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TIPS & TRICKS

Do YouTubers Need a Business License?

Do YouTubers Need a Business License?

Many YouTubers find themselves caught off-guard by the realities of their success. It is one thing to get millions of views on a viral video and achieve a brief moment of Internet fame, but it is quite another to start making good money as a result of that success.

As much as people in certain parts of the political spectrum may be unhappy about it, we each live in a society that requires certain things of us, namely contributions to that society in the form of taxes. In an ideal world, we would all voluntarily contribute, but the reality of human nature means that governments have to take steps to make sure we all do our part, and business licenses are part of that system.

What is a Business License?

Before we get into this, we should point out that business licences are primarily a United States thing, with India also using them. We will do our best to explain the purpose of a business licence, and for those of you living in countries or regions that don’t use them, you should be able to identify the equivalent systems where you are.

Business licences are required for any… well… business. The precise nature of these licences will vary from jurisdiction to jurisdiction, as well as depending on what the business actually does.

Businesses are required to pay business taxes, and licences—which are essentially permits—are part of establishing what taxes that business should pay.

Do YouTubers Need a Business License?

There are three answers to this question; yes, no, and yes with an asterisk. Let’s start with the easiest one of these to answer.

If your YouTube channel does not make any money, you are not required to have a business licence for it. There may be some uncommon situations where this is not the case, however.

For example, if your YouTube channel involves owning or renting premises, or any kind of disruption to the local area, you will almost certainly need a business licence regardless of whether you make any money.

The chances of any of that being the case for a YouTube channel that is not already established and profitable, however, are very slim. For most people if, their channel is not making money, they won’t need a licence.

Now, onto the definite yes.

If your channel is making a lot of money, you almost certainly will need a business licence if you are in a part of the world where business licences apply.

But what about that yes with an asterisk?

Now, let’s be absolutely clear; this is not a business advice blog.

You should absolutely check the laws in your locality before making any decisions about things like business licences. That being said, it is worth noting that there has to be a reason for a government agency to come after you. If you make enough without paying taxes, they will notice. If you cause disruptions for your neighbours, and they report you to the authorities, you may bring attention to your YouTube shenanigans. In most laws, if you have a venture that makes any money at all, you should be getting a business licence for it, but the reality is that it is unlikely you will get in trouble if you are only making pennies.

But just to reiterate, the law typically doesn’t deal in likelihoods. If you get caught making pennies that the authorities don’t know about, you will still get in trouble.

Other Systems

There are, of course, many different systems in place across the world—the United States alone has different rules from state to state—so naturally, we can’t cover them all. One particularly relevant example for an English-speaking YouTube audience is the United Kingdom. Here there are no business licences, but you would be expected to declare yourself as a sole trader if you are making money, and become VAT registered if you are making a lot of money.

Do YouTubers Get Paid for Views?

What Counts as Making Money on YouTube?

This may seem like a bit of a silly section to include, but it is worth pointing that government organisations do not let you off if you play dumb or claim that you have only committed a minor crime.

All of the money you make is, legally speaking, supposed to be declared to your government. It doesn’t matter to them whether that money came as result of the YouTube Partner Programme, Super Chats, merchandise, Patreon, or anything else.

In other words, if you get a business licence for your YouTube channel, you can’t just declare the earnings that come directly from YouTube and hope to play ignorant if the government finds out about your Patreon.

Should I Apply For a Business Licence Straight Away

If you are not making money or doing anything that would warrant being classified as a business, there is no sense in rushing to getting a business licence. They are not prohibitively expensive, but they do cost money. And the process of getting one is rarely long or complicated. After all, business licences are essentially a means for taxing you, and governments aren’t in the habit of making it harder for them to get your money.

How Do I Make Money on YouTube?

All of the above may feel a little like getting ahead of yourself if you’re not sure how to make money on YouTube in the first place. Broadly speaking, it is a case of more views equals more money, but there are a few steps along the way to making that happen.

YouTube Partner Programme

Unless you have a compelling reason not to, your first goal should be to become part of the YouTube Partner Programme. There some requirements for doing this, but one of the advantages is that qualifying for the Partner Programme means you have reached certain milestones that show you are on the right path. Those requirements are;

  • Adhere to YouTube monetisation policies
  • Be in a region where the Partner Programme is available
  • Have at least 4,000 hours of valid public watch time over the last year
  • Have at least 1,000 subscribers
  • Have a linked AdSense account

Once you meet that criteria, you will be able to apply to the Partner Programme and, in the vast majority of cases, you will be accepted. From then on, YouTube will begin showing ads on eligible videos, and splitting the revenue generated from those ads with you.

