The best bitrate for YouTube depends on your resolution, frame rate, and whether you are uploading SDR or HDR video.
That is the short answer. The useful answer is knowing the exact bitrate ranges YouTube recommends, when you should go higher, when bigger files do not help, and how bitrate fits into overall upload quality.
This guide breaks that down properly with current YouTube-recommended upload settings, practical creator advice, and the real-world trade-offs between quality, file size, processing time, and playback results.
Why trust this guide?
I am not writing this as an outsider. I am a YouTube Certified Expert. I have coached 500+ clients, built and grown multiple channels, earned six YouTube Silver Play Buttons, built a personal audience of 100k+, and spent years working across YouTube strategy, SEO, retention, metadata, channel systems, and technical publishing workflows.
This matters because bitrate questions often get answered with either outdated YouTube tables or unhelpful advice like “just upload the highest quality possible” with no context.
If you want help applying any of this to your own channel, you can book a discovery call.
Quick answer: what is the best bitrate for YouTube?
For standard SDR uploads, YouTube currently recommends around 8 Mbps for 1080p at 24–30 fps, 12 Mbps for 1080p at 48–60 fps, 35–45 Mbps for 4K at 24–30 fps, and 53–68 Mbps for 4K at 48–60 fps.
The best bitrate is usually the one that matches YouTube’s current recommendations for your format without creating needlessly huge files.
YouTube’s own recommended upload encoding settings say uploads should use the same frame rate they were recorded in, H.264 video, AAC-LC audio, and variable bitrate, with recommended bitrate ranges based on resolution and frame rate. It also says no bitrate limit is required, although it gives recommended values for reference.
YouTube recommended bitrate chart
Here is the current official YouTube bitrate guidance for SDR uploads.
Resolution
24, 25, 30 fps
48, 50, 60 fps
8K
80–160 Mbps
120–240 Mbps
2160p (4K)
35–45 Mbps
53–68 Mbps
1440p (2K)
16 Mbps
24 Mbps
1080p
8 Mbps
12 Mbps
720p
5 Mbps
7.5 Mbps
480p
2.5 Mbps
4 Mbps
360p
1 Mbps
1.5 Mbps
For HDR uploads, YouTube’s recommended bitrates are slightly higher.
Resolution
24, 25, 30 fps
48, 50, 60 fps
8K
100–200 Mbps
150–300 Mbps
2160p (4K)
44–56 Mbps
66–85 Mbps
1440p (2K)
20 Mbps
30 Mbps
1080p
10 Mbps
15 Mbps
720p
6.5 Mbps
9.5 Mbps
Simple rule: match your export bitrate to YouTube’s recommended range for your actual resolution and frame rate. Do not guess, and do not assume 4K numbers apply to 1080p.
Best bitrate for 1080p YouTube uploads
If you are uploading 1080p SDR video, the current official recommendation is:
8 Mbps for 24, 25, or 30 fps
12 Mbps for 48, 50, or 60 fps
That covers the majority of talking-head videos, tutorials, reaction videos, commentary, and general creator uploads.
If your 1080p video has lots of motion, fine detail, particles, gaming footage, or fast cuts, you may prefer to export toward the upper end of quality in your editor, but it still rarely makes sense to go wildly above YouTube’s guidance for standard uploads unless you have a specific production reason.
Best bitrate for 4K YouTube uploads
If you are uploading 4K SDR video, YouTube currently recommends:
35–45 Mbps for 24, 25, or 30 fps
53–68 Mbps for 48, 50, or 60 fps
This is one reason 4K uploads take longer to export, upload, and process. The files are much larger, and the recommended bitrate is far higher than for 1080p.
Higher frame rates need higher bitrate because there is simply more image data to preserve cleanly.
Format
Recommended SDR bitrate
720p60
7.5 Mbps
1080p60
12 Mbps
1440p60
24 Mbps
2160p60
53–68 Mbps
This matters a lot for gaming, sports, movement-heavy vlogs, cinematic B-roll with motion, and anything where frame clarity matters more than static talking-head footage.
HDR vs SDR bitrate differences
HDR uploads need more bitrate than SDR at the same resolution because there is more image information to preserve.
For example:
1080p SDR at 24–30 fps: 8 Mbps
1080p HDR at 24–30 fps: 10 Mbps
4K SDR at 24–30 fps: 35–45 Mbps
4K HDR at 24–30 fps: 44–56 Mbps
If you are not intentionally producing HDR content with the correct pipeline, do not force HDR settings just because the bitrate numbers are bigger. Bad HDR workflows can make uploads look worse, not better.
Does a higher bitrate always help?
No. This is one of the biggest bitrate myths.
YouTube re-encodes uploads. That means your upload is not the final version viewers receive. Sending YouTube a clean, strong source file matters, but there is a point where increasing bitrate further just bloats your file without creating a visible benefit.
Bigger file does not always mean better result. Once you are already giving YouTube a high-quality source in the correct range, pushing the bitrate massively higher often creates longer export times and larger uploads without a meaningful quality win.
YouTube’s own upload guidance even says no bitrate limit is required, while still providing recommended bitrate ranges for reference. That should tell you the right mindset: quality matters, but bitrate is not a magic knob you can turn forever.
Bitrate vs quality in real life
Bitrate affects quality, but it is only one part of the chain.
Factor
Why it matters
Source footage quality
You cannot recover detail that was never captured cleanly
Resolution
Higher resolutions need more bitrate
Frame rate
Higher fps usually needs more bitrate
Codec and export settings
H.264, progressive scan, and correct profile settings matter
Motion and detail
Fast action and complex textures need more data
YouTube re-encoding
Your upload is processed again after upload
That is why a beautifully shot 1080p file exported cleanly at the right bitrate can outperform a badly shot 4K file exported at a giant bitrate.
Smarter export settings beyond bitrate
If you want cleaner uploads, bitrate is not the only thing to check.
YouTube’s official recommendations also include:
Container: MP4
Video codec: H.264
Audio codec: AAC-LC
Frame rate: upload in the same frame rate you recorded
Scan: progressive, not interlaced
Chroma subsampling: 4:2:0
Sample rate: 48 kHz
Best practical export mindset: use the correct resolution, keep the original frame rate, export with a clean H.264 MP4 file, and match bitrate to YouTube’s current recommended range instead of guessing.
This topic gets much stronger when you anchor it to current YouTube documentation instead of old export presets people keep repeating for years.
Fact
Why it matters
What it means in practice
YouTube recommends 8 Mbps for 1080p SDR at 24–30 fps
This is the baseline many creators need
Most standard 1080p uploads do not need extreme bitrate settings
YouTube recommends 12 Mbps for 1080p SDR at 48–60 fps
Higher frame rates need more data
Do not use 30 fps bitrate assumptions for 60 fps uploads
YouTube recommends 35–45 Mbps for 4K SDR at 24–30 fps
4K needs much more bitrate
4K exports take more storage, upload time, and processing time
YouTube recommends higher bitrates again for HDR uploads
HDR carries more image information
Only use HDR workflows when the whole production pipeline supports it properly
YouTube says uploads should use the same frame rate they were recorded in
Avoids unnecessary conversion issues
Do not randomly change 30 fps footage to 60 fps just for upload
Video pick: RPM vs CPM on YouTube
Bitrate affects technical upload quality, but your business results still depend on the broader content system. This helps connect the technical side to the monetisation side.
Tools that really help with cleaner YouTube uploads
The old tools section needed a full rebuild. Tools should support a strategy, not pretend to replace one. These are the ones I would actually recommend first because they are relevant, trustworthy, and already supported by useful content on this site.
Tool
Best for
Why it earns a place here
Best next step
YouTube Studio
Checking playback performance, processing, and audience response
This is where you connect technical decisions to actual viewer behaviour
What I would do if I wanted cleaner YouTube uploads today
Export in the same frame rate you recorded.
Use a clean H.264 MP4 workflow.
Match bitrate to your real resolution and frame rate.
Do not massively overshoot the recommended bitrate for no reason.
Focus on source quality, lighting, motion handling, and editing as well as bitrate.
Final thoughts
If you came here for the fast answer, here it is again: the best bitrate for YouTube depends on your resolution, frame rate, and whether you are uploading SDR or HDR video.
For most creators, that means 1080p SDR at 8 Mbps for 24–30 fps or 12 Mbps for 48–60 fps, with higher numbers for 1440p, 4K, and HDR.
The smart move is not to blindly crank bitrate forever. It is to export a clean source file that matches YouTube’s guidance and supports the footage you actually shot.
YouTube currently recommends 8 Mbps for 1080p SDR at 24–30 fps and 12 Mbps for 1080p SDR at 48–60 fps.
What is the best bitrate for YouTube 4K?
