Categories
YOUTUBE

Microphone Clipping on YouTube? Set Levels Properly (UK Guide)

Disclosure: Some links on this page may be affiliate links (including Amazon). If you choose to buy through them, I may earn a small commission at no extra cost to you. I only recommend gear and upgrade paths I genuinely believe are sensible for creators.

Written by Alan Spicer

  • YouTube Certified Expert (Audience Growth, Channel Management, Content Strategy)
  • YouTube & Digital Media Consultant (including work with Coin Bureau brands)
  • Built repeatable growth systems across multiple channels (including 0→20k in 2 months and 15k→100k in 8 months)
  • Recipient of 6× YouTube Silver Play Buttons

My bias: clipping is one of the few audio problems that can permanently ruin a take. If the signal distorts at the source, you can’t truly “fix it in editing” — so we prevent it.

Stop Mic Clipping & Distortion on YouTube (UK): Fix Peaking, Crackling, and “Crunchy” Audio

If your voice suddenly goes crunchy, harsh, crackly, or distorted — that’s usually clipping (also called peaking). It happens when your audio signal is too hot and hits the ceiling.

The good news: most clipping is caused by one or two simple mistakes, and you can usually fix it in minutes.

Quick answer / TL;DR

To stop mic clipping and distortion: lower input gain so your normal speech peaks around -12 dB to -6 dB and never hits 0 dB. Move the mic closer so you don’t need high gain. Add a limiter at the end of your chain with a ceiling around -1 dB as a safety net. If distortion remains, the clipping may be happening earlier (Windows input, USB mic, audio interface, or camera preamp).

Watch the quick demo (from my channel)

If you want a quick sanity-check before you change settings, this is the kind of “audio mistake” I see constantly when auditing channels:

Watch on YouTube

The 60-second decision tree

  • Meters hit red / 0 dB → lower gain immediately.
  • Clipping happens only when you get excited/loud → add limiter (ceiling -1 dB) + lower gain slightly.
  • Sounds distorted even when meters look fine → clipping is happening earlier (USB mic, Windows input, interface, camera preamp).
  • Only certain words distort (“P”, “B” bursts) → it may be plosive overload + too much gain; fix airflow and distance.
  • Crackling pops randomly → could be USB/power/cable/interface issues (still start by lowering gain and checking input chain).

Rule of thumb: if it’s clipped, you prevent it next time — you don’t “repair” it later.

What clipping actually is (in plain English)

Audio has a maximum ceiling. When your voice signal hits that ceiling, the peaks get chopped off. That “chop” is what you hear as harsh distortion.

Two key truths:

  • If you clip at the source, you can’t fully undo it.
  • Most clipping is caused by gain being set too high for the way you actually speak on camera.

Fix order (do this first)

  1. Mic placement (close mic = lower gain = less clipping risk)
  2. Input gain (set safe peak levels)
  3. Limiter (final safety net)
  4. Then think about compression/EQ (optional polish)

These two posts are the foundation pieces if you want the whole “clean audio system”:

Target levels (dB) that keep you safe

You don’t need perfection. You need “never clip”.

Level target What to aim for Why it works
Normal speech peaks -12 dB to -6 dB Strong signal with headroom
Excited/loud peaks -6 dB to -3 dB Still safe, still clean
Absolute danger zone 0 dB (red) Clipping/distortion

Practical tip: do a 10-second “excited test” before recording: say your intro like you mean it, a bit louder than normal. Set gain for that reality — not your quiet voice.

Where it’s clipping (mic, Windows, OBS, interface)

This is where creators get caught: the meter you’re watching might not be the stage that’s clipping.

1) USB microphone clipping

  • If the mic itself is set too hot (hardware or driver level), it can distort before OBS even sees it.
  • Fix: lower the mic’s own gain/level first, then fine-tune in OBS.

2) Windows microphone level clipping

  • If Windows input level is high, you can clip before any software filters.
  • Fix: reduce Windows mic input level, then re-check your OBS levels.

3) OBS / software clipping

  • If OBS meters peak into the red, the fix is straightforward: gain down.
  • Fix: lower input, then add limiter at the end.

4) Audio interface / XLR clipping

  • Interfaces can clip at the preamp before the signal reaches your computer.
  • Fix: lower the interface gain knob until peaks are safe; only then add software processing.

5) Camera preamp clipping (common with on-camera mics)

  • If your mic is plugged into a camera and the camera preamp is too hot, you’ll clip there.
  • Fix: lower camera input level; if your mic has output level control, adjust that too.