Memberships

If and when you manage to build up a loyal audience, you can start to look at memberships as an option. If you are eligible, you can use YouTube’s built-in membership platform to do this, but there are also services like Patreon that can enable you to do this as well.

The premise is simple enough; users contribute a recurring amount to you to support your content, and as an added sweetener, you can offer exclusive content and other perks to encourage viewers to become members.

Merchandise

Merchandise isn’t for every channel, but for those that it is a good fit for, there are plenty of third party options, as well as YouTube’s own partnership for eligible channels. On-demand services mean you can offer merchandise without having to buy the stock in advance yourself, which significantly reduces the barrier to entry.

Affiliate Marketing

Affiliate marketing is a way in which you can leverage your existing content by providing links and offers to your viewers which you get commission for. The most commonly used example of this is Amazon, where channels that review products or talk about new tech or similar can link off to those products through their Amazon affiliate links and earn a little money any time someone buys something through those links.

Affiliate links are handy because they can be used in a range of situations by a variety of channels. For example, a channel about improving your YouTube content might not have anything to sell, but they can leave a list of the equipment they use as affiliate links for people who are interested in using the same gear.

Final Thoughts

Business licences (or the equivalent for your jurisdiction) are the kind of thing that, practically speaking, won’t apply to most YouTubers. Sadly, the vast majority of YouTubers either don’t make any money from their channel, or they make so little that they’re probably never going to have to worry about the IRS paying them a visit.

That being said, if you earn any money from your YouTube channel, you will almost certainly be expected to declare that money to the government. While it’s true that you probably won’t have to worry if you are only making a few dollars here and there, you are still technically obliged to declare that money, and as such, legally in the wrong if you don’t.

Given the reach of YouTube and the many differences between states and countries, it is impossible for us to fit all of the relevant laws and regulations into one post. Always check your local laws and make sure you adhere to them. If you take your chances by not getting a business licence when you should, you do so at your own risk.

Top 5 Tools To Get You Started on YouTube

Very quickly before you go here are 5 amazing tools I have used every day to grow my YouTube channel from 0 to 30K subscribers in the last 12 months that I could not live without.

1. VidIQ helps boost my views and get found in search

I almost exclusively switched to VidIQ from a rival in 2020.

Within 12 months I tripled the size of my channel and very quickly learnt the power of thumbnails, click through rate and proper search optimization. Best of all, they are FREE!

2. Adobe Creative Suite helps me craft amazing looking thumbnails and eye-catching videos

I have been making youtube videos on and off since 2013.

When I first started I threw things together in Window Movie Maker, cringed at how it looked but thought “that’s the best I can do so it’ll have to do”.

Big mistake!

I soon realized the move time you put into your editing and the more engaging your thumbnails are the more views you will get and the more people will trust you enough to subscribe.

That is why I took the plunge and invested in my editing and design process with Adobe Creative Suite. They offer a WIDE range of tools to help make amazing videos, simple to use tools for overlays, graphics, one click tools to fix your audio and the very powerful Photoshop graphics program to make eye-catching thumbnails.

Best of all you can get a free trial for 30 days on their website, a discount if you are a student and if you are a regular human being it starts from as little as £9 per month if you want to commit to a plan.

3. Rev.com helps people read my videos

You can’t always listen to a video.

Maybe you’re on a bus, a train or sat in a living room with a 5 year old singing baby shark on loop… for HOURS. Or, you are trying to make as little noise as possible while your new born is FINALLY sleeping.

This is where Rev can help you or your audience consume your content on the go, in silence or in a language not native to the video.

Rev.com can help you translate your videos, transcribe your videos, add subtitles and even convert those subtitles into other languages – all from just $1.50 per minute.

A GREAT way to find an audience and keep them hooked no matter where they are watching your content.

4. Learn new skills for FREE with Skillshare

I SUCK reading books to learn, but I LOVE online video courses.

Every month I learn something new. Editing, writing, video skills, how to cook, how to run a business – even how to meditate to calm a busy mind.

I find all of these for FREE with Skillshare – Sign up, pick all the courses you want and cancel anytime you need.

5. Shutterstock helps me add amazing video b-roll cutaways

I mainly make tutorials and talking head videos.

And in this modern world this can be a little boring if you don’t see something funky every once in a while.

I try with overlays, jump cuts and being funny but my secret weapon is b-roll overlay content.