For SDR uploads, YouTube currently recommends 35–45 Mbps for 4K at 24–30 fps and 53–68 Mbps for 4K at 48–60 fps.
Does a higher bitrate always improve YouTube quality?
No. Once you are already supplying a clean source in the correct range, a much bigger bitrate often just creates larger files and longer upload times without a clear visible benefit.
Should I export in 60fps if I recorded in 30fps?
Usually no. YouTube recommends uploading using the same frame rate you recorded in.
What codec does YouTube recommend for uploads?
YouTube recommends H.264 video in an MP4 container for standard upload workflows.
What audio bitrate does YouTube recommend?
YouTube’s current recommendations include 128 kbps for mono, 384 kbps for stereo, and 512 kbps for 5.1 uploads.
Does bitrate matter more than video quality?
No. Source quality, lighting, motion, resolution, frame rate, and clean export settings all matter alongside bitrate.
What is the best export mindset for YouTube?
Match your actual resolution and frame rate, use a clean H.264 MP4 export, and stay close to YouTube’s current recommended bitrate ranges.
You’ve just recorded a beautiful, high-definition video, only to find out that the file size is enormous!
Why is that?
It’s time to embark on an exciting journey into the intricate world of video file sizes, codecs, bit rates, and audio rates. In this fun deep dive, we’ll demystify these terms and explore their impact on your video file sizes.
File Sizes: It’s a Bit of a Mystery
When dealing with video files, there are several factors that determine their size:
Resolution: The dimensions of the video in pixels (e.g., 1920×1080, 3840×2160)
Frame rate: The number of frames per second (e.g., 24, 30, 60)
Codec: The method used to compress and decompress video data
Bit rate: The amount of data processed per unit of time (usually measured in kilobits per second, or Kbps)
Audio rate: The quality of the audio in the video file
Let’s dive into each of these components and discover how they influence video file sizes.
Codec Crusaders: A Brief Introduction to Video Compression
A codec is a combination of a coder (encoder) and a decoder, responsible for compressing and decompressing video data. Popular video codecs include:
H.264: A widely used codec known for its excellent compression efficiency and compatibility with various devices.
H.265 (HEVC): A successor to H.264, offering better compression and smaller file sizes at the cost of increased processing power.
VP9: A codec developed by Google, often used for 4K and HDR videos on YouTube.
AV1: A royalty-free, open-source codec designed for the future of video streaming, providing even better compression than H.265.
Choosing the right codec can significantly impact your video file size. More advanced codecs like H.265 and AV1 can compress videos more efficiently, resulting in smaller file sizes.
Bit Rate Busters: How Bit Rates Affect File Sizes
Bit rate determines the amount of data processed per unit of time, typically measured in kilobits per second (Kbps). Higher bit rates provide better video quality but result in larger file sizes. Here’s a handy table comparing various resolutions and bit rates:
Resolution
Recommended Bit Rate (H.264)
File Size (1-minute video)
720p
5,000 Kbps
37.5 MB
1080p
10,000 Kbps
75 MB
4K
35,000 Kbps
262.5 MB
As you can see, increasing the resolution and bit rate will significantly impact the file size.
A Sound Decision: Audio Rates and Their Impact on File Sizes
Audio quality is another crucial factor that contributes to file size. Audio rates are typically measured in kilobits per second (Kbps) and can be divided into three categories:
Low-quality (64-96 Kbps)
Medium-quality (128-192 Kbps)
High-quality (256-320 Kbps)
Higher audio rates result in better audio quality but also larger file sizes. Let’s compare the impact of different audio rates on file size:
Audio Rate
File Size (1-minute audio)
64 Kbps
480 KB
128 Kbps
960 KB
320 Kbps
2.4 MB
As you can see, the difference in file size between low and high-quality audio can be significant.
Comparisons: Small, Medium, and Large
To put everything into perspective, let’s take a look at three hypothetical video files with different resolutions, bit rates, and audio rates:
Example 1: Small File Size
Resolution: 720p
Bit Rate: 5,000 Kbps (H.264)
Audio Rate: 128 Kbps
File Size (1-minute video): 38.4 MB
Example 2: Medium File Size
Resolution: 1080p
Bit Rate: 10,000 Kbps (H.264)
Audio Rate: 192 Kbps
File Size (1-minute video): 77.1 MB
Example 3: Large File Size
Resolution: 4K
Bit Rate: 35,000 Kbps (H.264)
Audio Rate: 320 Kbps
File Size (1-minute video): 267.9 MB
As illustrated by these examples, increasing the resolution, bit rate, and audio rate can lead to dramatically larger file sizes.
Conclusion
In conclusion, video file size is determined by various factors, including resolution, frame rate, codec, bit rate, and audio rate. Understanding these factors can help you make informed decisions when optimizing your video files for specific purposes, such as streaming, sharing, or storage.
To reduce your video file size, consider using a more efficient codec (e.g., H.265 or AV1), lowering the bit rate, or decreasing the audio rate. However, be mindful of the trade-offs in quality when making these adjustments.
Deep Dive Q&A: Video File Sizes, Codecs, Bit Rates, and Audio Rates
Q1: What factors affect video file size?
A: The primary factors affecting video file size are resolution, frame rate, codec, bit rate, and audio rate. Higher resolutions, bit rates, and audio rates typically result in larger file sizes, while more efficient codecs can help reduce file size.
Q2: What are some popular video codecs, and how do they differ?
A: Some popular video codecs are:
H.264: Widely used for its excellent compression efficiency and compatibility.
H.265 (HEVC): A successor to H.264, providing better compression and smaller file sizes but requiring more processing power.
VP9: Developed by Google and often used for 4K and HDR videos on YouTube.
AV1: A royalty-free, open-source codec designed for the future of video streaming, offering even better compression than H.265.
Q3: How does bit rate impact video quality and file size?
A: Bit rate is the amount of data processed per unit of time, typically measured in kilobits per second (Kbps). Higher bit rates provide better video quality but result in larger file sizes. Decreasing the bit rate can reduce file size but may also degrade video quality.
Q4: What are the recommended bit rates for different resolutions?
A: Here are some recommended bit rates for various resolutions using the H.264 codec:
720p: 5,000 Kbps
1080p: 10,000 Kbps
4K: 35,000 Kbps
Note that these are general recommendations, and optimal bit rates may vary depending on the content and desired quality.
Q5: How do audio rates affect file size and audio quality?
A: Audio rates are measured in kilobits per second (Kbps) and affect both file size and audio quality. Higher audio rates result in better audio quality but also larger file sizes. Typical audio rates are:
Low-quality: 64-96 Kbps
Medium-quality: 128-192 Kbps
High-quality: 256-320 Kbps
Q6: What can I do to reduce my video file size?
A: To reduce video file size, consider using a more efficient codec (e.g., H.265 or AV1), lowering the bit rate, or decreasing the audio rate. Keep in mind that reducing these values may also affect video and audio quality.
Q7: How do I choose the right codec for my video?
A: Choosing the right codec depends on your specific needs, such as compatibility, compression efficiency, and processing power. For general use, H.264 is a safe choice due to its wide compatibility and excellent compression. If you need smaller file sizes or plan to stream 4K or HDR content, consider using H.265, VP9, or AV1.
Q8: How does frame rate impact video file size?
A: Frame rate refers to the number of frames per second (fps) in a video. Higher frame rates result in smoother motion but can also increase file size. If your video doesn’t require smooth motion (e.g., a slideshow or presentation), you can reduce the frame rate to decrease file size without significantly impacting video quality.
Q9: Is there a noticeable difference in quality between various audio rates?
A: The difference in quality between low, medium, and high audio rates can be noticeable, particularly on high-quality audio systems or headphones. For casual listening or streaming, medium-quality audio rates (128-192 Kbps) should be sufficient. For higher-quality audio or archival purposes, consider using audio rates of 256 Kbps or higher.
Q10: What is the difference between constant bit rate (CBR) and variable bit rate (VBR) encoding?
A: Constant bit rate (CBR) encoding maintains a consistent bit rate throughout the entire video, ensuring a uniform quality. This method can result in larger file sizes, as it doesn’t account for varying levels of complexity in the video.
Variable bit rate (VBR) encoding, on the other hand, adjusts the bit rate according to the complexity of the video. Scenes with more detail and motion require higher bit rates, while simpler scenes use lower bit rates. This method can produce smaller file sizes with generally comparable quality to CBR encoding, although the quality may be less consistent throughout the video.
Q11: How do different video container formats affect file size?
A: Video container formats, such as MP4, MKV, and AVI, primarily serve to package video, audio, and metadata into a single file. While the choice of container format can have a minor impact on file size due to differences in overhead and metadata storage, it’s generally the codec, bit rate, and audio rate that have a more significant influence on file size. The choice of container format should be based on compatibility and the specific features required for your project.