Limiter setup (the safety net)

A limiter won’t magically fix bad gain, but it will stop sudden spikes from ruining an otherwise good take.

Simple limiter rule: set the limiter ceiling to -1 dB.

Where to put it: at the end of your chain (after suppression/gate/compression).

If the limiter is working constantly: your gain is too high. A limiter should catch peaks, not squash everything.

Most common causes (and fast fixes)

Cause A: You’re too far from the mic, so you crank gain

Fix: move the mic closer (often 15–25cm) and lower gain. This reduces noise and clipping risk at the same time.

Cause B: You’re getting excited and shouting slightly

Fix: set gain using your “excited test” voice, then use a limiter to catch spikes.

Cause C: Plosives are overloading the mic (P/B bursts)

Fix: go slightly off-axis and use a pop filter/windscreen. Plosive bursts can trigger clipping if gain is high.

Cause D: Your chain is over-processed

Heavy compression + make-up gain can create clipping after the compressor.

Fix: reduce make-up gain, lower input slightly, keep compression gentle, add limiter last.

Cause E: USB/power/cable crackle (not clipping)

Some “distortion” reports are actually random crackle from cables, ports, or power noise.

Fix order: different USB port, different cable, avoid hubs, keep audio devices away from noisy power adapters, then retest.

Fixes compared (what works most)

Fix Cost Impact Best for
Lower input gain £0 High Most clipping
Move mic closer £0 High Clipping + noise + echo combos
Limiter at -1 dB £0 Medium–High Sudden peaks
Fix the right stage (Windows/interface/camera) £0 High “Meters look fine but still distorted”
Replace/adjust cables/USB path £–££ Medium Random crackle/pops

What not to do (trust builder)

  • Don’t “fix clipping in editing” as your plan. It’s prevention, not repair.
  • Don’t run your levels hot to “sound professional”. Clean headroom wins.
  • Don’t rely on a limiter to do all the work. If it’s smashing constantly, your gain is wrong.
  • Don’t compress hard and then add loads of make-up gain. That can create clipping later in the chain.
  • Don’t ignore mic distance. Distance is the silent cause of many “settings” problems.

Who this is not for

  • Music production and mastering workflows (different loudness targets and tools)
  • Professional broadcast chains with dedicated audio engineers
  • Creators who want a one-click “magic preset” without testing levels

Core audio pillar (start here):

The three posts this one depends on:

Creator Gear hub:

Amazon UK searches (tagged so the session is credited):

See it in action (cheap room fixes that also help audio)

If your “distortion” is actually a mix of echo + noise + gain being too high, improving the room a bit can let you record at safer levels without aggressive processing:

Watch on YouTube

FAQs (People Also Ask style)

What causes microphone clipping and distortion?

Clipping happens when your audio signal is too loud and hits the maximum ceiling (0 dB). The peaks get chopped off, which creates harsh distortion.

How do I stop my mic from clipping in OBS?

Lower input gain so normal speech peaks around -12 dB to -6 dB and add a limiter at the end with a ceiling around -1 dB.

What dB level should voice be recorded at for YouTube?

A practical target is speech peaks around -12 dB to -6 dB with headroom for louder moments. Avoid hitting 0 dB.

Why does my mic distort even when the meter looks fine?

Clipping might be happening earlier in the chain (USB mic hardware level, Windows input level, audio interface preamp, or camera input) before the meter you’re watching.

Can you fix clipped audio in editing?

You can sometimes reduce how bad it sounds, but you can’t truly restore clipped peaks. Prevention (levels + limiter) is the real fix.

What limiter setting should I use to prevent clipping?

A simple, safe setting is a limiter ceiling around -1 dB at the end of your chain.

Why does my mic clip only when I laugh or get excited?

Your gain is set for your quiet voice, not your loud voice. Set levels using an “excited test” and use a limiter as a safety net.

Can plosives cause clipping?

Yes. Strong “P” and “B” bursts can overload the mic and spike levels, especially if gain is high. Off-axis placement and a pop filter help.

What’s the fastest way to stop distortion without making audio too quiet?

Move the mic closer (so your voice is louder naturally), then lower gain. This keeps your voice strong while reducing clipping risk.

Why does my USB mic crackle randomly?

That’s often a USB/power/cable/port issue rather than classic clipping. Try a different USB port/cable, avoid hubs, and re-test.

Categories
YOUTUBE

Best Microphone Settings for YouTube (UK): Gain, Levels, Noise Gate, Compression

Disclosure: Some links on this page may be affiliate links (including Amazon). If you choose to buy through them, I may earn a small commission at no extra cost to you. I only recommend gear and upgrade paths I genuinely believe are sensible for creators.