I can talk about skydiving, food, money, kids, cats – ANYTHING I WANT – with a quick search on the Shutterstock website I can find a great looking clip to overlay on my videos, keeping them entertained and watching for longer.

They have a wide library of videos, graphics, images and even a video maker tool and it wont break the bank with plans starting from as little as £8.25 ($9) per month.

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DEEP DIVE ARTICLE TIPS & TRICKS YOUTUBE

What is YouTube Content ID?

What is YouTube Content ID? 2

If you’ve been around the creator side of YouTube for long enough, you will undoubtedly have heard the term “Content ID”, but what is YouTube Content ID? YouTube Content ID it is an automated system for detecting copyrighted content being uploaded to YouTube. There are many ways of using this system to protect your videos and earn more money from other uses using your content.

Content ID came has been in use on YouTube in some form or another since the early days of the platform, with it first being pressed into service in 2007.

As of 2016, tens of millions of dollars of development had been sunk into Content ID, which had, by then, overseen billions of dollars in payments to copyright holders.

Why is YouTube Content ID Necessary

The world of intellectual property has, it’s fair to say, struggled to keep up with the changing landscape of technology. Unfortunately, the fallout from this is often tech companies having unrealistic expectations placed on them by outdated copyright law.

Digital platforms that feature user-generated content—like YouTube—have towed a precarious line over the years. They are not presently considered legally responsible for copyright infringements on their platform. If that were to change, the landscape of YouTube would change with it, and dramatically so. If YouTube were to be legally (and, by extension, financially) responsible for copyright infringement by its users, they would have to severely restrict what could be uploaded.

Fortunately, this has not come to pass. And, in an effort to ensure it never does, YouTube does what it can to ensure copyright infringements are dealt with. Of course, with mover five hundred hours of video being uploaded every minute, being proactive on the copyright infringement checking front is not exactly something you can assign a team of vigilant curators to.

YouTube does adhere to the US 1988 Digital Millennium Copyright Act (DMCA), which allows copyright holders to notify YouTube of infringements so that they can be taken down (with a right to appeal), but this is not a workable solution for large scale copyright holders—like record labels and movie studios—who would have to sink considerably resources into looking for these infringements.

Unfortunately, these large scale copyright holders are also the ones with the financial and political power to bring about the kinds of changes that would see YouTube made responsible for copyright infringement, and so it is those whom YouTube essentially need to mollify.

Enter Content ID.

What is YouTube Content ID?

What is YouTube Content ID?

Essentially, Content ID works by creating a digital fingerprint of the content uploaded to the platform. This fingerprint can then be easily compared against new content being uploaded, and if that new content is identical or sufficiently alike, it is flagged as a copyrighted material.

We’ll get into what happens next below.

The road to Content ID was not a smooth one. Over the years, several large corporations have sued YouTube with claims that the video platform has not done enough to combat copyright infringement.

In the most well known of these cases—a lawsuit from Viacom demanding $1 billion in damages—YouTuber were forced to hand over twelve terabytes of data about the viewing habits of viewers who had watched content on their site.

Who Can Use Content ID?

In order to make use of Content ID, you have to meet a series of specific criteria that, in practice, make this functionality only available to large corporations, though being a large corporation is not an explicit requirement.

Part of the criteria is that the content you wish to run through the Content ID system is content that can be identified by Content ID. And you will be required to provide evidence that you do in fact have copyright ownership of the content in question.

What Happens if an Upload is Flagged by YouTube Content ID?

The first—and possibly most important—thing to clarify is that Content ID instances do count against the uploader. This is probably the single most significant benefit for YouTubers who find themselves on the wrong end of a copyright claim. Previously, an upheld copyright claim would result in a strike against the channel, and enough strikes would result in things like demonetisation, suspensions, and even bans.

This is still the case for content that does not fall under the Content ID umbrella, but for those that do, the uploader is warned before the content goes live, and no punishment is carried out against the channel.

From there, the uploader has a few options. They can delete the upload altogether, perhaps to reupload a modified version at a later date. They can let YouTube try and remove the copyright infringing material from the video (this is not always successful), or they upload anyway and let the copyright holder’s choice of action take precedent.

As for the copyright holder, they also have a few choices for how to deal with Content ID’d content. They can choose to block the content, which will prevent the upload from going public. They can choose to allow the upload but monetise it, meaning they will receive the revenue from the video. Or they can choose to let the upload go ahead and let the YouTuber keep the revenue, but the copyright holder gets access to the viewership statistics.