Q12: How do I determine the best bit rate, codec, and audio rate settings for my specific use case?
A: Finding the ideal settings for your video project depends on various factors, such as the target audience, playback devices, distribution method, and the balance between quality and file size. Here are some general recommendations:
For online streaming and social media sharing, prioritize compatibility and smaller file sizes by using the H.264 codec with a medium bit rate and audio rate.
For 4K or HDR content, consider using H.265, VP9, or AV1 codecs for better compression efficiency.
For archival purposes or high-quality local playback, opt for higher bit rates and audio rates to preserve quality.
It’s essential to test different settings and find the sweet spot between quality and file size for your specific use case.
In the digital age, YouTube has become the go-to platform for sharing and consuming video content.
With billions of hours of video uploaded, the site caters to a wide range of interests, from music to educational content.
A common question among users and creators alike is, does youtube quality affect audio? – The short answer is, yes! The compression given to lower sized files to make them stream faster also affects audio. However, its not as simple as that.
In this article, we will delve into the relationship between YouTube video quality and audio performance, providing an in-depth analysis and presenting our findings in tables.
Background
YouTube offers various video quality settings, ranging from 144p to 2160p (4K), to accommodate the diverse needs and preferences of its users. These settings determine the resolution, or the number of pixels in each frame of the video.
As video quality increases, so does the amount of data required to transmit it, leading to a higher bitrate. Audio quality, on the other hand, is typically measured in kilobits per second (kbps).
Analysis
To understand the impact of YouTube video quality on audio, we conducted an analysis by extracting audio data from various videos at different quality settings. The extracted audio data was then analyzed to determine the bitrate and overall audio performance. Our findings are presented in the table below:
Audio Bitrate by YouTube Video Quality
Video Quality
Audio Bitrate (kbps)
144p
24-48
240p
48-64
360p
64-128
480p
128-192
720p
192-384
1080p
192-384
1440p (2K)
256-512
2160p (4K)
256-512
As demonstrated in Table 1, there is a clear relationship between video quality and audio bitrate. Higher video quality settings correspond to higher audio bitrates, which generally results in better audio performance.
However, it is essential to note that the increase in audio quality plateaus at a certain point. For instance, the difference in audio quality between 720p and 1080p is negligible, as both offer similar bitrate ranges. Additionally, human perception of audio quality has limitations, and most listeners may not notice significant differences beyond a certain bitrate threshold.
Conclusion
In conclusion, our analysis indicates that YouTube video quality does have an impact on audio performance. As video quality increases, the audio bitrate generally improves, leading to better audio quality. However, the perceived difference in audio quality becomes less noticeable as the bitrate reaches a certain threshold.
Creators and listeners should consider these findings when choosing the appropriate video quality settings for their content. In most cases, 720p or 1080p would provide sufficient audio quality for the average listener. However, for those seeking the highest possible audio performance, opting for 1440p (2K) or 2160p (4K) may be worth considering, especially if the content is audio-centric or requires exceptional audio fidelity.
Q1: Does video quality on YouTube affect the audio quality?
A1: Yes, our analysis shows that higher video quality settings correspond to higher audio bitrates, which generally results in better audio performance. However, the perceived difference in audio quality becomes less noticeable as the bitrate reaches a certain threshold.
Q2: What is the relationship between video quality and audio bitrate?
A2: As video quality increases, the audio bitrate generally improves. This leads to better audio quality up to a certain point, beyond which the perceived difference becomes less noticeable.
Q3: At which video quality setting does the audio quality plateau?
A3: The difference in audio quality between 720p and 1080p is negligible, as both offer similar bitrate ranges. Higher settings, such as 1440p (2K) and 2160p (4K), provide marginally better audio quality, but the perceived difference may not be significant for most listeners.
Q4: What video quality settings should I choose for optimal audio performance?
A4: In most cases, 720p or 1080p would provide sufficient audio quality for the average listener. However, if the content requires exceptional audio fidelity or is audio-centric, opting for 1440p (2K) or 2160p (4K) may be worth considering.
Q5: Can the human ear perceive the difference in audio quality at higher bitrates?
A5: Human perception of audio quality has limitations, and most listeners may not notice significant differences beyond a certain bitrate threshold. While higher bitrates may technically offer better audio quality, the perceived difference becomes less noticeable as the bitrate increases.
Q6: Are there any other factors that can impact audio quality on YouTube?
Q7: How does internet speed affect YouTube video and audio quality?
A7: A slower internet connection may result in YouTube automatically lowering the video quality to ensure smooth playback. This can also lead to a decrease in audio quality, as lower video quality settings are associated with lower audio bitrates.
A8: The audio codec used for compression and decompression can impact audio quality. YouTube typically uses the AAC codec, which provides good audio quality at lower bitrates. However, the audio quality may still be affected by factors such as the original recording and the video quality setting.
Q9: Does YouTube offer lossless audio streaming?
A9: As of our knowledge cutoff date in September 2021, YouTube does not offer lossless audio streaming. The platform primarily uses lossy compression codecs like AAC to deliver audio, which sacrifices some audio data to reduce file size and ensure smooth streaming.
Q10: How do YouTube Music and YouTube Premium affect audio quality?
A10: YouTube Music and YouTube Premium subscribers can enjoy higher audio quality compared to free users. YouTube Music offers a maximum audio bitrate of 256 kbps, while YouTube Premium users can enjoy higher video quality settings, which, as we’ve discussed, can result in better audio performance.
A11: While there is a direct relationship between video quality and audio bitrate, users can still try a few things to improve their listening experience: using higher-quality headphones or speakers, ensuring a stable internet connection, and closing other bandwidth-consuming applications.
Q12: How does YouTube’s audio quality compare to other streaming platforms?
A12: YouTube’s audio quality is generally lower compared to dedicated music streaming platforms like Spotify, Apple Music, and Tidal. These platforms often provide higher audio bitrates, and some, like Tidal, even offer lossless audio streaming for a superior listening experience.
Are you tired of being bombarded with noise and videos starting without your consent on YouTube’s home page?
Worry no more!
In this fun and informative article, we’ll guide you through the process of turning off auto-play and audio auto-play on YouTube, and delve into the reasons why doing so can be a game-changer for your browsing experience.
Why Turn Off Auto-Play and Audio Auto-Play?
Reduce stress and distractions: A quieter home page allows you to focus on the content you want to watch, rather than being overwhelmed by a cacophony of sounds and images.
Save bandwidth and data: Auto-play can consume unnecessary data, which can be a concern for those with limited data plans or slow internet connections.
Preserve battery life: Auto-play can be a drain on your device’s battery life, especially when it comes to video and audio.
Tailor your YouTube experience: Turning off auto-play enables you to curate your own experience by selecting videos manually, rather than having them chosen for you.
The Hush Button
How to Turn Off Auto-Play and Audio Auto-Play Now, let’s dive into the steps to reclaim your YouTube sanctuary!
Step 1: Log in to your YouTube account Ensure you’re logged in to your account to access your settings.
Step 2: Access your settings Click on your profile picture in the top right corner of the screen, then select “Settings” from the dropdown menu.
Step 3: Turn off auto-play In the “Settings” menu, click on “Playback and performance.” Locate the “Auto-play” section, and toggle off the switch next to “Autoplay next video.”
Step 4: Silence audio auto-play To mute audio auto-play, click on “Audio settings” within the “Playback and performance” menu. Under “Muted playback,” select “Don’t play videos automatically” from the dropdown menu.
Step 5: Save your changes Click on “Save” to apply the changes and enjoy your newly customized, distraction-free YouTube experience!
Embrace the Silence
With auto-play and audio auto-play disabled, you can now enjoy the tranquil, focused browsing experience you’ve been craving.
So grab your favourite snack, put on your comfiest slippers, and dive into the world of YouTube with the newfound serenity that comes from having complete control over the sights and sounds on your home page.
Happy browsing!
Benefit
Description
Reduced stress and distractions
A quieter home page allows for better focus on the content you want to watch.
Bandwidth and data savings
Turning off auto-play can reduce unnecessary data consumption, ideal for limited data plans.
Improved battery life
Disabling auto-play can help preserve your device’s battery life.
Tailored YouTube experience
Manually selecting videos enables a more personalized and curated viewing experience.
Please note that these benefits are subjective and may vary from user to user. The table serves as a summary of the potential advantages of disabling auto-play and audio auto-play on YouTube’s home page.
Coined in 2010, ASMR (autonomous sensory meridian response) is a relaxing, often sedative sensation that begins on the scalp and moves down the body. Also known as “brain massage,” it’s triggered by placid sights and sounds such as whispers, accents, and crackles.
What is ASMR? It is an acronym for “Autonomous Sensory Meridian Response” (which is not officially classified as a condition by the sciences) that is first bandied about on the internet around the close of the first decade of the 2000s.
