Categories
YOUTUBE

Where to Put Your Microphone for YouTube (UK): Fix Echo, Plosives, and Thin Audio

Disclosure: Some links on this page may be affiliate links (including Amazon). If you choose to buy through them, I may earn a small commission at no extra cost to you. I only recommend gear and upgrade paths I genuinely believe are sensible for creators.

Written by Alan Spicer

  • YouTube Certified Expert (Audience Growth, Channel Management, Content Strategy)
  • YouTube & Digital Media Consultant (including work with Coin Bureau brands)
  • Built repeatable growth systems across multiple channels (including 0→20k in 2 months and 15k→100k in 8 months)
  • Recipient of 6× YouTube Silver Play Buttons

My bias: mic placement is the highest ROI audio upgrade. I’ve seen creators spend hundreds on “better mics” while keeping the mic a metre away — and the audio still sounds like a room. Placement fixes that.

Mic Placement for YouTube (UK): Distance, Angle, and Boom Arm Setup

If your YouTube audio sounds echoey, thin, muffled, or “far away”, there’s a good chance your mic isn’t the problem.

Your mic placement is.

This guide shows you how to position different mic types (desk mics, dynamic mics, condensers, lav mics, and shotguns) so you get clean “YouTube voice” audio in normal rooms — without turning your home into a studio.

Quick answer / TL;DR

For most YouTubers, the best mic placement is 15–25cm from your mouth, slightly off to the side, angled toward you. This reduces echo, boosts clarity, and lowers background noise because you can keep gain lower. If your audio sounds bad, move the mic closer before buying anything. Lav mics should sit about a hand-span below your chin. Shotgun mics sound best just out of frame on a boom — camera-mounted shotguns often sound distant indoors.

The 60-second decision tree

  • Audio sounds distant → move the mic closer (start at 15–25cm).
  • Audio sounds echoey → mic is too far away and/or room is reflective; get closer and face softer surfaces.
  • Popping “P” sounds → go off-axis + use a pop filter/windscreen.
  • Keyboard clicks loud → move the mic closer to mouth and away from keyboard; consider boom arm.
  • Shotgun sounds “roomy” → it’s too far; put it on a boom just out of frame or use a lav.

Rule of thumb: the closer your mic is, the less your room matters.

The golden rules (work for any mic)

  • Distance beats brand. A £30 mic close to your mouth can sound better than a £300 mic across the room.
  • Your mouth is the target. Aim at your mouth/upper chest, not the desk or room.
  • Off-axis prevents plosives. Slightly to the side is usually cleaner than straight on.
  • Stability beats perfection. Repeatable placement is more important than one “perfect” session.

Mic distance (how far is “right”?)

Distance What it usually sounds like When it works
50cm+ Roomy, echoey, quiet voice Rarely (unless you’re in a treated studio)
25–40cm Better, but still room present Some setups, but not ideal in small rooms
15–25cm Clearer voice, less room Best baseline for most YouTubers
Very close (10–15cm) Very intimate, powerful voice Dynamic mics often love this (watch plosives)

If you only remember one thing: if your audio is bad, move the mic closer first.

Angle & off-axis (stop plosives and harsh bursts)

Plosives are blasts of air hitting the mic (“P” and “B” sounds).

The fix: don’t talk directly into the capsule.

  • Put the mic slightly to the side of your mouth
  • Aim it toward your mouth
  • Speak slightly past it (off-axis)
  • Add a pop filter or foam windscreen if needed

Desk mic placement (streaming + tutorials)

Desk setups fail when the mic lives near the keyboard instead of near your mouth.

Best practice:

  • Mic close to mouth (15–25cm)
  • Mic slightly to the side (off-axis)
  • Mic aimed at mouth/upper chest
  • Keep the mic away from the keyboard line if possible

If your mic is on the desk: a desk mat helps reduce reflections and desk “thumps”.

Boom arm vs desk stand (which is better?)

Option Best for Why it wins Downside
Boom arm Most desk creators Easy to keep mic close and consistent More gear on the desk area
Desk stand Minimal setups Simple, quick Often ends up too far away + more keyboard noise

Creator reality: boom arms don’t make your mic “better” — they make good placement easier to repeat.

Lav mic placement

If you’re filming talking head and want consistent results, lavs are brilliant when placed properly.