All the above assumes that the Content ID is correct. If the ID was erroneous, the uploader can appeal it and, usually, the Content ID flag will be withdrawn, though the system is not perfect, as we shall get into next.

Problems With Content ID

As with any sufficiently large system, Content ID is far from perfect. There have been many instances over the years of the system failing in notable ways, either through unfortunate oversights or malicious intent.

For example, there have been reports of alleged instances where malicious actors have managed to gain use of the Content ID system and used it to claim the revenue of channels and content that belong to someone else.

Perhaps one of the more notable instances of Content ID going wrong was a situation in which Sony Music asserted copyright claims on over a thousand videos featuring compositions by the classical composer, Johann Sebastian Bach. Needless to say, Sony Music—whose parent company were founded in 1946—did not have the copyright to Bach’s compositions, given that he had died some two hundred years earlier.

There have also been instances that fall somewhere between the two above examples. As seems to be all-too-often the case with large corporate copyright holders, Deutsche Grammophon decided to abuse their position of financial power.

A professor uploading several classical music performances—all of which featured compositions whose copyrights had expired—received several copyright violation notices from YouTube. Most of them were successfully appealed, but Deutsche Grammophon decided they wanted to enforce the copyright which they no longer had (if they ever did).

The Main Flaw for Creators

This situation highlights possibly the biggest problem from a creator’s perspective; the decision-making process. Essentially, YouTube wants to be as hands-off as they can get away with.

Everything they do regarding filtering and guidelines is not driven by some all-encompassing goal to make YouTube a particular way, it is driven by certain business interests. In this case, the primary interest is keeping powerful corporate copyright holders happy so that they don’t come after YouTube and try to force them into a position of culpability for the copyright infringements on their platform.

The net result here is that the Content ID system can be used by anyone who meets the criteria, and any Content ID flag can be appealed by the uploader. However, if the alleged copyright holder enforces their claim, YouTube immediately steps out of the equation.

The alleged copyright holder is presumed to be in the right, and it is then on the uploader to seek legal vindication before YouTube will consider overturning the Content ID flag. Needless to say, when the uploader is an individual professor and the “copyright holder” is a corporate entity, the corporate entity usually gets their way.

What is YouTube Content ID? 1

Final Thoughts

Content ID is far from perfect, but unfortunately, it’s the best solution there seems to be at the moment.

It’s worth remembering that people and companies who take someone to court will often sue for the most they can get, and when the person on the other side of the copyright dispute is an average individual who might have uploaded one infringing item, there isn’t much in it for the copyright holders to justify going to court, so they settle for blocking or taking YouTube revenue.

However, if YouTube were responsible, and it was they who would be taken to court in a copyright infringement case, the copyright holders would be rubbing their hands together at the thought of a substantial pay day.

And if the infringing uploads weren’t stopped, YouTube would soon turn into a black hole of legal expenses.

In other words, without Content ID, we could be looking at a bleak future where uploading on YouTube is so restrictive that the platform would be a shell of its former self, if not closed down altogether.

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TIPS & TRICKS YOUTUBE

Is It Legal to Make YouTube Videos from Books?

Is It Legal to Make YouTube Videos from Books? 4

“This video was taken down due to copyright infringement.” If you make book content — reviews, BookTube, readings, summaries — that’s the sentence that keeps you up at night. So, is it legal to make YouTube videos from books? The short version: talking about a book is usually fine; reproducing the book usually isn’t. This guide explains where the line sits in 2026, in plain English — copyright basics, fair use, what you can and can’t do, and how to stay safe.

⚠️ Important: I’m a YouTube expert, not a lawyer, and this article is general information, not legal advice. Copyright law varies by country and every situation is different. For anything specific — especially if you’ve been accused of infringement — speak to a qualified copyright solicitor or attorney.

The one principle to remember: copyright protects the expression — the actual words the author wrote — not the ideas, facts or your opinions about them. Share your own thoughts freely; reproduce someone else’s words carefully.

Why read this here? I’m Alan Spicer — a YouTube Certified Expert with two decades on the platform and six Silver Play Buttons. I’ve helped creators navigate copyright claims and strikes for years, so this is the practical, real-world version of how it plays out on YouTube.

Worried about a claim on your channel? Book a free discovery call.

⚡ QUICK ANSWER: Is it legal to make YouTube videos from books?
It depends what you do. Reviewing, discussing or critiquing a book in your own words is generally legal — that’s your original content. Reading a copyrighted book aloud, or reproducing large passages, generally isn’t without permission. Public-domain books can be used freely. Fair use and fair dealing can permit limited quotation for criticism and review, but they’re judged case by case — not a blanket free pass. (General information, not legal advice.)