For the most part, the words making up the name are self-explanatory, but you might be wondering about meridian. Meridian generally refers to a high point in excitement, but technically it refers to any of the pathways along which the body’s vital energy flows according to the theory behind acupuncture.
Autonomous also has specialized meaning: it can refer to involuntary physiological responses or to the autonomic nervous system, which autonomously regulates bodily functions, including sexual arousal.
ASMR, however, is a nonsexual response.
According to the modest ones who answered questionnaires on the topic, it is simply a tingling feeling that starts at the top of the head and trickles downward—and is characteristically triggered by a person softly whispering into a camera and making random hand movements along objects.
ASMR stands for autonomous sensory meridian response. Autonomous means that the feeling is in your body, sensory means that your senses perceive the feeling, meridian refers to the energy of the feeling in your body, and response indicates that the feeling is a response to stimuli.
What are the benefits of asmr?
“I’ve received emails throughout my five years of content creation from people with many different backgrounds. Soldiers with PTSD. New mums who have just given birth and are in state of constant stress. People with anxiety disorders or depression who can’t sleep. All telling me ASMR helps them. I really think it could be used hand-in-hand with therapy. It’s not going to cure anyone, but it might make their life slightly better.”
“For example, people report ASMR helping them sleep. Is this because it puts you in a state of relaxation, which means sleep onset is easier?
Does it prevent pre-sleep cognitions, which are the things that stop you from getting to sleep in the first place? And does it do anything to actually improve the quality of your sleep? These are all questions that we don’t really know the answer to.”
As a scientist, Poerio is slightly more sceptical, but no less determined to find out. “We know about the immediate physiological benefits of experiencing ASMR, which are comparable to things like mindfulness and music-based stress reduction. What we don’t have is any data looking at the long-term effect of repeated exposure. There’s so much anecdotal evidence it has helped, but actually – does it help? And if so, how?
ASMR (Autonomous Sensory Meridian Response) has become increasingly popular over the years, particularly on platforms like YouTube. Here are some interesting statistics and facts about the ASMR community, creators, and content. Please note that these stats are approximate and may have changed since the knowledge cutoff date of September 2021.
ASMR Content on YouTube:
Total number of ASMR videos: ~15 million (as of 2021)
Growth rate of ASMR content: 200% YoY (2016-2020)
Top 5 ASMR Creators (by subscribers as of September 2021):
Short answer: sometimes — it depends on the track, not the library.
The YouTube Audio Library is a brilliant free resource, but the common belief that “it’s all Creative Commons, so use it anywhere” is a myth that can get your Instagram posts muted. The truth in 2026 is more precise: some tracks are cleared for other platforms, some aren’t, and Instagram has its own rules on top. Here’s exactly how to tell the difference.
⚖️ Not legal advice. This is general information from a YouTube educator, not a lawyer. Music licences and platform rules change and vary by country and track — always check the licence shown in YouTube Studio and, for commercial or ad use, get proper advice.
▶️ Using the free YouTube Audio Library without getting struck
Why trust this? I’m Alan Spicer — a YouTube Certified Expert with two decades on the platform, six Silver Play Buttons and 500+ creators coached. I’ve helped countless creators stay on the right side of music copyright across YouTube, Instagram and beyond.
⚡ QUICK ANSWER: Can you use YouTube Audio Library music on Instagram?
Sometimes — it depends on the specific track. Creative Commons (CC-BY) tracks can generally be used on Instagram if you give proper attribution. Tracks under YouTube’s standard licence are oriented towards your YouTube videos, so using them elsewhere is riskier. On top of that, Instagram’s own rights system can still flag or mute audio it detects — so always check each track’s licence in YouTube Studio, and test before you rely on it.
What Is the YouTube Audio Library?
The YouTube Audio Library is a free collection of music and sound effects that YouTube provides inside YouTube Studio. It exists so creators can add background music to their videos without falling foul of copyright. It spans dozens of genres and moods, it’s free, and you only need a YouTube account to access it. It’s a fantastic resource — the confusion only starts when people assume every track carries the same, unlimited rights. It doesn’t.
The Part Everyone Gets Wrong: Two Licence Types
Here’s the crucial distinction the “just use it anywhere” crowd miss. Tracks in the Audio Library fall under different licences, and that difference decides whether you can legally use a track off YouTube:
Licence type
Use off YouTube (e.g. Instagram)?
Attribution
Creative Commons (CC-BY)
Generally yes
Required — credit the artist
Standard YouTube Audio Library licence
Oriented to YouTube — riskier elsewhere
Often not required
YouTube Studio labels each track with its licence and whether attribution is needed. That label is the single most important thing to check before you reuse a track anywhere else. When in doubt, favour CC-BY tracks for off-platform use — and credit the creator properly. To understand the licence itself, Creative Commons has a wealth of plain-English detail.
So, Can You Use It on Instagram?
Putting it together: a CC-BY Audio Library track, used with proper attribution, can generally be used on Instagram. A standard-licence track is intended for your YouTube videos, so reusing it on Instagram is a greyer area you’d want to avoid or clear first. But there’s a second layer that catches people out, and it has nothing to do with YouTube’s licence at all — it’s Instagram’s own system.
Instagram’s Own Music Rules (The Bit People Forget)
Even if YouTube’s licence permits your track, Instagram doesn’t know that — and Meta runs its own audio-matching system:
Meta’s Rights Manager can mute or remove content when it detects audio it believes is claimed — free tracks can still trigger a match.
There’s no in-app way to license copyrighted music on Reels or Stories, and little support if you receive a claim on your own uploaded audio.
Account type matters: personal accounts get Instagram’s full in-app licensed music library; business accounts are limited to the smaller Meta Sound Collection.
In other words, “legally cleared” and “won’t get flagged by Instagram” are two different questions. Always test a track on a low-stakes post before you build an important Reel around it.
How to Use Audio Library Music Safely Off YouTube
Five steps keep you out of trouble:
Check the licence in YouTube Studio. Look at the licence and attribution info on every track before using it anywhere.
Favour Creative Commons tracks for off-platform use — they’re the ones cleared to travel.
Add the required attribution — credit the artist as specified, usually in your caption or description.
Expect Instagram to check anyway. Test before you rely on a track for a big post.
For ads or multi-platform posting, get a proper licence — a track that’s fine for an organic YouTube video may not cover a paid campaign.
If you post the same content across YouTube, Instagram, TikTok and more, the cleanest approach isn’t to stretch one library across all of them — it’s to use music licensed for exactly that:
Instagram’s own music library — the simplest, safest choice for Reels and Stories, since it’s licensed for the platform you’re posting on.
Cross-platform licensed music services — subscription libraries designed to cover YouTube, Instagram, TikTok and more under one clear licence, which removes the guesswork.
The YouTube Audio Library — still perfect for the videos you publish on YouTube itself, where it’s designed to be used.
Match the music source to where the content will live, and claims become a non-issue.
YouTube Audio Library on Instagram: FAQ
Can you use YouTube Audio Library music on Instagram?
It depends on the track. Creative Commons (CC-BY) tracks can generally be used on Instagram if you give proper attribution. Tracks under YouTube’s standard Audio Library licence are oriented towards your YouTube videos, so using them elsewhere is riskier. And regardless of the licence, Instagram’s own rights system may still flag or mute the audio, so always check each track first.
Is all YouTube Audio Library music free to use anywhere?
No. That’s a common myth. The library mixes tracks under different licences — some Creative Commons, some under YouTube’s own terms — and not every track is cleared for use outside YouTube. Always check the licence and attribution shown for each track in YouTube Studio before using it on another platform.
Do you need to give attribution for YouTube Audio Library music?
For some tracks, yes. Creative Commons (CC-BY) tracks require you to credit the creator, usually in your description or caption. Other tracks don’t require attribution. YouTube Studio clearly labels which is which, so check before you publish.
Will Instagram flag or mute YouTube Audio Library music?
It can. Meta’s Rights Manager scans audio and may mute or remove content it detects as claimed — even free tracks can trigger a match — and there’s no in-app way to license music or easy support if you get a claim. Test a track on a low-stakes post before relying on it.
What is the safest music to use on Instagram Reels?
For Instagram content, the safest option is Instagram’s own in-app music. Personal accounts have access to the full licensed music library; business accounts use the smaller Meta Sound Collection. If you publish across several platforms, a cross-platform licensed music service gives you the clearest rights.
Can you monetise videos that use YouTube Audio Library music?
On YouTube, yes — you can monetise videos using Audio Library tracks as long as you follow each track’s terms, including attribution where required. Off YouTube, it depends on the specific licence, so check the track and, for commercial or ad use, consider a dedicated commercial music licence.