  • Clip the lav about a hand-span below your chin
  • Aim it up toward your mouth
  • Avoid loose fabric, zips, necklaces
  • Do a quick movement test (head turns + a deep breath)

More detail here:

Shotgun mic placement

A shotgun mic sounds best when it’s close. Indoors, “close” matters even more.

Best placement: on a boom, just out of frame, aimed at your mouth/upper chest.

Camera-mounted shotguns: can work if the camera is close. If you film wide shots, the mic ends up far away and the room dominates.

More detail here:

Placement to reduce echo (without changing the room)

If your room is echoey, placement matters even more:

  • Move the mic closer to your mouth
  • Face soft surfaces (curtains, rug, sofa) rather than bare walls
  • Move slightly away from corners
  • Avoid placing the mic close to a hard reflective surface (like a bare desk)

If echo is your main enemy, start here:

Placement to reduce keyboard noise

  • Keep the mic close to your mouth so you don’t need high gain
  • Use a boom arm to position the mic away from the keyboard area
  • Angle the mic toward your mouth, not toward the keys
  • Use a desk mat to reduce “click” reflections

Quick tests (so you know it’s right)

  1. 10-second test recording: speak normally, then listen back on headphones.
  2. Plosive test: say “Peter Piper picked…” and adjust off-axis until pops reduce.
  3. Distance test: move the mic 10cm closer and re-test — you’ll hear how powerful distance is.
  4. Keyboard test: type while speaking and see if the mic is “looking at” the keyboard.

What not to do

  • Don’t place the mic near the camera and hope for the best. Close to mouth beats “close to lens”.
  • Don’t crank gain to compensate for distance. That amplifies echo and noise.
  • Don’t aim the mic at your desk. You’ll capture reflections and keyboard noise.
  • Don’t buy a new mic before you’ve tested closer placement. You might already have what you need.
  • Don’t skip test recordings. Ten seconds can save you an entire reshoot.

Who this is not for

  • High-end studio voiceover workflows with fixed treated booths
  • Location sound for filmmaking where you need boom operators and field recorders
  • Creators who refuse to keep a mic close (distance changes everything)

Audio pillar (start here):

Related audio posts:

Creator gear hub:

Amazon UK searches (tagged so the session is credited):

FAQs (People Also Ask style)

How far should a microphone be from your mouth for YouTube?

For most YouTube setups, 15–25cm is a good starting point. Closer generally gives clearer audio with less room echo and background noise.

Where should I place my microphone for talking head videos?

Keep it close (15–25cm), slightly to the side, angled toward your mouth. For lav mics, clip about a hand-span below your chin.

Why does my audio sound echoey even with a good mic?

Because the mic is too far away and your room reflections are loud. Move the mic closer and soften the room near you.

How do I stop popping “P” sounds on a microphone?

Speak slightly off-axis, use a pop filter or foam windscreen, and avoid aiming airflow directly at the mic capsule.

Is a boom arm worth it for YouTube?

Often yes, because it makes close, repeatable mic placement easier and reduces desk noise. It’s a workflow upgrade more than an audio “magic” upgrade.

Why does my microphone pick up keyboard noise?

The mic is too far from your mouth (so gain is high) and/or it’s aimed at the keyboard. Move it closer to your mouth and reposition it away from the keys.

Where should I place a lav mic?

Clip it roughly a hand-span below your chin on stable fabric, away from zips and jewellery, aimed up toward your mouth.

Where should I place a shotgun mic for YouTube?

Ideally on a boom just out of frame, aimed at your mouth/upper chest. Camera-mounted shotguns often sound distant indoors unless the camera is close.

Does mic placement reduce room echo?

Yes. Closer placement reduces the amount of room reflections the mic captures and lets you record at lower gain.

What’s the fastest way to make any mic sound better?

Move it closer, aim it at your mouth, go slightly off-axis, and do a 10-second test recording.

Categories
YOUTUBE

How to Improve YouTube Audio: The Practical Upgrade Path (Beginner → Pro)

Disclosure: Some links on this page may be affiliate links (including Amazon). If you choose to buy through them, I may earn a small commission at no extra cost to you. I only recommend gear and upgrade paths I genuinely believe are sensible for creators.