Copyright is the automatic legal protection given to original creative works the moment they’re created — including books. It gives the author (or whoever holds the rights) exclusive control over how their work is copied, distributed, performed and adapted. You don’t have to register it; it exists as soon as the work is written.

Two things are worth understanding. First, copyright protects the author’s expression — the specific words and creative choices — not the underlying ideas, facts or themes. You can discuss the ideas in a book all day; you just can’t reproduce its text. Second, protection lasts a long time — commonly the author’s lifetime plus 70 years in the UK, US and much of the world — after which the work enters the public domain and can be used freely. YouTube’s own copyright resources and the UK government’s copyright guidance are good primers.

So, Can You Make YouTube Videos From Books?

Yes — a great deal of book content is completely legitimate. The whole world of BookTube (channels reviewing, discussing and recommending books) thrives precisely because talking about books is different from reproducing them. When you share your opinion of a novel, break down its themes, recommend your favourites or discuss an author’s career, you’re creating your own original commentary. The book is the subject; the video is yours.

Where it gets risky is when your video reproduces the work itself — reading a copyrighted book aloud, showing pages of text on screen, or copying long passages. That reproduces the author’s expression, which is exactly what copyright protects. The safest book content adds something of your own: analysis, criticism, opinion, humour, education — a transformation, not a copy.

What You Can and Can’t Do (General Guide)

A rough map of common book-content activities. This is general guidance, not a ruling on any specific case — always check your own situation.

Activity Generally… Why
Reviewing or critiquing a book ✅ Usually fine Your own opinion & analysis
Discussing themes, ideas, plot in your words ✅ Usually fine Ideas aren’t copyrighted
Quoting a short line for review ⚠️ Often OK, keep it minimal May be fair use / fair dealing
Reading a copyrighted book aloud ❌ Usually not Reproduces the work
Copying large passages on screen ❌ Usually not Reproduces the expression
Using a public-domain book ✅ Free to use fully Copyright has expired

Fair Use and Fair Dealing (In Plain English)

You’ll hear “fair use” thrown around as if it makes anything legal. It doesn’t. Fair use (in the US) and fair dealing (in the UK and many Commonwealth countries) are legal doctrines that can permit limited use of copyrighted material for certain purposes — criticism, review, commentary, news, research and education among them.

In the US, courts weigh four factors: the purpose and character of the use (is it transformative? commercial or educational?), the nature of the original work, how much you used, and the effect on the market for the original. UK fair dealing is narrower — it applies to specific permitted purposes (like criticism and review), and generally requires that the use is really fair and that you acknowledge the source.

The crucial point: fair use and fair dealing are defences, decided case by case — not a checkbox that guarantees you’re safe. Leaning on them means being really transformative, using no more than you need, and crediting the work. When real money or a real dispute is involved, that’s a lawyer’s call, not a rule of thumb.

What Happens If You’re Accused of Infringement?

On YouTube, this usually shows up in one of two ways. A Content ID claim is automated — the system spots matching material and the rights-holder can block, track or monetise your video. It isn’t a penalty on your channel, but it can demonetise or restrict the video. A copyright strike is more serious: a formal legal removal request from a rights-holder. Accumulate three strikes and your channel can be terminated.

If it happens, don’t panic — but don’t ignore it either. Read exactly what’s being claimed. If you really believe your use is permitted (say, a clear review with minimal quotation), YouTube provides dispute and counter-notification processes — but a counter-notification is a legal step with real consequences if you’re wrong, so get advice before firing one off. This is one of those moments where “general information” stops being enough and a copyright solicitor earns their fee.

Building a book or review channel the right way?

On a free discovery call we’ll plan content that grows fast and stays on the right side of the rules.

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How to Make Book Videos Safely

The practical playbook for staying on the right side of the line:

✅ Be transformative. Add your own analysis, criticism, opinion or education — make the video about the book, not a copy of it.

✅ Keep quotation minimal. A short line to illustrate a point is very different from reproducing pages. Less is safer, and always attribute.

✅ Use public-domain works. Classic literature whose copyright has expired is free to read, adapt and build on — see using public-domain content on YouTube.

✅ Get permission or a licence when you want to use more than review allows — many authors and publishers are open to it, especially for promotion.

✅ When in doubt, ask a lawyer. For anything commercial or contested, professional advice is cheaper than a terminated channel.