The Bottom Line
Can the YouTube Audio Library be used on Instagram? Sometimes — and the honest answer is “check the track, not the library.” Creative Commons tracks travel well with attribution; standard-licence tracks belong on your YouTube videos; and Instagram’s own rights system gets the final say regardless. Do the two-minute check in YouTube Studio, credit creators where required, and match your music source to where the content will live. Get that right and you’ll never lose a post to a surprise mute again.
A note on this article: this is general information for creators, not legal advice, and reflects the position as of July 2026. Music licences, the YouTube Audio Library and Instagram’s policies change over time and vary by track and country — always check the current licence in YouTube Studio and, for commercial or ad use, get proper legal advice.
Can YouTube play Dolby Atmos? The short answer is no — not anywhere in the YouTube family.
Standard YouTube, YouTube Premium, YouTube Music and YouTube TV don’t support object-based Dolby Atmos. YouTube tops out at 5.1 surround on compatible content, and an Atmos mix uploaded to it gets downmixed to stereo. Here’s the full picture — across every YouTube product, why, and where to get Atmos instead.
Why trust this? I’m Alan Spicer — a YouTube Certified Expert with two decades on the platform and six Silver Play Buttons. I work with YouTube audio constantly, so I can tell you exactly what the platform does and doesn’t do with immersive sound.
⚡ QUICK ANSWER: Can YouTube play Dolby Atmos?
No. Neither standard YouTube, YouTube Premium, YouTube Music nor YouTube TV supports object-based Dolby Atmos. YouTube can play up to 5.1 surround sound on compatible content and devices (via the AAC and Opus codecs), and YouTube TV offers 5.1 through Dolby Digital on select content — but an Atmos mix uploaded to YouTube is downmixed to stereo. For true Atmos, use services like Netflix, Apple TV+ or Apple Music.
What Is Dolby Atmos?
Dolby Atmos is an object-based surround sound technology. Traditional surround formats like 5.1 and 7.1 are channel-based — sound is mapped to a fixed set of speakers around you on a horizontal plane. Atmos treats each sound as an “object” that can be placed anywhere in a 3D space, including overhead height channels, so a helicopter can really pass above you and rain can fall all around. That vertical dimension is what makes it feel so immersive, and it’s why Atmos is now standard in cinemas, on Blu-ray, and across premium streaming — for both film and, increasingly, music.
Can YouTube Play Dolby Atmos?
No — and that surprises people, given YouTube’s scale. The platform simply doesn’t support object-based Atmos audio. When a video is uploaded, YouTube encodes its audio with the AAC and Opus codecs, which handle stereo and up to 5.1 surround efficiently but don’t carry Atmos. In practice that means:
Most YouTube videos are stereo (2.0).
Some content plays in 5.1 surround on compatible devices, if the upload included it.
Atmos uploads get downmixed — your immersive mix is flattened to stereo or 5.1, losing the height and object detail.
There’s one nuance worth knowing: YouTube does support spatial audio for 360° and VR videos using ambisonics (First Order Ambisonics), which is immersive in its own way — but that’s a different technology from Dolby Atmos, and it doesn’t apply to standard 16:9 videos.
What Audio Does YouTube Actually Support?
Here’s the immersive-audio picture across the YouTube family:
YouTube product
Dolby Atmos?
Best surround it does
Standard YouTube
❌ No
Up to 5.1 on compatible content
YouTube Premium
❌ No
Same as standard (up to 5.1)
YouTube Music
❌ No
Stereo
YouTube TV
❌ No
5.1 via Dolby Digital (select content)
Can YouTube Music Play Dolby Atmos?
No. YouTube Music streams in stereo and offers no Atmos or spatial-audio tier. This is one area where rivals are clearly ahead: Apple Music (which markets Atmos as “Spatial Audio”), Tidal, and Amazon Music all offer Dolby Atmos catalogues. If immersive music is your priority, YouTube Music isn’t the service for it.
Can YouTube TV Play Dolby Atmos?
Also no — but it’s the closest of the bunch. YouTube TV supports 5.1 surround sound via the Dolby Digital codec on select content and compatible devices, which is a real step up from stereo for movies and shows. It’s still channel-based surround, though, not the object-based, overhead audio that defines Atmos. So you’ll get a fuller sound than standard YouTube, just not a true Atmos experience.
Why Doesn’t YouTube Support Dolby Atmos?
A few practical reasons:
Bandwidth & storage. Object-based multi-channel audio needs far more data per video — a serious cost at YouTube’s scale of billions of uploads.
Universal compatibility. YouTube prioritises audio that plays on every device, from a phone speaker to a smart TV. Stereo and optional 5.1 hit that bar; Atmos doesn’t, everywhere.
Licensing. Supporting Dolby technology isn’t free, and it’s a big commitment for a platform built on free user-generated content.
The content model. Most creators upload stereo. Building Atmos support for a tiny fraction of immersive uploads is hard to justify.
Will YouTube Add Dolby Atmos?
There’s no confirmed plan to add Dolby Atmos. YouTube has filed patents around 3D audio, and the more likely path is the emerging IAMF (Immersive Audio Model and Formats) — an open immersive-audio standard backed by the Alliance for Open Media, which Google is part of. An open standard sidesteps the licensing question that makes Dolby less attractive for a free platform. So immersive audio may well come to YouTube eventually — just perhaps not in Dolby’s flavour. For now, treat Atmos on YouTube as a “no.”
Where Can You Get Dolby Atmos Instead?
If Atmos is what you’re after, plenty of services deliver it on compatible plans and hardware:
For…
Services with Dolby Atmos
Film & TV
Netflix, Disney+, Apple TV+, Prime Video (compatible plans)
Music
Apple Music (Spatial Audio), Tidal, Amazon Music
Physical media
4K Blu-ray discs with Atmos soundtracks
Want your videos to sound professional on YouTube?
Atmos isn’t the answer here — a clean, well-mixed stereo track is. On a free discovery call we’ll sharpen your whole audio game.
If you’re making videos, the takeaway is simple: don’t waste effort on an Atmos mix for YouTube — it’ll be downmixed to stereo anyway. Put that energy into a clean, well-balanced stereo mix, because that’s what almost every viewer will actually hear. Get your levels right, cut the background noise, and export at the correct settings, and your audio will sound better than most of what’s on the platform. Start with recording clean audio, improve it further even without a treated studio, and check whether video quality affects your audio. Nail those and you’ve done far more for your viewers’ ears than Atmos ever would here — see also the best rendering settings and best bitrate to keep your exports clean.
Dolby Atmos on YouTube: FAQ
Can YouTube play Dolby Atmos?
No. Standard YouTube, YouTube Premium, YouTube Music and YouTube TV all lack Dolby Atmos support. YouTube can play up to 5.1 surround sound on compatible content and devices, but not object-based Atmos. If a video with an Atmos mix is uploaded, YouTube downmixes the audio to stereo or 5.1.
Does YouTube support surround sound or 5.1?
Yes, up to 5.1 surround sound on compatible content and devices, using the AAC and Opus audio codecs. It does not support 7.1 or object-based formats like Dolby Atmos. Most standard YouTube videos are stereo, since surround requires the uploaded audio to include it.
Can YouTube Music play Dolby Atmos?
No. YouTube Music streams in stereo and does not offer Dolby Atmos or spatial audio. For Atmos music you’d need a service that supports it, such as Apple Music (marketed as Spatial Audio), Tidal, or Amazon Music.
Does YouTube TV support Dolby Atmos?
No. YouTube TV does not support Dolby Atmos, but it does offer 5.1 surround sound through the Dolby Digital codec on select content and compatible devices. That’s channel-based surround, not the object-based, height-channel audio Atmos provides.
Why doesn’t YouTube support Dolby Atmos?
Mainly bandwidth and storage cost, universal compatibility, and licensing. Multi-channel object audio needs far more data per video, YouTube prioritises formats that work on every device, and supporting Dolby technology isn’t free. With billions of user-uploaded videos, defaulting to efficient stereo and optional 5.1 makes practical sense.
What happens if I upload a Dolby Atmos video to YouTube?
YouTube downmixes it. Your carefully mixed Atmos audio is converted to stereo (or 5.1 where supported), so viewers won’t hear the object-based, overhead elements. If you need to distribute true Atmos, you’ll have to use a platform or service that supports it rather than YouTube.
Where can I watch or listen to Dolby Atmos instead?
For video, services like Netflix, Disney+, Apple TV+ and Prime Video support Dolby Atmos on compatible plans and devices. For music, Apple Music, Tidal and Amazon Music offer Atmos tracks. Blu-ray and physical media also carry true Atmos soundtracks.