Written by Alan Spicer

  • YouTube Certified Expert (Audience Growth, Channel Management, Content Strategy)
  • YouTube & Digital Media Consultant (including work with Coin Bureau brands)
  • Built repeatable growth systems across multiple channels (including 0→20k in 2 months and 15k→100k in 8 months)
  • Recipient of 6× YouTube Silver Play Buttons

My bias: audio is a retention lever. Viewers will forgive “okay” video far faster than they’ll tolerate echo, hiss, or distant speech.

How to Sound Better on YouTube (Without a Treated Studio) – UK Guide

If your audio sounds echoey, thin, or “far away”, you don’t need a perfect studio — you need a better order of operations.

This is a practical, creator-first guide to fixing YouTube audio in normal homes: spare rooms, desk setups, untreated spaces, and “I film when I can” conditions.

Quick answer / TL;DR

To sound better on YouTube fast: get the mic closer (15–25cm is a good starting point), lower your room echo (soft furnishings beat bare walls), and aim for clean levels (avoid clipping). In untreated rooms, dynamic mics and lav mics usually outperform condensers because they pick up less room. Only upgrade to XLR when you need more control, better monitoring, or a more consistent setup.

The 60-second decision tree

  • Audio sounds distant → mic is too far away (fix placement before anything else).
  • Audio sounds echoey → room reflections (soften the room and/or use a mic that rejects room sound better).
  • Audio sounds hissy/noisy → gain too high / poor mic technique (get closer, lower gain, record cleaner).
  • Plosives and harsh “S” sounds → mic angle + pop filter + distance tweaks.
  • You want consistency across lots of shoots → upgrade the chain (XLR + interface) only after fundamentals are nailed.

Rule of thumb: close mic + soft room beats expensive mic + echoey room.

Fix this first (before buying gear)

1) Get the mic closer (the “distance tax” is brutal)

Every time you double the distance between your mouth and the mic, your voice gets quieter and the room gets louder. That’s why “nice mics” can still sound bad.

  • Start point: 15–25cm from mouth for most desk mics
  • Lav mic: roughly a hand-span below chin
  • Shotgun: as close as you can without entering frame

2) Remove the echo with soft things (not foam everywhere)

Echo is usually “hard surfaces + empty space”. The fastest fixes are boring but effective:

  • Close curtains, add a rug, throw a blanket on the desk
  • Film facing soft furnishings (so your voice hits soft surfaces first)
  • Move away from bare walls (even a little helps)

3) Record clean levels

  • Avoid clipping (peaking into the red sounds awful and is hard to fix)
  • If you’re quiet, don’t just crank gain—move the mic closer first
  • Do a 10-second test recording every session (it saves hours later)

Mic types (what works in real homes)

Mic type Best for Why it wins Common trap
Dynamic (USB or XLR) Untreated rooms, desk setups Rejects more room sound, forgiving Too far away = thin audio
Condenser Treated rooms, controlled spaces Detailed voice, “airy” sound Brings the room echo with it
Lavalier (lav) On-camera talking head, movement Close to mouth, consistent Clothing rustle and placement errors
Shotgun Off-camera mic for video Great when close and aimed well Far away shotgun = “bathroom” sound

If you’re deciding between USB and XLR specifically, this sister post is already live:

Mic placement that actually works (simple rules)

Desk mic rule: aim for “off-axis”

Don’t speak directly into the capsule like you’re trying to eat it. Aim slightly past the mic so “P” and “B” blasts don’t hit it head-on.

  • Mic slightly to the side of your mouth
  • Angle it toward your mouth (not your chest)
  • Use a pop filter or foam windscreen

Lav mic rule: stable placement beats “perfect placement”

  • Clip it to a stable part of clothing (avoid loose fabric)
  • Keep it away from necklaces/zips
  • Do a quick head-turn test (rustle shows up immediately)

Shotgun rule: closer than you think

A shotgun mic works when it’s close and aimed. It doesn’t “zoom in” from across the room.

Room echo fixes (cheap and effective)

Problem What it sounds like Fix that usually works
Bare walls Hollow, echoey voice Soft furnishings, curtains, rug, filming direction change
Desk reflections Sharp “slap” sound Desk mat / blanket / mic on boom arm
Small boxy room “Bathroom” tone Get closer to mic + add softness behind camera
Computer fan noise Constant hiss/rumble Move mic closer, reposition PC, reduce gain

Upgrade order table (what to buy, in the right order)

This is the upgrade path I’d give a creator who wants better audio without turning recording into a technical hobby.