Need ideas that sidestep the whole problem? Reviews, “best books” lists, author discussions and reading vlogs are all low-risk and popular — my content ideation framework can help you generate dozens. And if books are your niche, my roundup of the 50 best books for freelancers is a ready-made source of review material.

Conclusion

So, is it legal to make YouTube videos from books? For the vast majority of book creators — reviewers, BookTubers, discussion channels — yes, because you’re sharing your own commentary, not reproducing the work. The trouble starts only when a video copies the book itself: reading it aloud, or reproducing substantial text without permission. Stay transformative, quote sparingly, lean on public-domain works, and get advice when real stakes are involved. Do that, and you can build a thriving book channel without ever seeing that dreaded takedown notice.

Books & YouTube Copyright: FAQ

Is it legal to make YouTube videos about books?

Usually, yes — if you’re reviewing, discussing or critiquing a book in your own words, that’s your own original content and is generally allowed. The line is crossed when you reproduce the book itself, such as reading it aloud or copying large passages. Talking about a book is very different, legally, from reproducing it. This is general information, not legal advice.

Can you read a book aloud on YouTube?

Generally not without permission. Reading a copyrighted book aloud reproduces the author’s work, which is one of the rights copyright protects, so it typically requires a licence or the rights-holder’s permission. The main exception is books in the public domain, which anyone can read and use freely. If in doubt, seek permission or legal advice.

Is BookTube legal?

Yes. BookTube — channels that review, discuss and recommend books — is generally legal because creators are sharing their own opinions and analysis, not reproducing the books. Showing a cover, mentioning the title and quoting a short line for review are typically fine. Problems only arise if a video reproduces substantial portions of the text.

What is fair use for books on YouTube?

Fair use (in the US) and fair dealing (in the UK) are legal doctrines that can permit limited use of copyrighted material for purposes like criticism, review, commentary or education. They’re judged case by case on factors such as how transformative the use is, how much you use, and the effect on the market. They’re a defence, not a guarantee, so they don’t automatically make any use legal.

Can you get a copyright strike for a video about a book?

It’s possible if a rights-holder believes you’ve reproduced their work. Reviews and commentary rarely trigger strikes, but reading passages or reproducing text can. YouTube handles this through Content ID claims and copyright strikes; a claim may block or demonetise a video, while repeated strikes can risk your channel. Keeping your content transformative is the best protection.

Can you use public domain books on YouTube?

Yes. Once a book is in the public domain — generally when copyright has expired, which varies by country but is often decades after the author’s death — anyone can use it freely, including reading it in full. Classic literature is a rich, legal source of content. Always confirm a specific work’s public-domain status in your country before relying on it.

Build your book channel with confidence.

A free discovery call gets you a two-decade head start on growing a channel that’s both popular and safe — no takedown surprises.

Book Your Free Discovery Call →

Sources & disclaimer: general copyright principles reference YouTube’s fair use resources and UK government copyright guidance, current at the time of writing (July 2026). This article is general information and not legal advice; copyright law varies by country and changes over time. For your specific situation, consult a qualified copyright lawyer.
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TIPS & TRICKS VIDEO YOUTUBE

What Is Fair Use On YouTube? – Copyright Fair Use For Dummies

What Is Fair Use On YouTube? - Copyright Fair Use For Dummies

What Is Fair Use On YouTube? — Fair Use For Dummies // Fair Use on YouTube Explained. Fair Use is a US loophole that allows you to use clips of copyrighted material as long as you follow certain guidelines. Fair Use explained and simplified into 3 core points.

1–80/20 Rule — Use more of your OWN content than anybody else’s.

2 — USE MULTIPLE SOURCES — If you can reference more than just one person or clip to illustrate your point then that shows them you are being fair.

3 — CREDIT THE OWNER — Make sure you name drop or name the original content creator in the video or description.

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Alan Spicer YouTube Tips Channel — YouTube Tricks, YouTube Tips & YouTube Hacks to Help Grow Your YouTube Channel. I make YouTube Training Tutorials based on my personal experience on How To Increase YouTube Views, How To Gain YouTube Subscribers and How To Grow A YouTube Brand Online.

I have been on YouTube since 2013 growing an Entertainment and News Channel, MrHairyBrit. Within that time I have made many mistakes but have also learnt many YouTube Hacks that I want to share with you to help you Rank Your YouTube Videos On YouTube, Grow Your YouTube Channel and Get Your Brand Noticed On YouTube.

I also have a background in Social Media Marketing, Search Engine Optimisation, and Web Design & Development.

We can grow together, We can learn together… Start Creating!

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