Final Thoughts
So, can YouTube play Dolby Atmos? No — not on standard YouTube, Premium, YouTube Music or YouTube TV. The platform tops out at 5.1 surround on compatible content and quietly downmixes anything more ambitious to stereo. That’s unlikely to change in Dolby’s form; if immersive audio does arrive, the open IAMF standard looks the more probable route. For now, if you want true Atmos, reach for Netflix, Apple TV+ or Apple Music — and if you’re a creator, forget Atmos for YouTube and pour your effort into a crisp, clean stereo mix, because that’s the sound your audience will actually hear.
A note on this guide: audio-format support reflects YouTube, YouTube Music and YouTube TV at the time of writing (July 2026); supported formats, codecs and device compatibility change over time, and surround playback depends on your content, device and setup. Check the official help pages for the latest.
Can you use copyrighted music on YouTube if you don’t monetize? The blunt answer: no.
Copyright applies whether or not you make a penny. Not running ads doesn’t exempt you — YouTube’s Content ID can still claim the video (often putting ads on it and paying the rights holder), mute it, or block it, and a strike can hit your whole channel. Here’s exactly how it works, and how to use music the safe way.
⚠️ Please note: this is general information for creators, not legal advice. Copyright law and “fair use” vary by country and depend on the specific facts, and YouTube’s systems change over time. For anything with real stakes, check YouTube’s current copyright policies and speak to a qualified lawyer.
Why trust this? I’m Alan Spicer — a YouTube Certified Expert with two decades on the platform and six Silver Play Buttons. I’ve dealt with Content ID claims and copyright rules more times than I can count, so I can give you the practical reality without the myths.
⚡ QUICK ANSWER: Can you use copyrighted music if you don’t monetize?
No. Copyright applies whether or not you monetize. YouTube’s Content ID system scans every upload, and if it matches copyrighted music the rights holder can monetize your video for themselves (yes — ads appear even if you’re not monetized), mute the audio, or block the video. In some cases you’ll get a copyright strike, and three of those can end your channel. Not making money is no protection.
The Blunt Reality
Using copyrighted material on YouTube has always been a contentious area, and music is the most common flashpoint. So let’s be direct: you cannot freely use copyrighted music just because you don’t monetize. Copyright protects the rights holder regardless of whether you make money from the video. The “I’m not monetized, so it’s fine” belief is one of the most common — and most costly — myths on the platform.
The reason is Content ID: YouTube’s automated system that scans uploads against a database of copyrighted content. It doesn’t check whether you’re in the Partner Programme or running ads. If it matches the music in your video, the rights holder gets to decide what happens next — and that decision is out of your hands.
Why “Not Monetizing” Doesn’t Protect You
Here’s the part that catches people out. When Content ID matches copyrighted music, common outcomes include:
The rights holder monetizes your video. Ads get placed on it and the revenue goes to them — even if you’re not monetized and never chose to run ads. You did the work; they collect.
The audio is muted. Your video stays up but the sound is stripped where the music plays.
The video is blocked. It may be unavailable in some countries, or worldwide.
Notice that none of these depend on your monetization status. “Not making money” doesn’t switch off copyright — it just means that when ads do appear on your video, someone else pockets them.
Content ID Claims vs Copyright Strikes
These two get confused constantly, and the difference matters a lot:
Content ID claim
Copyright strike
What it is
Automated match by the rights holder’s system
A formal legal takedown request
Penalty on channel?
Usually not — affects that video only
Yes — hits your channel’s standing
Typical outcome
Video monetized for the owner, muted, or blocked
Video removed; features can be lost
Worst case
Lost revenue / availability on that video
Three strikes = channel terminated
So a Content ID claim is annoying but survivable; a copyright strike is a genuine threat to your whole channel. Neither is worth risking for a background track you could licence cheaply or replace for free.
Myths That Get Creators in Trouble
If you’ve heard any of these, unlearn them now:
The myth
The reality
“It’s fine if I don’t monetize”
Copyright applies regardless; Content ID still claims it
“I credited the artist”
Credit isn’t permission — it gives you no protection
“I only used a few seconds”
No safe threshold exists; short clips still get flagged
There is a genuine exception, but it’s narrower than people hope. Fair use (US) and fair dealing (UK) allow limited use of copyrighted material without permission for things like commentary, criticism, review, news or parody. Two hard truths, though:
Background music almost never qualifies. Playing a song under your vlog isn’t commentary on the song — it’s just using it. That’s not fair use.
The good news: legal music is easy and often free. Your safe options:
YouTube Audio Library. Free, cleared-for-YouTube tracks and sound effects built right into Studio — and you can even use them beyond YouTube in many cases.
Licensed royalty-free services. Subscriptions like the popular creator libraries give you big catalogues cleared for use.
Lickd and similar. Services that licence popular, mainstream tracks specifically for creators — the way to use famous songs legally, covered in using copyrighted music with Lickd.
Direct permission or a licence. Contact the rights holder or buy a licence for a specific track.
Cover songs? You generally still need a licence — see making money from covers before you post one.
The rule of thumb is simple: if you don’t have the rights, don’t use it. There’s so much great, legal music available that risking your channel for a copyrighted track makes no sense.
Copyrighted Music on YouTube: FAQ
Can you use copyrighted music on YouTube if you don’t monetize?
No. Copyright applies whether or not you monetize your channel. Not running your own ads doesn’t exempt you — YouTube’s Content ID system can still detect the music and claim the video, which often means the rights holder places ads on it and takes the revenue, or the video gets muted or blocked. In some cases you can also receive a copyright strike.
Does not monetizing protect you from copyright claims?
No. Content ID scans videos regardless of whether you’re in the Partner Programme. If it matches copyrighted music, the rights holder decides what happens — commonly monetizing your video for themselves (so ads appear even if you’re not monetized), muting the audio, or blocking the video in some or all countries. Your monetization status is irrelevant to that.
What’s the difference between a Content ID claim and a copyright strike?
A Content ID claim is automated and usually not a penalty on your channel — the rights holder just controls or monetizes that video. A copyright strike is a formal legal takedown request, is far more serious, and affects your channel’s standing. Three copyright strikes can get your channel terminated.
Does crediting the artist make it OK to use their music?
No. Crediting the artist is not the same as having permission. Copyright is about rights, not acknowledgement, so adding ‘no copyright infringement intended’ or naming the artist gives you no protection. You still need a licence, permission, or a genuine fair-use basis.
Is there a number of seconds of a song I can legally use?
No. There’s no safe threshold — the ‘a few seconds is fine’ idea is a myth. Content ID can flag even short clips, and copyright doesn’t have a free-use time limit. Any recognisable use of a copyrighted track can be claimed, whatever its length.
How can I use music legally on YouTube?
Use YouTube’s free Audio Library, a licensed royalty-free service, or a platform like Lickd that licenses popular tracks for creators. You can also buy a direct licence or get the rights holder’s permission. For cover songs you generally need a licence too. The safe rule is: if you don’t have the rights, don’t use it.
Final Thoughts
So, can you use copyrighted music on YouTube if you don’t monetize? No — and the belief that you can is exactly what lands creators with claims, lost revenue and strikes. Copyright doesn’t care whether you’re making money; Content ID scans every upload, and the rights holder holds the cards. The fix is refreshingly easy: use the free Audio Library, a royalty-free subscription, or a licensing service for the famous tracks, and keep your channel clean. Great music that won’t get you claimed is everywhere — there’s simply no reason to gamble your channel on a song you don’t have the rights to.
A note on this guide: this is general information for creators, not legal advice. The behaviour described reflects YouTube’s Content ID and copyright policies and general copyright principles at the time of writing (July 2026); both YouTube’s systems and copyright law vary by country and change over time. For decisions with real consequences, consult a qualified lawyer.
Having a great idea for a YouTube channel is only part of the battle, actually bringing that idea to life can be a rough ride for some, and an expensive one if you don’t do your research.
Jumping into buying equipment without doing proper homework is one of the worst things you can do when getting started in YouTubing. For one thing, you probably won’t get the best gear for your videos, but you may also end up spending more money than you would have done if you’d researched a little. More expensive equipment plus inferior results are no one’s idea of a good result.
Fortunately, there is plenty of help out there, whether you are starting a new channel on a shoestring budget, or you have an enviable wad of cash to invest in your new life as a YouTuber.
And this post is one such example of that help. So let’s get helping!
What Equipment Do I Need?
Covering every possible type of YouTube video out there would multiple posts, so in the interests of brevity, we’re going to break things down into distinct kinds of YouTuber—on-camera and off-camera.
These terms are not referring to you necessarily, but rather the presence of (or lack of) a camera in your setup. For example, if you created a channel where you filmed people while you interviewed them, but you are never onscreen, that still counts as an on-camera video.
Regardless of the fact that you are not being filmed, you still need a camera to create your videos, and that is the only relevant detail as far as this article is concerned.