Step Upgrade What it fixes Who it’s for
£0 Mic closer + off-axis speaking Distant voice, low clarity Everyone
£10–£25 Pop filter / foam windscreen Plosives, harsh bursts Desk mic users
£15–£40 Basic room softness (rug/curtains/blanket) Echo and harshness Untreated rooms
£20–£60 Boom arm (placement consistency) Distance drift, desk bumps Talking head / desk creators
£50–£150 Better mic matched to your room Clarity and rejection Creators filming regularly
£120–£300+ XLR + interface (control + monitoring) Consistency, monitoring, headroom Frequent uploads / podcasts

Comparison tables (the decisions people actually make)

Lav mic vs shotgun mic vs desk mic (for YouTube)

Option Best use case Main advantage Main downside
Lav mic Talking head on camera, standing, moving Consistent distance to mouth Clothing noise if placed badly
Shotgun Off-camera audio when you can get it close Clean look on camera (no mic visible) Far shotgun sounds echoey fast
Desk mic Seated creators, streaming, tutorials Easy workflow, repeatable Needs good placement and technique

Dynamic vs condenser (in normal UK homes)

Room condition Better choice Why
Untreated / echoey Dynamic Less room pickup, more forgiving
Soft / treated Condenser More detail and “air” when the room is controlled

USB vs XLR (when to upgrade)

If you want the deeper breakdown, this is already live:

Simple recording workflow (no drama, consistent results)

  1. Set mic distance (mark it if you can).
  2. Do a 10-second test (listen for echo, clipping, fan noise).
  3. Fix the room before the settings (blanket/curtains/rug beats plugins).
  4. Record with headroom (avoid peaking hard).
  5. Light edit: trim, gentle compression, mild noise reduction only if needed.

What not to do

  • Don’t put the mic on the far side of the room. That’s how you get echo, no matter the brand.
  • Don’t “fix echo” with heavy noise reduction. It usually makes voices sound watery.
  • Don’t upgrade to XLR to avoid learning placement. XLR is control, not an instant cure.
  • Don’t buy a condenser mic for an echoey room expecting magic. Condensers often amplify the problem.
  • Don’t ignore monitoring. If you can’t hear what you’re recording, you’ll repeat mistakes.

Who this is not for

  • Creators building a full treated studio with acoustic measurements and permanent rigging
  • Film production dialogue capture in difficult outdoor locations (different toolkit)
  • People who want a “one-click” plugin solution without changing mic distance or room conditions

Creator gear hub (the broader ecosystem):

Amazon UK searches (tagged so the session is credited):

FAQs (People Also Ask style)

What’s the fastest way to improve YouTube audio?

Get the microphone closer, reduce room echo with soft furnishings, and avoid clipping. Distance and room softness usually beat gear upgrades.

Why does my voice sound echoey on YouTube?

Echo is room reflections from hard surfaces (bare walls, floors, windows). Reduce reflections with rugs, curtains, blankets and better mic placement.

Is a dynamic mic better than a condenser for YouTube?

In untreated rooms, often yes. Dynamic mics typically pick up less room echo and background noise than condensers.

How far should a microphone be from your mouth for YouTube?

As a starting point, aim for roughly 15–25cm for desk mics. Closer usually means clearer audio with less room sound.

What mic should I use if my room is echoey?

Prioritise getting the mic closer, then consider a dynamic mic or a lav mic. Condensers often make echo more obvious.

Do I need an audio interface for YouTube?

No. USB setups can be excellent. An interface becomes worthwhile when you want better monitoring, more control, and a more consistent recording chain.

How do I stop plosives (popping p and b sounds)?

Use a pop filter or foam windscreen, speak slightly off-axis, and avoid aiming airflow directly into the mic capsule.

Lav mic or shotgun mic for YouTube?

Lav mics are great for consistent voice distance on camera. Shotguns work well when they’re close and aimed properly — far shotguns often sound echoey.

Why is my audio hissy?

Usually the gain is too high because the mic is too far away. Move closer first, then lower gain.

Can software fix bad audio?

It can help, but it’s not a substitute for close mic placement and reducing room echo. Heavy processing often creates unnatural “watery” voices.

What matters more for YouTube: audio or video quality?

For retention, audio is usually the bigger deal. Viewers will tolerate “okay” video, but they click off fast for echo and unclear speech.