shadows without making your lighting look flat. A reflector “recycles” your key light and adds gentle fill. Use a fill light if you need consistent fill in a tight space, you film at night often, or you want more control over the look. For most YouTubers, a white reflector (or white foam board) is the best second step after a key light.
The 60-second decision tree
- You want the easiest upgrade → reflector (white) or foam board.
- You’re in a tiny space and can’t place a reflector → small fill light at low power.
- You film at night and want consistent results → fill light is easier to control.
- You keep getting flat “passport photo” lighting → your fill is too strong (reflector usually helps more than a second light).
- You’re on a tight budget → foam board is ridiculously effective for the price.
Rule of thumb: start with a reflector. Only add a powered fill light when you need more control.
What fill light and reflectors actually do
| Option | What it does | Why creators like it | Downside |
|---|---|---|---|
| Reflector | Bounces your key light back into shadows | Soft, natural-looking fill with zero extra power | Needs physical space and positioning |
| Fill light | Adds its own light from the shadow side | More consistent control, works in awkward rooms | Easy to overdo and make lighting look flat |
Important: neither option replaces key light placement. If your key light is wrong, your fill will fight it.
If you haven’t locked in your key light yet, start here:
When a reflector is better (most YouTubers)
A reflector is usually better when:
- You want a natural look (not “lit from both sides”)
- You film in the same spot and can leave it set up
- You want to reduce harsh shadows without adding extra glare
- You’re on a budget (reflector or foam board is cheap)
What it fixes well:
- Harsh cheek shadows
- Under-eye darkness
- Overly dramatic contrast
When a fill light is better (specific cases)
A fill light is better when:
- You have no room for a reflector (desk corner, tight setup)
- You film at night and want the same look every time
- You need to light a wider shot where a reflector isn’t enough
- Your key light has to sit far away (so bounced light is too weak)
But keep it subtle. Most creators run fill too bright and remove all depth.
Placement: where to put it (so it looks good)
Key light baseline: 45° to one side, slightly above eye level, angled down gently.
Reflector placement (easy)
- Put the reflector on the opposite side of the key light
- Angle it so it “catches” the key light and bounces it into the shadow side of your face
- Move it closer for more fill, further away for less fill
Fill light placement (easy to mess up)
- Place the fill on the opposite side of the key light
- Keep it closer to the camera axis than the key (so it fills gently)
- Run it at much lower brightness than the key
Quick test: if you can’t see any shadow at all, your fill is too strong.
Reflector types: white vs silver vs gold (what actually works)
| Type | Look | Best for | Avoid when |
|---|---|---|---|
| White | Soft, natural fill | Most YouTube talking head setups | Rarely a bad choice |
| Silver | Stronger, punchier fill | When your key light is weak or far away | If you’re getting shiny hotspots |
| Gold | Warm tint | Specific “warm” looks (rare) | Most modern YouTube setups (can look unnatural) |
My simple rule: start with white. Silver is the “more power” option. Gold is usually a mistake.
Small room tips (where reflectors shine)
In small rooms, reflectors are often the best “second step” because they don’t create new wall shadows.
If you’re fighting harsh shadows behind you, this pairs perfectly:
Common mistakes (and the fix)
| Mistake | What it causes | Fix |
|---|---|---|
| Fill too bright | Flat “passport” lighting | Lower fill power or use a reflector instead |
| Reflector too close | Light from below / unnatural bounce | Raise it and angle it from the side |
| Using gold reflector by default | Odd skin tones | Use white (or silver if needed) |
| Trying to fix everything with fill | Still looks “off” | Fix key placement first |
What not to do
- Don’t add fill before you fix key light placement. You’ll just mask the problem.
- Don’t run fill at the same brightness as the key. That’s how you get flat lighting.
- Don’t aim fill straight at your face from the camera direction. It kills depth.
- Don’t overcomplicate small-room setups. Reflectors are often the cleanest solution.
- Don’t buy a second light if foam board would do the job. Cheap wins are still wins.
Who this is not for
- Creators building cinematic scene lighting with motivated practicals
- Studios where a full three-point rig is already installed and consistent
- Anyone who needs lighting for large group shots (different requirements)
Gear links (kept editorial, not salesy)
Start here for bundles and scenario-based picks:
Lighting cluster (where this post plugs in):
- Key light placement
- Stop wall shadows
- Two-light setup vs three-point lighting
- Lighting setup for small rooms
- Best YouTube lighting under £100
- Best YouTube lighting under £50
If you want Amazon UK searches (tagged so the session is credited):
- Amazon UK: 5-in-1 reflectors
- Amazon UK: white foam board (cheap reflector)
- Amazon UK: small LED panels (as fill)
- Amazon UK: clamp mounts (useful in small rooms)
- Amazon UK: reflector holder clips
Related reading
- Key light placement
- Two-light setup vs three-point lighting
- Stop wall shadows
- Lighting setup for small rooms
- Ring light vs softbox vs LED panel
- Lighting with glasses (stop reflections)
- Best YouTube lighting under £100
- Best YouTube lighting under £50
FAQs (People Also Ask style)
Is a reflector better than a fill light for YouTube?
Often, yes. A reflector gives soft, natural fill using your key light, with less chance of flat lighting and less setup hassle.
Do I need a fill light for YouTube?
Not always. Many creators can reduce shadows with a reflector or bounce fill. A fill light helps when you need consistent control, especially at night.
How do I use a reflector as a fill light?
Place it on the opposite side of your key light and angle it so it bounces light into the shadow side of your face. Move it closer for stronger fill.
White or silver reflector for video?
White is softer and more natural for most YouTube setups. Silver is stronger but can create hotspots if you’re shiny.
Is a gold reflector good for YouTube?
Usually not. It can create unnatural skin tones. Most creators are better sticking to white (or silver if needed).
Why does my fill light make me look flat?
Your fill is too bright (or too close to the camera axis). Lower it until you still have some shadow and depth.
Can I use foam board as a reflector?
Yes. White foam board is one of the cheapest and most effective reflector solutions for small rooms.
Where should I place a fill light?
Opposite the key light, nearer the camera axis, and at a much lower brightness than the key.
What’s the cheapest way to reduce shadows on my face?
Use a white wall, white foam board, or a basic reflector to bounce some of your key light back into the shadows.
Should I buy a second light or a reflector first?
For most creators, buy a reflector (or foam board) first. Add a fill light later if you need more consistency or control.
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