Examples of off-camera videos include any kind of video where the visual component is handled entirely in software. This could include news breakdowns, top ten lists, trailer reactions, and much more.
It would be easy to assume that the difference is one needs a camera and one doesn’t, but the truth is there is a lot of related equipment that you will have to consider if you are going to be filming.
I Can’t Afford Lots of Equipment, Where Should I Focus?
Not being able to afford all the fancy equipment that the best YouTubers use is perfectly normal. Most people can’t. As your time on YouTube progresses, you may find your circumstances allow you to invest more in your channel. You may even find that the success of the channel itself is such that it can pay for that investment.
However, the future plays out; you will understandably want to know where to put your time, effort, and money in the beginning. So let’s get the obligatory caveat out of the way first.
All the high-quality gear in the world won’t help your channel succeed if your premise is terrible, or your heart isn’t in it. Making YouTube videos is not as easy many believe, and if you don’t want to do this, you will almost certainly fail. Success—especially in the form of financial gain—does not come quickly with YouTube and is far from guaranteed. So, if you head into this without really wanting to do what you are doing, you will likely end up as one of the millions of abandoned channels that inhabit the unsearched depths of YouTube.
Similarly, no matter how good your video looks, you will struggle to get traction with bad ideas. If your channel doesn’t grow the way you’d like, don’t fall into the trap of assuming it must be because you need a better camera or a new microphone.
Equipment
Another trap that new YouTubers can fall into is assuming that you need to upgrade your setup. It can’t hurt, of course, but once you get beyond the beginner tier of YouTube gear, the cost of that gear starts to skyrocket.
Contrast this with the diminishing returns that better equipment will net your channel, and you have a strong argument for not rushing out to get that new DSLR camera.
In the beginning, only look to improve things that are objectively below par. If you are recording at 720p through a budget webcam, by all means, look to upgrade as soon as you realistically can. But if your video is fine, don’t stress too much about making it great.
If you need help to compare cameras, audio and other tools – check out my resources page where I have compiled a list of all my equipment and dream equipment for future upgrades.
Audio First
When it comes to equipment, your first priority should be audio. If you are making off-camera videos, then the audio will be your primary concern with regards to equipment anyway. However, even with on-camera videos, the sound is often more critical than video.
This is not an absolute statement, of course—if your video is unwatchable, that’s going to be a turn off no matter how good your audio is. But when you have below-average quality video and audio, it is quite often the audio that will make the difference.
I use a Boya By-MM1 Shoutgun microphone on my Canon 200D Camera. Its cheap, cheerful and very powerful. I did a full unboxing and review – you’ll be amazed how fluffy it is!
Consider this—can you think of a noise that rubs you the wrong way? Cutlery being scraped on a plate, for example. Or nails on a chalkboard. What about the sound of someone chewing with their mouth open? Most of us have a sound that cuts right through us. Now think about all the times you have watched a video in less than optimal conditions and been okay with it.
Your phone isn’t exactly ideal for watching video content. What about old 240p YouTube videos that you have sat through because the content is valuable to you?
Now, we’re not saying you should settle for 240p content, of course. But if your image is a bit fuzzy and dark, and your resolution isn’t quite 1080p, that might not be the turn-off you fear it will be. But if your audio is full of noise, artefacts, random background sounds, and unpleasant sniffles and lip-smacking, you will likely find viewers clicking away from your content very quickly.
One final thing to consider is your surroundings. If your recordings are picking up a lot of echoes, or you are getting lots of background noise from outside, you may want to look further afield than your microphone.
Things like acoustic treatment can significantly reduce echo, while a thick blind can reduce outside noise. If these are not practical solutions for you at this time, you could fashion some improvised acoustic treatment/soundproofing from thick blankets.
Video: It’s About More Than Just Your Camera
Once again, we’re assuming your camera is not absolutely shocking. If it is that bad, you should make that your next priority. If it is serviceable, however, but you feel you can do better, do not assume that buying a new camera is your only option.
Once you get deeper into filming techniques, you will quickly find that lighting is a crucial part of filming a video, and you may be surprised at how big a difference a fair-to-middling lighting setup can make to your video quality.
If you plan to continue improving your channel in the long term, you are going to need lighting at some stage. So, if your camera isn’t too bad, consider opting for lighting before upgrading your camera. It will almost certainly make a big difference to your shot, and you will be able to continue using the lighting rig when you do eventually upgrade your camera.
YouTube Equipment for Beginners: The Bare Necessities
So, we’ve talked about your microphone and your camera—two things you undoubtedly need to record video—but are there any other essential bits of kit you need when you’re getting started on YouTube? Yes! Well, kind of. There are essential bases you need to cover, though, like the thick blankets we mentioned above, you can probably make do with ingenuity if you have to.
Stability (Tripods and Stands)
Firstly, your cameras and microphones should be steady. If your camera shakes and there’s a mighty clang every time you catch your desk, it’s not going to make for a pleasant viewing experience. Consider getting a tripod for each, or even an adjustable arm if you can afford it.
Microphone shock mounts are very inexpensive these days, and many budget microphones also come with them. As for your camera, try to set it on something that isn’t likely to move while recording.
If you are filming in your bedroom and there are some questionable floorboards in there, don’t put it somewhere that will move when you shift your weight from foot to foot. You can make do with a pile of books or a shelf if you can’t get your hands on a tripod, the key is to make sure it’s a stable pile of books or shelf!
Your Set
Again, you can absolutely make do with a regular room in your home as a backdrop to your video, just put a little time into making sure it looks good on camera. But if you’re not happy with any of the options available to you, you might want to get a screen backdrop.
These tend to be plain black or white, though there is no set rule to what you should put behind you in your videos. You can even go green screen and get fancy with the recording software, but that’s a whole other topic.
Whether you opt for a physical backdrop, a screen, or a green screen, make sure that the backdrop is not distracting. If viewers attention is being drawn to something that is not relevant to the content, not only could they miss what you are trying to tell them, but they could become annoyed at the distraction.
Lights and Pop Shields
This section is a little bit of a roundup. Two things you should consider essential pieces of equipment that need adding to your setup as soon as possible are lights and pop shields.
The lighting we’ve touched on already. It doesn’t need to be a professional studio lighting rig, of course. Even a single inexpensive LED light panel will do wonders. And pop shields—small filters that sit in front of your mike to dampen the harsher blasts of air from your mouth (“plosives”)—can make a massive difference to your audio.
The Secret Weapon
There is a device that most of us own that can, in a pinch, be the answer to all of your YouTube recording woes. If you own a relatively modern phone, you already have a device that is capable of recording both audio and video at a decent enough quality to get started on YouTube.
Is it as good as having a proper setup with lighting, acoustic treatment, and an expensive camera and microphone? No. But the quality of video a decent modern phone can output is leagues above most webcams on the market, and the audio quality is on par with a budget condenser microphone. You might even get a rudimentary lighting rig going with the flash on your phone, and the Internet is full of inexpensive stands, cradles, brackets, and holders for mobile phones. What’s more, you would have to spend a surprising amount of money on gear to match the quality of, for example, an iPhone X, or a Pixel 4.
Of course, using your phone is not ideal, but the takeaway here is that not having the best equipment should not be a roadblock to you bringing your ideas to life on YouTube. Success takes works and planning, sure, but you certainly won’t succeed if you don’t get started.
Conclusions
Having the right equipment is important, but it is not the be-all and end-all of YouTubing. If you are on a budget, plan where you put your limited resources first. Think about the areas your channel would most benefit from improvement, and start there. You can also check out this list of YouTube equipment for beginners as a good starting point, as it includes a nice range of options spanning a broad range of the price spectrum.
And if all else fails, use your phone, and don’t let a lack of equipment stop you from bringing your ideas to life.
Just remember, having the best equipment will only get you so far, and it won’t be that far if your videos are not engaging for your potential audience.
Soundproofing can be the secret weapon in a new YouTuber’s arsenal.
If you were to ask a significant sample of YouTube viewers whether they would prefer better video or audio from their YouTubers, the answer might surprise you for a video platform.
While there are undoubtedly channels where good video quality is essential (software tutorials spring to mind), there are a considerable number of channels where the video element really isn’t as important as you might think.
Vlogs, educational content, interviews, list videos, we could go on. The point is, for a vast chunk of YouTubers, sound quality is considerably more important than video quality (within reason, of course). This is because hearing is the primary sense being used.
Don’t believe us?
Think about all the times you’ve put a YouTube video on and ended up doing something else while it plays. Maybe browsing the web, writing an email, checking your phone.
Not only that, but think about how many times audible cues have grated on your last nerve. People chewing while they talk, tapping, distant car alarms—audible cues can be very annoying. This is especially true when it comes to unwanted echoes, artefacts, and overall poor audio quality in YouTube videos.