Written by Alan Spicer

  • YouTube Certified Expert (Audience Growth, Channel Management, Content Strategy)
  • YouTube & Digital Media Consultant (including work with Coin Bureau brands)
  • Built repeatable growth systems across multiple channels (including 0→20k in 2 months and 15k→100k in 8 months)
  • Recipient of 6× YouTube Silver Play Buttons

My bias: most creators ruin their audio with “too much processing”. The goal isn’t to sound like a radio station. It’s to sound clean, consistent, and human.

Best Microphone Settings for YouTube (UK): Gain, Levels, Noise Gate, Compression

You can have a decent mic and still sound bad if your settings are wrong.

Creators usually get stuck in one of these loops:

  • Mic too quiet → crank gain → you hear fan noise and room echo
  • Mic too loud → peaks clip → audio gets harsh and distorted
  • Too much filtering → voice sounds robotic / underwater

This guide gives you a practical “set it up once” workflow for YouTube voice — with sensible settings you can start with and then fine-tune.

Quick answer / TL;DR

Best mic settings for YouTube: get the mic close (15–25cm), set gain so normal speech peaks around -12 dB to -6 dB (never hitting 0 dB), then add light processing: gentle noise suppression only if needed, a soft noise gate (optional), compression (ratio around 3:1 to 4:1), and a limiter around -1 dB to prevent clipping. Avoid heavy noise removal and extreme EQ — your voice should still sound like you.

The 60-second decision tree

  • Audio is quiet → move mic closer, then raise gain slightly.
  • Audio clips / distorts → lower gain, add a limiter at -1 dB.
  • Noise between sentences → light suppression, optional gentle gate.
  • Voice volume jumps around → add compression (3:1–4:1).
  • Sounds underwater/robotic → you’re over-processing; reduce suppression/gate.

Rule of thumb: capture clean, then process lightly.

Fix order (what matters first)

Before touching filters, do this:

  1. Mic placement (distance, angle, repeatable position)
  2. Gain/levels (avoid clipping, keep healthy peaks)
  3. Room issues (echo and noise sources)
  4. Light processing (polish, not rescue)

Target levels (dB) for YouTube voice

You don’t need to obsess — you just need to avoid clipping and keep enough headroom.

What to watch Good target What it means
Normal speech peaks -12 dB to -6 dB Strong, clean signal with headroom
Loud moments peaks -6 dB to -3 dB Still safe, still clean
Clipping 0 dB Bad: distortion you can’t truly fix

Simple rule: never let the meter hit red. If it does, lower gain.

Gain staging (the simple version)

Gain staging just means “set your input level correctly before you process it”.

  1. Speak at your normal on-camera energy (not whispering)
  2. Set input gain so peaks land around -12 dB to -6 dB
  3. Only then add processing (suppression, compression, limiter)

If you’re currently far from the mic, fix that first:

Best filter order (OBS / common chains)

If you’re using OBS or similar, this order is a sensible starting point:

  1. Noise suppression (only if needed, keep it light)
  2. Noise gate / expander (optional, gentle)
  3. Compressor (for consistent voice level)
  4. Limiter (final safety net)

Why this works: you reduce low-level noise first, then control dynamics, then catch peaks at the end.

Noise suppression (use lightly)

Noise suppression is useful for constant noise (fans, hiss), but it has a cost: too much makes voices sound “watery”.

Starter approach:

  • Use just enough to take the edge off
  • If your “S” sounds and breaths start warbling, back it off
  • Don’t use suppression as your main fix — fix distance and gain first

Background noise fixes live here:

Noise gate settings (when to use it)

A noise gate closes the mic when you’re not speaking. It does not remove noise under your voice.

Use a gate if:

  • Your background noise is consistent
  • You want silence between sentences
  • You don’t mind a little “tightness” in the sound

Avoid a gate if:

  • You speak softly or vary your volume a lot
  • Your noise is irregular (kids, neighbours, banging)
  • It keeps cutting off word starts/ends

Gentle starter values:

  • Close threshold: around -45 dB (adjust)
  • Open threshold: around -35 dB (adjust)
  • Attack: fast
  • Release: slightly slower (so it doesn’t chatter)

Note: thresholds depend on your mic level. Use them as starting points, then adjust until speech opens reliably without chopping.

Compression settings (starter values)

Compression makes your voice more consistent: quiet parts come up, loud peaks come down.