Many things contribute to poor audio quality, but we’re not going to get into microphones and audio interfaces here; that deserves a post of its own – or you can watch my deep dive video on my youtube channel.
So, before we get into some tips on soundproofing your recording space, let’s quickly go over why you might want to do this.
Why Soundproof for YouTubing?
The most obvious reason, of course, is to get rid of external noise. No YouTuber wants to have to edit out the sounds of planes flying overhead, cars driving by, the next-door neighbour engaging in some late-night DIY or anything else of that nature. And your viewers certainly don’t want to listen to those noises.
Soundproofing can significantly improve your recording if you record somewhere that tends to have a lot of noise going on. But the benefits to soundproofing are not one-way.
In almost all cases (the exception being ASMR videos) whispering or quiet-talking should be avoided. At best, it’s just a little difficult to hear, but at worst it can be very annoying to some viewers (think the opposite of ASMR).
This shouldn’t be confused with low volume—it’s not the level of your audio we’re talking about. When you whisper or talk quietly, your voice is different. The quality that some people find annoying is not remedied by turning the volume up in your editing software.
But what does this have to do with soundproofing? Well, the most common reason for unintentional quiet-talking is environmental. For example, if your recording setup is in the room next to your parents, partner, or roommate, and you record late at night. The chances are, there’s not a lot you can do about the when and where you record.
But by soundproofing the space you record in, you will be able to make much more noise when you make a new video without worrying about annoying anyone around you.
Soundproofing Tips for YouTubers
We should state upfront that a number of these tips relate to the construction of the space itself—things like the walls, and floorboards. We understand that most people will not be able to implement all of these tips.
You would have to be building a studio from scratch, or tearing a room down completely to do that. Just know that implementing any of these tips should improve your situation with regards to soundproofing.
Squeaky Floorboards
You might be thinking, “but I don’t walk around when I record YouTube videos.” That may be the case, but very few of us sit or stand utterly still when we make videos. A creaking floorboard can be extremely annoying mid-video.
Unfortunately, there are no products you can go out and buy that will fix this problem, so you’ll have to get the tools out if you want to put an end to it. The first thing to check is what is causing the squeaking. If it is just a matter of loose boards themselves, you can usually remedy the problem with a few screws.
We say screws and not nails—as is probably currently holding your floorboards in place—because screws will not slide over time as nails do.
If it is the joists and noggins (the big pieces of wood your floorboards are attached to), then you might need some professional help. You will certainly need to lift your floorboards. They can usually be fixed with some L shaped brackets at the corners. If you do have to lift your floorboards, you may as well take this opportunity to re-attach them with screws.
Dotting and Dabbing: Don’t Do It!
Unfortunately, this tip is only going to be useful to people who are doing some serious renovation or perhaps building from scratch. “Dot and Dab” is a method of attaching drywall (or plasterboard, depending on where you are from) to the outer structure of your room.
It involves dabbing a healthy amount of adhesive in places (this would be the dotting) and then pressing the drywall up to it. As a means of attaching the drywall, it is inexpensive and effective.
Unfortunately, it creates a significant amount of hollow space behind your walls. In a room that has been wholly drywalled, this would essentially mean one large continuous echo chamber surrounding the place!
Acoustic Insulation
If you are renovating or building a new space and the walls will be framed out, you can take this opportunity to fill the spaces between your studs with acoustic insulation.
Acoustic insulation is denser than regular thermal insulation. It will provide you with built-in soundproofing that will stop sound from getting in or out of your recording space. There are different thicknesses available, and the width you need will depend on the thickness of your studs.
Resist the urge to buy insulation that is too thick and cram it into your walls. That could cause problems later down the line, as well as reduce the acoustic insulation properties of the material.
Windows
Birds, traffic, police sirens, inconvenient helicopter flybys—there’s a lot of unwanted noise that can get in through your window. It may not be ideal in hotter parts of the world, but the first thing you should be doing is making sure that window is closed before you record.
The cheapest solution would be nice, thick blinds or curtains. They won’t cut out all the noise, but they will make some difference.
If you’ve got a little more money to throw at the problem, consider getting a secondary glazing system, which is essentially a second window inside your existing window. The cavity created between this window and your current window makes for excellent sound dampening.
Noisy Appliances
Washing machines are loud. We get it. Some washing machines could be at the other end of your home and still get picked up on a recording.
Unfortunately, the overwhelming majority of us do not have the option to simply move the washing machine—or our recording space—to get around this problem. Though if you do, that would be the best solution.
Assuming you’re stuck, however, the first thing to consider is an acoustic mat under your washing machine. It will not cut the sound completely, but it will significantly reduce it. If your washing machine (or other noisy appliance) is not right next to your recording space, this might be enough.
If not, we’re sorry to say that your only practical option is to plan your recordings so that any noisy appliances are not running.
Change Your Microphone
You might also consider a new microphone that is less prone to picking up the background noise. It should be stated that any built-in or inexpensive USB microphone will likely need upgrading as a matter of course.
But if your mic is picking up a lot of background noise, there may be an alternative model with a tighter pickup pattern.
I use a Boya By-MM1 on my DSLR Camera and this is great when I am stood in front of it recording in stable environment – I did a hands on review video and blog of the Boya BY-MM1 microphone with some interesting facts about its pick up pattern – You’ll me amazed the difference you can make when you match the right microphone to your set up.
In the same realm as a new mic, you could also consider turning your microphone’s input level down and having the mic be closer to your face, or speaking more forcefully. Or both.
If you do decide to go down this route, be sure to have a pop shield on your mic. It’s good practice to have one anyway, but if you’re going to be putting the mic closer to your face and speaking louder, you definitely need one.
Use a Noise Gate
A noise gate is a term given to software or hardware that cuts off audio completely when it gets below a specific volume. Using this, you can cut away the background noise by setting the gate to just above the level of the noise. It will then let the audio through when you speak, pushing the sound level above the gate.
There are a few different ways to employ a noise gate on your recordings. The simplest—yet most expensive—is to get an outboard noise gate device. You would run your mic signal through the gate directly, where it would gate the audio before sending it into your recording software.
Another alternative is live VST (Virtual Studio Technology) noise gates—a software alternative that works as you are recording. This has the advantage of giving you that live feedback, but it also adds strain on your computer.
And, finally, you could apply the noise gate after the fact. This is the cheapest option—free audio editor Audacity has this functionality built-in—but also the most time-consuming.
It is worth noting that if you have unusually high levels of background noise, a noise gate may not be the best option. The louder the gate has to be to cut the noise out, the more obvious it is when it activates. Not to mention, the noise will still be present when you are speaking.
Acoustic Foam Tiles
The more initiated of you are probably yelling, “that’s not soundproofing!” right now. And you are right. Those eggbox-like foam tiles you see on YouTuber’s walls are not soundproofing. The job of acoustic tiles is to kill things like echo and reverb in a space.
Imagine you have a bouncy ball. If you bounce that ball on some smooth concrete, you’ll get some good height. If you take that same ball and bounce it on long grass, you’ll be lucky to get any height at all. Now imagine the ball is a sound wave, hitting the wall and bouncing off. Foam tiles work a lot like the grass.
By strategically placing foam tiles around your recording space (or just covering every surface if you can afford that many tiles), you reduce the amount of sound reflection.
If you can only get your hands on a limited amount of foam tiles, consider what kind of microphone you have before placing them. Many microphones have limited pickup around the back, so reducing reflections coming from that direction would be a waste of your tiles.
Carpets or Rugs (or Both!)
A good, thick carpet or rug can address issues raised both in the squeaky floorboards section, and the previous section on acoustic foam tiles. Like foam tiles, a thick carpet or rug will significantly reduce sound reflection, meaning less reverb and echo when you record.
It will also reduce the amount of noise made by you moving around the room. It won’t fix squeaky floorboards, but if you didn’t fancy pulling your floor up, a thick carpet or rug would muffle the noise it makes.
You could also take this one step further by installing some acoustic underlay, which will significantly reduce the amount of noise that gets through your floor.
Microphone Shielding
Our last tip is ideal for people who can’t (or don’t want to) attempt any of the previous tips. Using a product like Kaotica’s Eyeball (or one of the considerably less expensive Chinese alternatives) you can isolate your mic from the outside world significantly.
These products are essentially a hollow ball of acoustic foam that your mic sits inside, blocking noise from all directions except the front. You will still need to worry about reflections from behind you, but the amount unwanted sound getting to your mic is significantly reduced. Just be aware that these are not compact items. You will need plenty of space around your microphone.
Improve Your Audio Quality — 5 YouTube Sound Tips 2018 // Video sound tips to master the perfect environment for better audio in your YouTube videos. Better audio on YouTube is normally favoured over quality video. A shakey video you can hear clearly is excusable, but painfully bad audio is unforgivable.
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