Starter values for YouTube voice:

  • Ratio: 3:1 to 4:1
  • Threshold: set so compression happens on louder speech, not every breath
  • Attack: short/medium
  • Release: medium
  • Make-up gain: only if needed (don’t reintroduce noise)

How to set threshold without overthinking: talk normally, then get slightly louder. You want the compressor to “work” more on the louder moments.

Limiter settings (stop clipping)

A limiter is your final safety net. It prevents sudden peaks from hitting 0 dB and clipping.

Simple setting: set the limiter ceiling to -1 dB.

This does not mean “make it loud”. It means “don’t let peaks ruin the recording”.

EQ settings (simple, safe moves)

EQ is where many creators accidentally ruin their voice. Keep it gentle.

Safe starting moves:

  • High-pass filter: remove low rumble (careful not to thin your voice)
  • Reduce muddiness: if your voice sounds boxy/boomy, a small cut can help
  • Avoid huge boosts: big boosts create harshness and noise

If plosives are your problem, fix airflow first rather than EQ:

Copy-paste starter presets (simple and sane)

Preset A: “Normal home, mild fan noise” (most creators)

  • Placement: 15–25cm, slightly off-axis
  • Gain: peaks -12 to -6 dB
  • Noise suppression: light
  • Compression: ratio 3:1–4:1, threshold so it hits louder speech
  • Limiter: ceiling -1 dB

Preset B: “Very noisy home” (last resort without building a studio)

  • Mic choice: dynamic or lav (closer is king)
  • Placement: as close as practical without plosives
  • Noise suppression: moderate (test for robotic artefacts)
  • Gate: gentle, only to clean pauses
  • Compression + limiter: keep consistent and prevent clipping

Preset C: “Clean room, voiceover style”

  • Noise suppression: minimal or off
  • Compression: light to moderate
  • EQ: gentle high-pass + small tweaks
  • Limiter: -1 dB safety net

Common mistakes (what I see over and over)

  • Using filters to fix distance. Filters can’t replace close mic placement.
  • Setting a harsh noise gate. It chops words and makes you sound unnatural.
  • Over-suppressing noise. The “underwater” sound is a dead giveaway.
  • Recording too hot. If you clip, you can’t truly fix it.
  • Boosting EQ too much. Big boosts bring up noise and harshness.

What not to do (trust builder)

  • Don’t chase “radio voice”. Clean and consistent beats over-processed every time.
  • Don’t crank gain and hope compression fixes it. You’ll compress noise too.
  • Don’t use a gate to hide problems under your voice. It only affects silence.
  • Don’t max out suppression. Your audience will hear the artefacts.
  • Don’t ignore the room. Echo and reflections still matter.

Who this is not for

  • High-end audio engineering chains for broadcast, voice acting, or music production
  • Studio workflows with multi-mic setups and advanced routing
  • Creators who want a one-click fix without addressing mic distance and gain

Audio pillar:

Core fixes this connects to:

Creator gear hub:

Amazon UK searches (tagged so the session is credited):

FAQs (People Also Ask style)

What should my mic gain be for YouTube?

Set gain so normal speech peaks around -12 dB to -6 dB and never clips at 0 dB. If you need lots of gain, move the mic closer first.

What dB level should voice be recorded at?

A good target is speech peaks around -12 dB to -6 dB with enough headroom for louder moments. Avoid clipping.

What is the best filter order in OBS for a microphone?

A sensible order is: noise suppression (light), optional gate/expander, compressor, then limiter as a safety net.

Should I use noise suppression for YouTube?

Only if you need it, and keep it light. Heavy suppression can make your voice sound robotic or underwater.

Do I need a noise gate?

Not always. Gates only reduce noise when you’re silent. If it chops your words or sounds unnatural, skip it and focus on mic distance and gain.

What compressor settings are good for voice?

Start around 3:1–4:1 ratio and set the threshold so it compresses louder speech more than quiet breaths. Keep it natural.

What limiter setting should I use?

Set the limiter ceiling to around -1 dB to prevent sudden peaks from clipping.

How do I make my voice louder without clipping?

Move the mic closer, set gain properly, then use light compression. Don’t just crank gain and hope filters fix it.

Why does my mic sound robotic in OBS?

Usually because noise suppression and/or gating is too aggressive. Reduce those settings and rely more on close placement and correct gain.

What is the easiest way to get better YouTube audio?

Get the mic closer (15–25cm), set levels so you don’t clip, and use light compression and a limiter. Everything else is optional polish.